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1 " He recounted how, at a Jesuit retreat put on by the UCA, the fathers had been talking politics and discussing the issues of democracy in Latin America. Apparently they were sitting around castigating the FMLN for its authoritarianism. Then someone pointed out that in a real democracy, not just the priests but the women who were serving them lunch were going to have something to say about the way things were run, and one of the men blurted out, " You can't do that. They'd make horrible mistakes." Well, said Martín-Baró, that's right: Democracy definitely means that people will make mistakes. " And," he added, " we should welcome them. "
2 " In the movie I was played by an actor who actually looked more like me than the character the author portrayed in the book: I wasn't blond, I wasn't tan, and neither was the actor. I also suddenly became the movie's moral compass, spouting AA jargon, castigating everyone's drug use and trying to save Julian. (I'll sell my car," I warn the actor playing Julian's dealer. " Whatever it takes." ) This was slightly less true of Blair's character, played by a girl who actually seemed like she belonged in our group-- jittery, sexually available, easily wounded. Julian became the sentimentalized version of himself, acted by a talented, sad-faced clown, who has an affair with Blair and then realizes he has to let her go because I was his best bud. " Be good to her," Julian tells Clay. " She really deserves it." The sheer hypocrisy of this scene must have made the author blanch. Smiling secretly to myself with perverse satisfaction when the actor delivered that line, I then glanced at Blair in the darkness of the screening room. "