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1 " Look at the tyranny of party-- at what is called party allegiance, party loyalty-- a snare invented by designing men for selfish purposes-- and which turns voters into chattels, slaves, rabbits; and all the while, their masters, and they themselves are shouting rubbish about liberty, independence, freedom of opinion, freedom of speech, honestly unconscious of the fantastic contradiction; and forgetting or ignoring that their fathers and the churches shouted the same blasphemies a generation earlier when they were closing thier doors against the hunted slave, beating his handful of humane defenders with Bible-texts and billies, and pocketing the insults nad licking the shoes of his Southern master. "
― Mark Twain , Autobiography of Mark Twain: Volume 1, Reader's Edition
2 " Would it be possible, he wondered, to stand up before the world and with the utmost conviction spew out lies and nonsense? To say that windmills were knights, that a barber’s basin was a helmet, that puppets were real people? Would it be possible to persuade others to agree with what he said, even though they did not believe him? In other words, to what extent would people tolerate blasphemies if they gave them amusement? The answer is obvious, isn’t it? To any extent. For the proof is that we still read the book. It remains highly amusing to us. And that’s finally all anyone wants out of a book—to be amused. "
― Paul Auster , City of Glass (The New York Trilogy, #1)
3 " I am sometimes shocked by the blasphemies of those who think themselves pious--for instance, the nuns who never take a bath without wearing a bathrobe all the time. When asked why, since no man can see them, they reply: " Oh, but you forget the good God." Apparently they conceive of the Deity add a Peeping Tom, whose omnipotence enables Him to see through bathroom walls, but who is foiled by bathrobes. "
4 " What can we learn from women like Gertrude " Ma" Rainey, Bessie Smith, and Billie Holiday that we may not be able to learn from Ida B. Wells, Anna Julia Cooper, and Mary Church Terrell? If we were beginning to appreciate the blasphemies of fictionalized blues women - especially their outrageous politics of sexuality - and the knowledge that might be gleaned from their lives about the possibilities of transforming gender relations within black communities, perhaps we also could benefit from a look at the artistic contributions of the original blues women. "
