4
" That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows.At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself " Titanic Beggar." " Titanic City" was born.It's the song, they said.No, the sea. The luxury. The ship.It's the sex, they whispered.Leo, said Aziza sheepishly. It's all about Leo." Everybody wants Jack," Laila said to Mariam. " That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead. "
5
" Tempestuous plains tell the tale,Windswept wastes do bewail,Haunting Spirit of the land,Seeks the living, seeks the damned.Horizoned edge sheared with grass, Dark Storm Rising in the pass,Ageless Spirit seeks the path,To torment souls to the last.Brooding Spirit upon the plain,Thunderhead gathers for the rain. Light grows dim then bolts with pain,On dry Earth her sin is stained.(Frightened creatures do stampede,Into night, they do recede).Ungodded hand on seasoned blade,Reaps the harvest of the Age.Released from her eternal din,Spirit of the Age rises again.Seeking to plunder and consume, Those who were proud, those who presumed.Spirits rage while storm draws nigh,Upon burning plain and emblazoned sky.It is said giants grapple in the Earth so deep,To contend for souls that they might keep. The Storm spirit now searches the high and the low,To seek her manchild victim in the fields below.Leaves bad wasteland to claim but a fallen man,Denying it Heaven, crowning it, ‘Son of the Damned.’Treacherous Spirit of the far lost night, Tramples souls down denying them light.Storm seethes with furious hiss,Leads men on to bottomless pit.This most ancient of foes has come from her den,To seek the living, to make ready those dead. A living sacrifice is her soul desire,To snatch the soul for black funeral pyre.A double-damned devil, that is she,This one who lies, who claims to make free.A lying spirit, that is her domain, A storm-wracked Fury of self-proclaim.Onward she seeks, this bleak Northern wind,Searching for naught but for a soul akin.Amidst the howling and the rage,To murder again, that is her trade. As this spirit of graves left the plain,She left a wake of dead in shrouded train. Now down from the plain Storm did come,Unto those cities wherein was no sun.There with whirlwind she did rip and scour, For those souls of whom she could tear and devour.She comes to seek the living and the dead,Those who were frightened, those with no dread.Thus upon those she did acclaim,“I am the Mistress of the living and the slain.” O’ haunting Spirit of this land,Taker of life, maker of the damned. --On Villainess Storm, Ch. One Valley of the Damned "
8
" Life with a man is more businesslike after it, and money matters work better. And then, you see, if you have rows, and he turns you out of doors, you can get the law to protect you, which you can't otherwise, unless he half-runs you through with a knife, or cracks your noddle with a poker. And if he bolts away from you--I say it friendly, as woman to woman, for there's never any knowing what a man med do-- you'll have the sticks o' furniture, and won't be looked upon as a thief. "
― Thomas Hardy , Jude the Obscure
9
" That was the real secret of the Tarahumara: they'd never forgotten what it felt like to love running. They remembered that running was mankind's first fine art, our original act of inspired creation. Way before we were scratching pictures on caves or beating rhythms on hollow trees, we were perfecting the art of combining our breath and mind and muscles into fluid self-propulsion over wild terrain. And when our ancestors finally did make their first cave paintings, what were the first designs? A downward slash, lightning bolts through the bottom and middle--behold, the Running Man.
Distance running was revered because it was indispensable; it was the way we survived and thrived and spread across the planet. You ran to eat and to avoid being eaten; you ran to find a mate and impress her, and with her you ran off to start a new life together. You had to love running, or you wouldn't live to love anything else. And like everyhing else we ove--everything we sentimentally call our 'passions' and 'desires' it's really an encoded ancestral necessity. We were born to run; we were born because we run. We're all Running People, as the Tarahumara have always known. "
― Christopher McDougall , Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen
15
" If spirituality means seeking ['Self'-Realization], why do I need a Guru?' Let's say, all that you're seeking is to go to Kedarnath right now. Somebody is driving; the roads are laid out. If you came alone and there were no proper directions, definitely you would have wished, " I wish there was a map to tell me how to get there." On one level, a Guru is just a map. He's a live map. If you can read the map, you know the way, you can go. A Guru can also be your bus driver. You sit here and doze and he will take you to Kedarnath; but to sit in this bus and doze off, or to sit in this bus joyfully, you need to trust the bus driver. If every moment, with every curve in this road, you go on thinking, " Will this man kill me? Will this man go off the road? What intention does he have for my life?" then you will only go mad sitting here. We're talking about trust, not because a Guru needs your trust, it's just that if there's no trust you will drive yourself mad.This is not just for sitting on a bus or going on a spiritual journey. To live on this planet, you need trust. Right now, you trust unconsciously. You're sitting on this bus, which is just a bundle of nuts and bolts and pieces of metal. Look at the way you're going through the mountains. Unknowingly, you trust this vehicle so much. Isn't it so? You have placed your life in the hands of this mechanical mess, which is just nuts and bolts, rubbers and wires, this and that. You have placed your life in it, but you trust the bus consciously. The same trust, if it arises consciously, would do miracles to you. When we say trust, we're not talking about anything new to life. To be here, to take every breath in and out, you need trust, isn't it? Your trust is unconscious. I am only asking you to bring a little consciousness to your trust. It's not something new. Life is trust, otherwise nobody can exist here. "
17
" One need not be a chamber to be haunted,
One need not be a house;
The brain has corridors surpassing
Material place.
Far safer, of a midnight meeting
External ghost,
Than an interior confronting
That whiter host.
Far safer through an Abbey gallop,
The stones achase,
Than, moonless, one's own self encounter
In lonesome place.
Ourself, behind ourself concealed,
Should startle most;
Assassin, hid in our apartment,
Be horror's least.
The prudent carries a revolver,
He bolts the door,
O'erlooking a superior spectre
More near. "
― Emily Dickinson , The Complete Poems of Emily Dickinson
18
" That day and night, the bleeding and the screaming, had knocked something askew for Esme, like a picture swinging crooked on a wall. She loved the life she lived with her mother. It was beautiful. It was, she sometimes thought, a sweet emulation of the fairy tales they cherished in their lovely, gold-edged books. They sewed their own clothes from bolts of velvet and silk, ate all their meals as picnics, indoors or out, and danced on the rooftop, cutting passageways through the fog with their bodies. They embroidered tapestries of their own design, wove endless melodies on their violins, charted the course of the moon each month, and went to the theater and the ballet as often as they liked--every night last week to see Swan Lake again and again. Esme herself could dance like a faerie, climb trees like a squirrel, and sit so still in the park that birds would come to perch on her. Her mother had taught her all that, and for years it had been enough. But she wasn't a little girl anymore, and she had begun to catch hints and glints of another world outside her pretty little life, one filled with spice and poetry and strangers. "
― Laini Taylor , Lips Touch: Three Times
