1
" I think most people are just trying to be happy, and that most of their actions, however misguided, are in line with that goal. Most people just want to feel they belong somewhere, want to be loved, and want to feel they're important to someone. If you really examine all the wrongheaded and messed-up things they do, they can most often be traced back to that basic desire. The abusers, the addicted, the cruel and unpleasant, the manipulators --these are just people who started this quest for happiness in the basement of their lives. Someone communicated to them through word or deed that they were undeserving, so they think they have to claw their way there over the backs of others, leaving scars and creating damage. Of course, they only create more misery for themselves and others. "
― Lisa Unger , Sliver of Truth (Ridley Jones, #2)
2
" Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like. "
― A.S. Byatt , Possession
4
" The Reformation was a time when men went blind, staggering drunk because they had discovered, in the dusty basement of late medievalism, a whole cellar full of fifteen-hundred-year-old, two-hundred proof Grace–bottle after bottle of pure distilate of Scripture, one sip of which would convince anyone that God saves us single-handedly. The word of the Gospel–after all those centuries of trying to lift yourself into heaven by worrying about the perfection of your bootstraps–suddenly turned out to be a flat announcement that the saved were home before they started…Grace has to be drunk straight: no water, no ice, and certainly no ginger ale; neither goodness, nor badness, not the flowers that bloom in the spring of super spirituality could be allowed to enter into the case. "
― Robert Farrar Capon , Between Noon & Three: Romance, Law & the Outrage of Grace
9
" She traced the dragon’s body on his biceps where it transitioned into rope. “I just thought it would be more difficult. After all this time, the heartache, the waiting, the despairing and giving up, the pure pissed-offness of dealing with near misses…" She blew out a breath. “And there it is. With you, easy as breathing. ‘I’m in love with you.’ You said it and meant it. It changes the universe, but the way throwing a stone in a pond does. All those ripples. It's…amazing.”She frowned and cocked her head. “There should at least be dramatic music.” " I can retract it if you want. Brood for a while, play commitment paranoia games, alienate you so we break up, sort of, and then I chase you down before you make some monumental decision, like moving back to New York, or signing up for a three year stint in the merchant marines. Then we can have a big makeup scene.“ She pursed her lips. " Complete with dramatic music.” " Absolutely. If I could afford it, I’d hire John Williams to come up with the score.“ " You’d do all that for me?” " Hell, no.” He snorted, puffing a short, playful breath against her. “I’d tie you up and keep you in my basement until you contracted Stockholm syndrome and couldn’t breathe without me.“She tipped her head back, sobering. " Sometimes, it feels like I can’t. Crazy, right?” He put his mouth on hers and took her air in the best kind of way, all while giving it back to her. at her, boyishly appealing, but then sobered. " We’re normal, extraordinary people,” he said. “It took us a while, but we always knew what it would look like when it happened. The simplicity of it is what makes it extraordinary. A tadpole gets legs and walks on land, and evolution begins. All in a simple blink, the whole world changes. "
12
" At that time, I well remember whatever could excite - certain accidents of the weather, for instance, were almost dreaded by me, because they woke the being I was always lulling, and stirred up a craving cry I could not satisfy. One night a thunder-storm broke; a sort of hurricane shook us in our beds: the Catholics rose in panic and prayed to their saints. As for me, the tempest took hold of me with tyranny: I was roughly roused and obliged to live. I got up and dressed myself, and creeping outside the basement close by my bed, sat on its ledge, with my feet on the roof of a lower adjoining building. It was wet, it was wild, it was pitch dark. Within the dormitory they gathered round the night-lamp in consternation, praying loud. I could not go in: too resistless was the delight of staying with the wild hour, black and full of thunder, pealing out such an ode as language never delivered to man - too terribly glorious, the spectacle of clouds, split and pierced by white and blinding bolts. "
― Charlotte Brontë
13
" I think of human existence as being like a two-story house. On the rst oor people gather together to take their meals, watch television, and talk. e second oor contains private chambers, bedrooms where people go to read books, listen to music by themselves, and so on. en there is a basement;
this is a special place, and there are a number of things stored here. We don’t use this room much in our daily life, but some- times we come in, vaguely hang around the place. en, my thought is that underneath that basement room is yet another basement room. is one has a very special door, very di - cult to gure out, and normally you can’t get in there—some people never get in at all. . . . You go in, wander about in the darkness, and experience things there you wouldn’t see in the normal parts of the house. You connect with your past there, because you have entered into your own soul. But then you come back. If you stay over there for long you can never get back to reality. "
― Haruki Murakami
14
" Love, the exotic bird,
came and went.
Heart forgot love.
Joy, the majestic willow,
wept and died.
Mind forgot joy.
Hope, the basement lamp,
fell and broke.
Soul forgot hope.
Self, the anxious caterpillar,
took flight and dropped.
Self forgot self.
You, my all,
became all my reasons.
Reasons left.
You left.
I never forgot. "
― Kamand Kojouri
16
" Astrid felt a towering wave of disgust. She was furious with Sam. Furious with Little Pete. Mad at the whole world around her. Sickened by everyone and everything.
And mostly, she admitted, sick of herself.
So desperately sick of being Astrid the Genius.
“Some genius,” she muttered. The town council, headed by that blond girl, what was her name? Oh right: Astrid. Astrid the Genius. Head of the town council that had let half the town burn to the ground.
Down in the basement of town hall Dahra Baidoo handed out scarce ibuprofen and expired Tylenol to kids with burns, like that would pretty much fix anything, as they waited for Lana to go one by one, healing with her touch.
Astrid could hear the cries of pain. There were several floors between her and the makeshift hospital. Not enough floors.
Edilio staggered in. He was barely recognizable. He was black with soot, dirty, dusty, with ragged scratches and scrapes and clothing hanging in shreds.
“I think we got it,” he said, and lay straight down on the floor.
Astrid knelt by his head. “You have it contained?”
But Edilio was beyond answering. He was unconscious. Done in.
Howard appeared next, in only slightly better shape. Some time during the night and morning he’d lost his smirk. He glanced at Edilio, nodded like it made perfect sense, and sank heavily into a chair.
“I don’t know what you pay that boy, but it’s not enough,” Howard said, jerking his chin at Edilio.
“He doesn’t do it for pay,” Astrid said.
“Yeah, well, he’s the reason the whole town didn’t burn. Him and Dekka and Orc and Jack. And Ellen, it was her idea. "
― Michael Grant , Lies (Gone, #3)
20
" My grandfather had been the ugliest, darkest, foulest, most depraved figure of my childhood, more beast than human, and I had grown up to be him, locked in the basement with my secrets as the rest of the family reveled in the petty and ordinary upstairs. Down there, I saw my black, ancient, ineluctable core exposed, like a crab forced out of its shell--dirty, vulnerable, and obscene. For the first time in my life, I was truly alone. "
― Marilyn Manson , The Long Hard Road Out of Hell
