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1 " As I turned my head and looked out the window, I saw that everything around me was glowing from within. The sunlight on the trees, the swaying of the leaves in the wind, the slight rattle of the panes of glass in the old window frame, were too beautiful for words. I was enthralled at how miraculous everything was. Absolutely everything was beautiful. . . .I saw clearly that everyone is made of light—that we are like forms of light—but that a crust has formed over it. The crust is black and rubbery like tar and has obscured the inner light that is everyone’s real, inner self. Some blotches of tar are very thick; other areas are thinner and more transparent. Those who have worked on themselves for longer have less tar and they radiate more of their inner light. Because of their personal history, others are covered with more tar and need a great deal of work to get free of it. . .If we observe ourselves truthfully and non-judgmentally, seeing the mechanisms of our personality in action, we can wake up, and our lives can be a miraculous unfolding of beauty and joy. "
― , The Wisdom of the Enneagram: The Complete Guide to Psychological and Spiritual Growth for the Nine Personality Types
2 " Time thins the cloth of memory. As the ages pass, its rich colors fade. Strong wool is beaten by the elements until the pattern of its lesson disintegrates, leaving holes in the truth it was meant to carry on. Even the stains of blood bend and bleed, leaving but faded blotches without meaning, mere shadows of lessons that came before, their warnings lost within the obscure impression that remains. "
― Melissa McPhail , The Dagger of Adendigaeth (A Pattern of Shadow & Light, #2)
3 " Regardless of the subject of my films … I am looking for a way of evoking in audiences feelings similar to my own: the physically painful impotence and sorrow that assail me when I see a man weeping at the bus stop, when I observe people struggling vainly to get close to others, when I see someone eating up the left-overs in a cheap restaurant, when I see the first blotches on a woman's hand and know that she too is bitterly aware of them, when I see the kind of appalling and irreparable injustice that so visibly scars the human face. I want this pain to come across to my audience, to see this physical agony, which I think I am beginning to fathom, to seep into my work. "
― Krzysztof Kieślowski
4 " Black vomit came gushing out Samantha’s mouth, adding to the puddle already on the floor. Samantha was covered in a sheen of sweat, crouched on all fours on the wooden hallway floor, like an animal. Her thick yellow fingernails made deep scratches in the wood as her body convulsed with each new expulsion of the black vomit. Her hair was long and thick and full; thicker and fuller than he had ever seen it. It reminded him of a lion’s mane. Her skin was a sickly pale grey with disturbing red boils the size of grapefruit and weeping puss-filled black blotches where others had burst. Spider webs of blue veins were visible under the skin all over her body. "
― , Tagged: The Apocalypse
