belly QUOTES

1 " One thing I do know about intimacy is that there are certain natural laws which govern the sexual experience of two people, and that these laws cannot be budged any more than gravity can be negotiated with. To feel physically comfortable with someone else's body is not a decision you can make. It has very little to do with how two people think or act or talk or even look. The mysterious magnet is either there, buried somewhere deep behind the sternum, or it is not. When it isn't there (as I have learned in the past, with heartbreaking clarity) you can no more force it to exist than a surgeon can force a patient's body to accept a kidney from the wrong donor. My friend Annie says it all comes down to one simple question: " Do you want your belly pressed against this person's belly forever --or not? "

3 " My wife with the hair of a wood fireWith the thoughts of heat lightningWith the waist of an hourglassWith the waist of an otter in the teeth of a tigerMy wife with the lips of a cockade and of a bunch of stars of the last magnitudeWith the teeth of tracks of white mice on the white earthWith the tongue of rubbed amber and glassMy wife with the tongue of a stabbed hostWith the tongue of a doll that opens and closes its eyesWith the tongue of an unbelievable stoneMy wife with the eyelashes of strokes of a child's writingWith brows of the edge of a swallow's nestMy wife with the brow of slates of a hothouse roofAnd of steam on the panesMy wife with shoulders of champagneAnd of a fountain with dolphin-heads beneath the iceMy wife with wrists of matchesMy wife with fingers of luck and ace of heartsWith fingers of mown hayMy wife with armpits of marten and of beechnutAnd of Midsummer NightOf privet and of an angelfish nestWith arms of seafoam and of riverlocksAnd of a mingling of the wheat and the millMy wife with legs of flaresWith the movements of clockwork and despairMy wife with calves of eldertree pithMy wife with feet of initialsWith feet of rings of keys and Java sparrows drinkingMy wife with a neck of unpearled barleyMy wife with a throat of the valley of goldOf a tryst in the very bed of the torrentWith breasts of nightMy wife with breasts of a marine molehillMy wife with breasts of the ruby's crucibleWith breasts of the rose's spectre beneath the dewMy wife with the belly of an unfolding of the fan of daysWith the belly of a gigantic clawMy wife with the back of a bird fleeing verticallyWith a back of quicksilverWith a back of lightWith a nape of rolled stone and wet chalkAnd of the drop of a glass where one has just been drinkingMy wife with hips of a skiffWith hips of a chandelier and of arrow-feathersAnd of shafts of white peacock plumesOf an insensible pendulumMy wife with buttocks of sandstone and asbestosMy wife with buttocks of swans' backsMy wife with buttocks of springWith the sex of an irisMy wife with the sex of a mining-placer and of a platypusMy wife with a sex of seaweed and ancient sweetmeatMy wife with a sex of mirrorMy wife with eyes full of tearsWith eyes of purple panoply and of a magnetic needleMy wife with savanna eyesMy wife with eyes of water to he drunk in prisonMy wife with eyes of wood always under the axeMy wife with eyes of water-level of level of air earth and fire "

5 " All the world's a stage,
And all the men and women merely players;
They have their exits and their entrances,
And one man in his time plays many parts,
His acts being seven ages. At first, the infant,
Mewling and puking in the nurse's arms.
Then the whining schoolboy, with his satchel
And shining morning face, creeping like snail
Unwillingly to school. And then the lover,
Sighing like furnace, with a woeful ballad
Made to his mistress' eyebrow. Then a soldier,
Full of strange oaths and bearded like the pard,
Jealous in honor, sudden and quick in quarrel,
Seeking the bubble reputation
Even in the cannon's mouth. And then the justice,
In fair round belly with good capon lined,
With eyes severe and beard of formal cut,
Full of wise saws and modern instances;
And so he plays his part. The sixth age shifts
Into the lean and slippered pantaloon,
With spectacles on nose and pouch on side;
His youthful hose, well saved, a world too wide
For his shrunk shank, and his big manly voice,
Turning again toward childish treble, pipes
And whistles in his sound. Last scene of all,
That ends this strange eventful history,
Is second childishness and mere oblivion,
Sans teeth, sans eyes, sans taste, sans everything. "

― William Shakespeare , As You Like It

7 " People usually asked her if she had a belly button. Of course she had a belly button. She couldn't explain how. She didn't really want to know. "

― Rick Riordan , The Mark of Athena (The Heroes of Olympus, #3)

9 " Men are all the same, they think that because they came out of the belly of a woman they know all there is to know about women. "

― José Saramago