2
" The poet must always, in every instance, have the vibrant word... that by it's trenchancy can so wound my soul that it whimpers.... One must know and recognize not merely the direct but the secret power of the word; one must be able to give one's writing unexpected effects. It must have a hectic, anguished vehemence, so that it rushes past like a gust of air, and it must have a latent, roistering tenderness so that it creeps and steals one's mind; it must be able to ring out like a sea-shanty in a tremendous hour, in the time of the tempest, and it must be able to sigh like one who, in tearful mood, sobs in his inmost heart. "
― Knut Hamsun
5
" I would see him, Edward.'
It was no request; he knew it to be an ultimatum. He shook his head violently, not trusting his voice. Time passed. She was staring at him, saying nothing, and on her face was a look of stunned disbelief, of anguished accusation he knew would haunt him for the rest of his life. But when she spoke, her voice held no hint of tears. It was not a voice to offer either understanding or absolution, spoke of no quarter given, of a lifetime of love denied.
'God may forgive you for this,' she said, very slowly and distinctly, 'but I never shall. "
― Sharon Kay Penman , The Sunne in Splendour
7
" There is something powerful in the whispering of obscenities, about those in power. There's something delightful about it, something naughty, secretive, forbidden, thrilling. It's like a spell, of sorts. It deflates them, reduces them to the common denominator where they can be dealt with. In the paint of the washroom cubicle someone unknown had scratched: Aunt Lydia sucks. It was like a flag waved from a hilltop in rebellion. The mere idea of Aunt Lydia doing such a thing was in itself heartening. So now I imagine, among these Angels and their drained white brides, momentous grunts and sweating, damp furry encounters; or, better, ignominious failures, cocks like three-week-old carrots, anguished fumblings upon flesh cold and unresponding as uncooked fish. "
― Margaret Atwood , The Handmaid's Tale (The Handmaid's Tale, #1)
12
" I am made to think, not for the first time, that in my writing I have plunged ahead-head-on, heedlessly one might say-or 'fearlessly'- into my own future: this time of utter raw anguished loss. Though I may have had, since adolescence, a kind of intellectual/literary precocity, I had not experienced much;nor would I experience much until I was well into middle age-the illnesses and deaths of my parents, this unexpected death of my husband. We play at paste till qualified for pearl says Emily Dickinson. Playing at paste is much of our early lives. And then, with the violence of a door slammed shut by wind rushing through a house, life catches up with us. "
― Joyce Carol Oates , A Widow's Story
13
" Then her brain caught up with her body and a trickle of uncertainty slid through her. She stilled, heart pounding, body aching with the most intense desire she’d ever known. Nathan stopped and raised his head to look down at her, his hand still cupping her breast. He was breathing as hard as she was, his eyes glittering with a hunger so raw it sliced her inside. When she didn’t say anything he started to remove his hand but she tightened her grip and held him there as she gazed into his eyes. “I can’t be just another notch on your belt, Nathan,” she whispered in an agonized voice. Not with him, it would crush her. If that’s all she was to him, she would rather stop things here than continue. She’d already battled long and hard to overcome feeling cheap and used. She wouldn’t do it again for any man, not even Nathan. The anguished look on his face made her feel terrible for saying it, but she’d had to make it clear.
“No,” he insisted, leaning down to rest his forehead against hers and closing his eyes. She could feel the urgency in him, the way it strung his muscles tight, the fingers in her hair sliding open to cradle the back of her skull. The protective, possessive gesture made her melt and lean into his hold. “No, you’re not, I swear to God you’re not. "
― Kaylea Cross , Avenged (Hostage Rescue Team #5)
15
" Once, when I was about ten, we were approaching the ranch after veering north to look at some pasturage when we saw a small barefoot boy racing along the hot road with terror in his face. My father just managed to stop him. Though incoherent with fear, the boy managed to inform us that his little brother had just drowned in the horse trough. My father grabbed the boy and we went racing up to the farmhouse, where the anguished mother, the drowned child in her arms, was sobbing, crying out in German, and rocking in a rocking chair. Fortunately the boy was not quite dead. My father managed to get him away from his mother long enough to stretch him out on the porch and squeeze the water out of him. In a while the boy began to belch dirty fluids and then to breathe again. The crisis past, we went on home. The graceful German mother brought my father jars of her best sauerkraut for many, many years. "
― Larry McMurtry , Roads: Driving America's Great Highways
20
" It's completely logical," explained the Dodecahedron. " The more you want, the less you get, and the less you get, the more you have. Simple arithmetic, that's all. Suppose you had something and added something to it. What would that make?" " More," said Milo quickly." Quite correct," he nodded. " Now suppose you had something and added nothing to it. What would you have?" " The same," he answered again, without much conviction. " Splendid," cried the Dodecahedron. " And suppose you had something and added less than nothing to it. What would you have then?" " FAMINE!" roared the anguished Humbug, who suddenly realized that that was exactly what he'd eaten twenty-three bowls of. "