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1 " When writing a novel a writer should create living people; people not characters. A character is a caricature. If a writer can make people live there may be no great characters in his book, but it is possible that his book will remain as a whole; as an entity; as a novel. If the people the writer is making talk of old masters; of music; of modern painting; of letters; or of science then they should talk of those subjects in the novel. If they do not talk of these subjects and the writer makes them talk of them he is a faker, and if he talks about them himself to show how much he knows then he is showing off. No matter how good a phrase or a simile he may have if he puts it in where it is not absolutely necessary and irreplaceable he is spoiling his work for egotism. Prose is architecture, not interior decoration, and the Baroque is over. For a writer to put his own intellectual musings, which he might sell for a low price as essays, into the mouths of artificially constructed characters which are more remunerative when issued as people in a novel is good economics, perhaps, but does not make literature. People in a novel, not skillfully constructed characters, must be projected from the writer’s assimilated experience, from his knowledge, from his head, from his heart and from all there is of him. If he ever has luck as well as seriousness and gets them out entire they will have more than one dimension and they will last a long time. A good writer should know as near everything as possible. Naturally he will not. A great enough writer seems to be born with knowledge. But he really is not; he has only been born with the ability to learn in a quicker ratio to the passage of time than other men and without conscious application, and with an intelligence to accept or reject what is already presented as knowledge. There are some things which cannot be learned quickly and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things and because it takes a man’s life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. Every novel which is truly written contributes to the total of knowledge which is there at the disposal of the next writer who comes, but the next writer must pay, always, a certain nominal percentage in experience to be able to understand and assimilate what is available as his birthright and what he must, in turn, take his departure from. If a writer of prose knows enough about what he is writing about he may omit things that he knows and the reader, if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them. The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing. A writer who appreciates the seriousness of writing so little that he is anxious to make people see he is formally educated, cultured or well-bred is merely a popinjay. And this too remember; a serious writer is not to be confounded with a solemn writer. A serious writer may be a hawk or a buzzard or even a popinjay, but a solemn writer is always a bloody owl. "
― Ernest Hemingway , Death in the Afternoon
2 " The scientist in me worries that my happiness is nothing more than a symptom of bipolar disease, hypergraphia from a postpartum disorder. The rest of me thinks that artificially splitting off the scientist in me from the writer in me is actually a kind of cultural bipolar disorder, one that too many of us have. The scientist asks how I can call my writing vocation and not addiction. I no longer see why I should have to make that distinction. I am addicted to breathing in the same way. I write because when I don’t, it is suffocating. I write because something much larger than myself comes into me that suffuses the page, the world, with meaning. Although I constantly fear that what I am writing teeters at the edge of being false, this force that drives me cannot be anything but real, or nothing will ever be real for me again. "
3 " Many modern artists, philosophers, and theologians reject the knowledge of the past. Thus they must continually start over again from ground zero, their vision restricted to their own narrow perspectives, making themselves artificially primitive. "
― Gene Edward Veith Jr. , Loving God with All Your Mind: Thinking as a Christian in a Postmodern World
4 " The Delores tank rolled on inexorably, “You get a mortgage to buy a house, a larger mortgage than the previous owner because the price of the house has been artificially increased by the market, which is controlled by the banks. Then you live in the house for a few years paying a lot more in mortgage payments than you would if you were renting a similar property. But hey, you ‘own’ it and can ‘do things to it’… things that cost even more money, by the way… so you maintain its upkeep, improve it with say a new kitchen or bathroom; the more salubrious the neighbourhood the more expensive the kitchen would need to be – a Küche & Cucina, say; impressing your cleaner is very important after all and at the end you sell it to someone else for more than