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1 " Every person writes his or her life story similar to how a musician composes music. Author Milan Kundera noted, ‘Without realizing it, the individual composes his life according to the laws of beauty even in times of great distress.’ Guided by their aesthetic sense of beauty, a person transforms the intentional and fortuitous events of their life into an expressive episodic motif, which artistic creation assumes a permanent place in the composition of his or her conscious mind. "
2 " Behind every creative act is a statement of love. Every artistic creation is a statement of gratitude. "
― , Dead Toad Scrolls
3 " Sati—sampajanna (" Mindfulness and clear comprehension" ) should be examined carefully from the point of view of the centipede who could not walk when she thought about how she moved her limbs. And also from the point of view of absorption in, say artistic creation and detached observation of it. Absorption in piano playing or painting seems to be " successful" but detached observation or enjoyment of " my playing" or " my painting" seems to have the centipede effect. What are the facts here and what is the lesson to be drawn? "
4 " The light of artistic creation is also blinding.The artist can’t see the suffering he causesto those around him. And the’ll neverunderstand the purity of his goal, how the heatof his invention won’t melt the ice in his heart.He must be ruthless!No religion, no purpose except this:Make something perfect before you die.Life is short, art is for all time "
― Ian McEwan , For You
5 " In accepting and defending the social institution of slavery, the Greeks were harder-hearted than we but clearer-headed; they knew that labor as such is slavery, and that no man can feel a personal pride in being a laborer. A man can be proud of being a worker – someone, that is, who fabricates enduring objects, but in our society, the process of fabrication has been so rationalized in the interests of speed, economy and quantity that the part played by the individual factory employee has become too small for it to be meaningful to him as work, and practically all workers have been reduced to laborers. It is only natural, therefore, that the arts which cannot be rationalized in this way – the artist still remains personally responsible for what he makes – should fascinate those who, because they have no marked talent, are afraid, with good reason, that all they have to look forward to is a lifetime of meaningless labor. This fascination is not due to the nature of art itself, but to the way in which an artists works; he, and in our age, almost nobody else, is his own master. The idea of being one’s own master appeals to most human beings, and this is apt to lead to the fantastic hope that the capacity for artistic creation is universal, something nearly all human beings, by virtue, not by some special talent, but due to their humanity, could do if they tried. "
― W.H. Auden , The Dyer's Hand
