2
" This is an ode to life.
The anthem of the world.
For as there are billions
of different stars that
make up the sky
so, too, are there billions
of different humans that
make up the Earth.
Some shine brighter
but all are made of
the same cosmic dust.
O the joy of being
in life with all these people!
I speak of differences
because they are there.
Like the different organs
that make up our bodies.
Earth, itself, is one large body.
Listen to how it howls
when one human is
in misery.
When one kills another, the
Earth feels the pang in its
chest. When one orgasms,
the Earth craves a cigarette.
Look carefully,
these animals are
beauty spots that make the
Earth’s face lovelier
and more loveable.
These oceans are the Earth’s
limpid eyes. These trees, its hair.
This is an ode to life.
The anthem of the world.
I will no longer speak of
differences, for the similarities
are larger.
Look even closer. There may be
distances between our limbs but
there are no spaces between
our hearts. We long to be one.
We long to be in nature and
to run wild with its wildlife.
Let us celebrate life and living,
for it is sacrilegious
to be ungrateful.
Let us play and be playful,
for it is sacrilegious
to be serious.
Let us celebrate imperfections
and make existence
proud of us, for tomorrow is
death, and this is an ode to life.
The anthem of the world. "
― Kamand Kojouri
7
" The man raised the violin under his chin, placed the bow across the strings, and closed his eyes. For a moment his lips moved, silently, as if in prayer. Then, with sure, steady movements, he began to play. The song was like nothing Abbey had heard anywhere else. The notes were clear, sweet and perfect, with a purity of tone that not one violin in ten thousand could produce. But the song was more than that. The song was pain, and loss, and sorrow, an anthem of unrelenting grief for which no words could be sufficient. In its strains Abbey heard the cry of the mother clutching her lifeless child; of the young woman whose husband never returned from war; of the father watching his son die of cancer; of the old man weeping at his wife's grave. It was the wordless cry of every man, woman and child who had ever shaken a fist at the uncaring universe, every stricken heart that had demanded an answer to the question, “Why?”, and was left unsatisfied.When the song finally, mercifully ended, not a dry eye remained in the darkened hall. The shades had moved in among the mortals, unseen by all but Abbey herself, and crowded close to the stage, heedless of all but the thing that called to them. Many of the mortals in the audience were sobbing openly. Those newcomers who still retained any sense of their surroundings were staring up at the man, their eyes wide with awe and a silent plea for understa "
8
" Then all the winds of Heaven ran to join hands and bend a shoulder, to bring down to me the sound of a noble hymn that was heavy with the perfume of Time That Has Gone.
The glittering multitudes were singing most mightily, and my heart was in blood to hear a Voice that I knew.
The Men of the Valley were marching again.
My Fathers were singing up there.
Loud, triumphant, the anthem rose, and I knew, in some deep place within, that in the royal music was a prayer to lift up my spirit, to be of good cheer, to keep the faith, that Death was only an end to the things that are made of clay, and to fight, without heed of wounds, all that brings death to the Spirit, with Glory to the Eternal Father, forever, Amen. "
― Richard Llewellyn , How Green Was My Valley