you paid for it so they’ll need an even bigger mortgage. And all the while everyone is paying all this money to the banks and the banks give the money to their shareholders, the biggest of whom are the incredibly rich. This, when you boil it all down, means that you’re taking a large sum out of your wages and passing it across to some rich person to live large, whilst you and others like you struggle to make their monthly payments. Basically you’ve been screwed, Doc, but somehow they’ve convinced you that you own a bit of England, when the truth is you don’t really own anything, you’re just renting it at a higher cost and they can take it back from you any time they want. It’s all just a card trick, Doc. All just ‘smoke and mirrors’ and that’s what’s getting to me. "
― Arun D. Ellis , Corpalism
5 " Sexual satisfaction eases the stranglehold of materialism, since status symbols no longer look sexual, but irrelevant. Product lust weakens where emotional and sexual lust intensifies. The price we pay for artificially buoying up this market is our heart's desire. The beauty myth keeps a gap of fantasy between men and women. That gap is made with mirrors; no law of nature supports it. It keeps us spending vast sums of money and looking distractedly around us, but its smoke and reflection interfere with our freedom to be sexually ourselves. "
― Naomi Wolf , The Beauty Myth
6 " Do close your mouth. You look like a cow that's being artificially inseminated. "
― Nick Wilgus , Stones in the Road (Sugar Tree #2)
7 " You can't stop a soldier from being frightened but you can give him motivation to help him overcome that fear. I have no such motivation. I can't have. I'm a witcher: an artificially created mutant. I kill monsters for money. I defend children when their parents pay me to. If Nilfgaardian parents pay me, I'll defend Nilfgaardian children. And even if the world lies in ruin - which does not seem likely to me - I'll carry on killing monsters in the ruins of this world until some monster kills me. That is my fate, my reason, my life and my attitude to the world. And it is not what I chose. It was chosen for me. "
― Andrzej Sapkowski , Blood of Elves (The Witcher, #1)
8 " In today's world, it is tempting to follow suit and artificially numb the emotions you don't want while inducing the ones that you do want. The problem is that pushing pleasure into your veins will not get you out of quicksand, nor will blocking pain bring you relief. The solutions do not lie in the world of emotions, but rather in the world of thoughts. "
― Vironika Tugaleva , The Love Mindset
9 " So long as there shall exist, by virtue of law and custom, decrees of damnation pronounced by society, artificially creating hells amid the civilization of earth, and adding the element of human fate to divine destiny; so long as the three great problems of the century—the degradation of man through pauperism, the corruption of woman through hunger, the crippling of children through lack of light—are unsolved; so long as social asphyxia is possible in any part of the world;—in other words, and with a still wider significance, so long as ignorance and poverty exist on earth, books of the nature of Les Misérables cannot fail to be of use. HAUTEVILLE HOUSE, 1862. [Translation by Isabel F. Hapgood] "
― Victor Hugo , Les Misérables
10 " Throughout the course of the day, Bobby Tom's irritation over his artificially oiled and dirt-smeared chest and his unzipped jeans had flared into righteous indignation. They were treating him like a sex object! It was damned demeaning, that's what it was, being reduced to a set of oil pecs and a tight ass. Shit. A dozen years in the NFL, and this was what it had all come down to. Pecs and ass. "
― Susan Elizabeth Phillips , Heaven, Texas (Chicago Stars, #2)
11 " I don’t think that loneliness is necessarily a bad or unconstructive condition. My own skill at jamming time may actually be dependent on some fluid mixture of emotions, among them curiosity, sexual desire, and love, all suspended in a solvent medium of loneliness. I like the heroes or heroines of books I read to be living alone, and feeling lonely, because reading is itself a state of artificially enhanced loneliness. Loneliness makes you consider other people’s lives, makes you more polite to those you deal with in passing, dampens irony and cynicism. The interior of the Fold is, of course, the place of ultimate loneliness, and I like it there. But there are times when the wish for others’ voices, for friendliness returned, reaches unpleasant levels, and becomes a kind of immobilizing pain. That was how it felt as I finished packing up the box of sex machines. "
― Nicholson Baker , The Fermata
12 " Drinking and other forms of body-wrecking pleasures are signs of weakness rather than manliness. It takes a better man to live a clean life—free from the stimulants, depressants, and drugs—than to be artificially [stimulated]. "
― Billy Graham , Billy Graham in Quotes
