8
" So the first time she and Leo combusted, she'd practically been poised for the breakup. In some inexplicable way, she'd been looking forward to it and all its attendant drama, because wasn't there something nearly lovely–when you were young enough–about guts churning and tear ducts being put to glorious overuse? She recognized the undeniable satisfaction of the first emotional fissure because an unraveling was still something grown-up and, therefore, life affirming. See? The broken heart signalled. I loved enough to lose; I felt enough to weep. Because when you were young enough, the stakes of love were so very small, nearly insignificant. How tragic could a breakup be when it was part of the fabric of expectation from the beginning? The hackneyed fights, the late-night phone calls, the indignant recounting for friends over multiple drinks and in earshot of an appropriately flirtatious bartender–it was theatre for a certain type of person . . . Until it wasn't. "
― Cynthia D'Aprix Sweeney , The Nest
10
" It was growing dark on this long southern evening, and suddenly, at the exact point her finger had indicated, the moon lifted a forehead of stunning gold above the horizon, lifted straight out of filigreed, light-intoxicated clouds that lay on the skyline in attendant veils.
Behind us, the sun was setting in a simultaneous congruent withdrawal and the river turned to flame in a quiet duel of gold....The new gold of moon astonishing and ascendant, he depleted gold of sunset extinguishing itself in the long westward slide, it was the old dance of days in the Carolina marshes, the breathtaking death of days before the eyes of children, until the sun vanished, its final signature a ribbon of bullion strung across the tops of water oaks. "
― Pat Conroy , The Prince of Tides
15
" Oppenheimer, haunted by his leading role in the first use of atomic weapons, understood only one aspect of prudence. His longing not to do evil himself blinded him to the need to ward off the evil of others. This painfully knotted man hoped with one swipe of his moral sword to rid himself of the impossible tangle and to be clear and simple for once in his life. But being Oppenheimer could never be as easy as that.
For Oppenheimer embodied two of the highest human types, the theoretical man described by Aristotle as god-like for living in the mind, among changeless truths, and the paragon of Machiavellian virtue, god-like in commanding the power of life and death over other men. No theoretical man before Oppenheimer had known such lordly power. In certain high moments he approached that Aristotelian theoretical purity which lives for the joys of knowing the world, whatever it might prove to be; in another light he thrilled at that Machiavellian power and its attendant renown; in contrary moods he reviled himself for the suffering he brought into the world, and ached to renounce his distinction and to be merely another man among men. Perhaps no theoretical man can be equal to such a burden: to feel knowledge as power when one’s mind reshapes the world irrevocably, to see the light of truth as the agent of some dark majesty, is not grace but ordeal. Oppenheimer’s agony tore him open from top to bottom. "
― Algis Valiunas
18
" Who am I? The shell-selling Lace girl, the attendant of Lady Arilou, Mother Govrie’s other daughter, the thing of dust, the victim, the revenger, the diplomat, the crowd-witch, the killer, the rescuer, the pirate?
I am anything I wish to be. The world cannot choose for me. No, it is for me to choose what the world shall be. "
― Frances Hardinge , The Lost Conspiracy
