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1 " That's my town,' Joaquin said. 'What a fine town, but how the buena gente, the good people of that town, have suffered in this war.' Then, his face grave, 'There they shot my father. My mother. My brother-in-law and now my sister.' 'What barbarians,' Robert Jordan said. How many times had he heard this? How many times had he watched people say it with difficulty? How many times had he seen their eyes fill and their throats harden with the difficulty of saying my father, or my brother, or my mother, or my sister? He could not remember how many times he heard them mention their dead in this way. Nearly always they spoke as this boy did now; suddenly and apropos of the mention of the town and always you said, 'What barbarians. "
― Ernest Hemingway , For Whom the Bell Tolls
2 " Personally, I think so-called " common language" is more interesting and apropos than " proper English" ; it's passionate and powerful in ways that " wherefore art thou ass and thy elbow" just isn't. "
3 " Though he never actually joined it, he was close to some civilian elements of the Democratic Front for the Liberation of Palestine, which was the most Communist (and in the rather orthodox sense) of the Palestinian formations. I remember Edward once surprising me by saying, and apropos of nothing: 'Do you know something I have never done in my political career? I have never publicly criticized the Soviet Union. It’s not that I terribly sympathize with them or anything—it's just that the Soviets have never done anything to harm me, or us.' At the time I thought this a rather naïve statement, even perhaps a slightly contemptible one, but by then I had been in parts of the Middle East where it could come as a blessed relief to meet a consecrated Moscow-line atheist-dogmatist, if only for the comparatively rational humanism that he evinced amid so much religious barking and mania. It was only later to occur to me that Edward's pronounced dislike of George Orwell was something to which I ought to have paid more attention. "
― Christopher Hitchens , Hitch 22: A Memoir
4 " When someone between twenty and forty says, apropos of a work of art, 'I know what I like,' he is really saying 'I have no taste of my own but accept the taste of my cultural milieu. "
― W.H. Auden , The Dyer's Hand
5 " A child's reading is guided by pleasure, but his pleasure is undifferentiated; he cannot distinguish, for example, between aesthetic pleasure and the pleasures of learning or daydreaming. In adolescence we realize that there are different kinds of pleasure, some of which cannot be enjoyed simultaneously, but we need help from others in defining them. Whether it be a matter of taste in food or taste in literature, the adolescent looks for a mentor in whose authority he can believe. He eats or reads what his mentor recommends and, inevitably, there are occasions when he has to deceive himself a little; he has to pretend that he enjoys olives or War and Peace a little more than he actually does. Between the ages of twenty and forty we are engaged in the process of discovering who we are, which involves learning the difference between accidental limitations which it is our duty to outgrow and the necessary limitations of our nature beyond which we cannot trespass with impunity. Few of us can learn this without making mistakes, without trying to become a little more of a universal man than we are permitted to be. It is during this period that a writer can most easily be led astray by another writer or by some ideology. When someone between twenty and forty says, apropos of a work of art, 'I know what I like,'he is really saying 'I have no taste of my own but accept the taste of my cultural milieu', because, between twenty and forty, the surest sign that a man has a genuine taste of his own is that he is uncertain of it. After forty, if we have not lost our authentic selves altogether, pleasure can again become what it was when we were children, the proper guide to what we should read. "
6 " You can’t hold it in forever,” Colton said, apropos of nothing. “Yes, I can.” I had to. “You’ll go crazy. It’ll come out, one way or another.” “Better crazy than broken.” I wasn't sure where that came from, hadn't thought it or meant to say it. “You’re not broken. You’re hurting. "
― Jasinda Wilder , Falling into You (Falling, #1)