13 " That means 19 or 20 of the books of the NT (New Testament) are anonymous. Many are blatantly pseudepigraphic (forgeries, see next section), with famous names applied to artificially promote veracity. "
14 " Captain! You can't hold them off! I tried! I swear! They've been artificially enhanced, sir! But all the humans died out - there's bones out there by the millions! They were all suffocated by cuteness! The World is full of kiitens, oh the horror!'My God,' Hadrian said. " They've finally did it! All those oh-so-cute-my-cuddy-kittens-here's-a-pic bastards! They finally went and did it! "
15 " My experiment has demonstrated that people from the past can be artificially reincarnated. The purpose is so people from Twinmortal do not commit the same error that we did.-Amaranth "
― Carolina Cody Aldaz , The Guardians of the Earth Type Planets
16 " Before saying anything further about culture, I consider the world is hungry and does not care about culture, and people artificially want to turn these thoughts away from hunger and direct them towards culture. "
― Antonin Artaud
17 " Interpreters package and then sell, rent, or impose upon us artificially flavored illusions of truth, salvation, enlightenment, and happiness that are built upon their goals. That twisted information and those errant goals and are often very different from those of the original teachers that these interpreters are borrowing moral authority from. Following our own inner guidance would yield better results than following the village idiot. Neither Buddha nor Jesus was waiting for a Buddha or a Jesus to come solve their personal problems or those of humanity. The key to whatever we need is within us. The job of uncovering it is ours to do. "
― Doug "Ten" Rose
18 " In the last 25 years, criticism of most theories advanced by Darwin and the neo-Darwinians has increased considerably, and so did their defense. Darwinism has become an ideology, while the most significant theories of Darwin were proven unsupportable. The critics advanced other theories instead of 'natural selection' and the survival of the fittest'. 'Saltatory ontogeny' and 'epigenesis' are such new theories proposed to explain how variations in ontogeny and novelties in evolution are created. They are reviewed again in the present essay that also tries to explain how Darwinians, artificially kept dominant in academia and in granting agencies, are preventing their acceptance. Epigenesis, the mechanism of ontogenies, creates in every generation alternative variations in a saltatory way that enable the organisms to survive in the changing environments as either altricial or precocial forms. The constant production of two such forms and their survival in different environments makes it possible, over a sequence of generations, to introduce changes and establish novelties--the true phenomena of evolution. The saltatory units of evolution remain far-from-stable structures capable of self-organization and self-maintenance (autopoiesis).[Evolution by epigenesis: farewell to Darwinism, neo- and otherwise.] "
― Eugene K. Balon
19 " [W]e may now be on the threshold of a new kind of genetic takeover. DNA replicators built 'survival machines' for themselves — the bodies of living organisms including ourselves. As part of their equipment, bodies evolved onboard computers — brains. Brains evolved the capacity to communicate with other brains by means of language and cultural traditions. But the new milieu of cultural tradition opens up new possibilities for self-replicating entities. The new replicators are not DNA and they are not clay crystals. They are patterns of information that can thrive only in brains or the artificially manufactured products of brains — books, computers, and so on. But, given that brains, books and computers exist, these new replicators, which I called memes to distinguish them from genes, can propagate themselves from brain to brain, from brain to book, from book to brain, from brain to computer, from computer to computer. "
― Richard Dawkins , The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe Without Design
20 " [W]e may now be on the threshold of a new kind of genetic takeover. DNA replicators built 'survival machines' for themselves — the bodies of living organisms including ourselves. As part of their equipment, bodies evolved onboard computers — brains. Brains evolved the capacity to communicate with other brains by means of language and cultural traditions. But the new milieu of cultural tradition opens up new possibilities for self-replicating entities. The new replicators are not DNA and they are not 158 The Blind Watchmaker clay crystals. They are patterns of information that can thrive only in brains or the artificially manufactured products of brains — books, computers, and so on. But, given that brains, books and computers exist, these new replicators, which I called memes to distinguish them from genes, can propagate themselves from brain to brain, from brain to book, from book to brain, from brain to computer, from computer to computer. "