4
" This night is going well." Hello there." I speak too soon.Dunstan enters, his two cronies behind him. Everyone standing around goes quiet. I flinch, but not for me; he's gazing at Ivy like a lion at a piece of meat. Ivy just keeps grinning." And may I say you are the prettiest girl I've seen all night," Dunstan says, not noticing the fact Ivy's already taken.Ivy stares down at her feet, a pale blush the color of pink roses brushed across her cheeks. " You don't mean that," she whispers, not knowing she's accidentally flirting." I really do," Dunstan continues in his oily, supposedly charming voice, and I roll my eyes. I want to pull Ivy away, but if I do, Dunstan will notice me. And without Melanie breathing down his neck, who knows what he'll try to pull?" So what's your name, beautiful?" Ivy blush deepens and i feel my nails dig into my skin. I'm the one whose supposed to tell her she's pretty, not this jerk." My name is Ivy," Ivy replies." Ivy. I like it. It suits you." I feel an arm on my shoulder and turning around, I see Aidan holding me back. Unconsciously, I've stepped forward, ready to challenge him." So what is your name?" Ivy asks, still shyly peering down at her shoeless feet.Acting all surprised he got asked this, Dunstan runs a hand through his hair. " My name is Dunstan." Ivy's flush instantly vanishes, the corners of her mouth turns down, and her eyebrows knit together." Dunstan? This is your name?" Quiet as she's being, I know there's anger there. I'd hate to be the recipient of this tone.But Dunstan the egotistical baboon butt isn't aware of the change. " Yep, that's me." " What is your last name?" I feel someone shaking. Aidan's still hanging on to me, and he's nervous, too.Dunstan still doesn't detect her malice. " Why, my last name's Lebelle. Dunstan Lebelle." He chuckles. " Perhaps you've heard of me?" " Oh yes," Ivy hisses, suddenly radiating ferocious fury. " I've heard much about the boy who nearly got Rylan Forester killed." Even with blaring music in the next room, you can hear a pin drop throughout the kitchen as everyone goes quiet, having lost all ability to talk due to flapping jaws. Someone whistles." Excuse me?" Dunstan sounds like he can't believe what he's hearing." You heard me." Ivy glares, knowing she has him caught. " You pushed Rylan into the swamp where the alligator attacked him. Sure, you can blame the alligator, but when you really think about, if you had not pushed him in, Rylan wouldn't have nearly died. Who, by the way," Ivy steps back, clasping my free hand in hers, " happens to be my friend and my date." Everyone bursts into titters—no one has ever spoken to Dustan Lebelle like that—as Dunstan stares at me wide-eyed, finally taking in my existence. But before he can do anything, Ivy pulls my hand." We're leaving," she declares, giving Dunstan one last stink eye. And with her nose in the air and me following, Ivy boldly walks right out the back door. "
8
" There is another system, more beaded than weather or murder, that is moving up into the province. As Les leaves the chair to investigate his son’s crying a thousand zombies form an alliterative fog around Lake Scugog and beyond, mouthing the words Helen, hello, help. This fog predominates the region; however, other systems compete, bursting and winding with vowels braiding into dipthongs so long that they dissipate across a thousand panting lips. In the suburbs of Barrie, for instance, an alliteration that began with the wail of a cat in heat picked up the consonant “Guh” from a fisherman caught in surprise on Lake Simcoe. The echoing coves of the lake added a sort of meter, and by the time these sounds arrived in Gravenhurst, the people there were certain that a musical was blaring from speakers in the woods. All across the province, zombies, like extras in a crowd scene, imitate a thousand conversations. They open and close their mouths on things and sound is a heavy carpet of mumbling, a pre-production monstrosity. In minutes the Pontypool fog will march on the town of Sunderland and over the barriers south of Lindsay. "
― Tony Burgess , Pontypool Changes Everything
11
" To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established. "
― George Orwell , The Road to Wigan Pier
