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1 " Before drifting away entirely, he found himself reflecting---not for the first time---on the peculiarity of adults. Thet took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood. "
― Stephen King , 'Salem's Lot
2 " All vegans and vegetarians have heard it: “But what about the plants? What about their feelings? They feel pain, too. Don’t you feel bad for the carrots? You are killing them, you know.”Sorry, but the above represent the dumbest set of excuses I’ve ever heard as to why some people claim eating animals is morally equivalent to eating plants. Tellingly, these people’s concern for plant feelings has not reared its head over eating a baked potato with steak, or seeing capers in chicken piccata. No, it’s arisen because the conversation has turned to cruelty toward the animals we eat, something that’s difficult to swallow. "
― Mikko Alanne
3 " I feel as if I could be any thing or every thing, as if I could rant and storm, or sigh, or cut capers in any tragedy or comedy in the English language. "
― Jane Austen , Mansfield Park
4 " There are some themes, some subjects, too large for adult fiction; they can only be dealt with adequately in a children's book.The reason for that is that in adult literary fiction, stories are there on sufferance. Other things are felt to be more important: technique, style, literary knowingness. Adult writers who deal in straightforward stories find themselves sidelined into a genre such as crime or science fiction, where no one expects literary craftsmanship.But stories are vital. Stories never fail us because, as Isaac Bashevis Singer says, " events never grow stale." There's more wisdom in a story than in volumes of philosophy. And by a story I mean not only Little Red Riding Hood and Cinderella and Jack and the Beanstalk but also the great novels of the nineteenth century, Jane Eyre, Middlemarch, Bleak House and many others: novels where the story is at the center of the writer's attention, where the plot actually matters. The present-day would-be George Eliots take up their stories as if with a pair of tongs. They're embarrassed by them. If they could write novels without stories in them, they would. Sometimes they do.But what characterizes the best of children's authors is that they're not embarrassed to tell stories. They know how important stories are, and they know, too, that if you start telling a story you've got to carry on till you get to the end. And you can't provide two ends, either, and invite the reader to choose between them. Or as in a highly praised recent adult novel I'm about to stop reading, three different beginnings. In a book for children you can't put the plot on hold while you cut artistic capers for the amusement of your sophisticated readers, because, thank God, your readers are not sophisticated. They've got more important things in mind than your dazzling skill with wordplay. They want to know what happens next. "
5 " I'm at that age where I watch such things with two minds, one that cackles at these capers and another that never gets much beyond a rather jaded and self-conscious smile, like the Mona Lisa. "
― Alan Bradley , The Weed That Strings the Hangman's Bag (Flavia de Luce, #2)
6 " Certainly not! I didn't build a machine to solve ridiculous crossword puzzles! That's hack work, not Great Art! Just give it a topic, any topic, as difficult as you like..." Klapaucius thought, and thought some more. Finally he nodded and said:" Very well. Let's have a love poem, lyrical, pastoral, and expressed in the language of pure mathematics. Tensor algebra mainly, with a little topology and higher calculus, if need be. But with feeling, you understand, and in the cybernetic spirit." " Love and tensor algebra?" Have you taken leave of your senses?" Trurl began, but stopped, for his electronic bard was already declaiming:Come, let us hasten to a higher plane,Where dyads tread the fairy fields of Venn,Their indices bedecked from one to n,Commingled in an endless Markov chain!Come, every frustum longs to be a cone,And every vector dreams of matrices.Hark to the gentle gradient of the breeze:It whispers of a more ergodic zone.In Reimann, Hilbert or in Banach spaceLet superscripts and subscripts go their ways.Our asymptotes no longer out of phase,We shall encounter, counting, face to face.I'll grant thee random access to my heart,Thou'lt tell me all the constants of thy love;And so we two shall all love's lemmas prove,And in bound partition never part.For what did Cauchy know, or Christoffel,Or Fourier, or any Boole or Euler,Wielding their compasses, their pens and rulers,Of thy supernal sinusoidal spell?Cancel me not--for what then shall remain?Abscissas, some mantissas, modules, modes,A root or two, a torus and a node:The inverse of my verse, a null domain.Ellipse of bliss, converge, O lips divine!The product of our scalars is defined!Cyberiad draws nigh, and the skew mindCuts capers like a happy haversine.I see the eigenvalue in thine eye,I hear the tender tensor in thy sigh.Bernoulli would have been content to die,Had he but known such a^2 cos 2 phi! "
7 " A surprising number of American skyjackers were not yet old enough to drink or sometimes even drive. These adolescents were generally inept at planning their crimes, and few of their capers met with any success; most seemed to end within moments of starting, usually after a fatherly pilot convinced the nervous teen to hand over his gun. "
