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1 " Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist-a master-and that is what Auguste Rodin was-can look at an old woman, protray her exactly as she is...and force the viewer to see the pretty girl she used to be...and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. He can make you feel the quiet, endless tragedy that there was never a girl born who ever grew older than eighteen in her heart...no matter what the merciless hours have done to her. Look at her, Ben. Growing old doesn't matter to you and me; we were never meant to be admired-but it does to them. "
― Robert A. Heinlein
2 " He whipped out his sheet, then pulled it over himself and wrapped it tightly around his face like an old woman in a shawl. 'How do I look?''Like the ugliest shanky girl I’ve ever seen,' Minho responded. 'You better thank the gods above you were born a dude.' 'Thanks. "
― James Dashner , The Scorch Trials (The Maze Runner, #2)
3 " If I ever saw my muse she would be an old woman with a tight bun and spectacles poking me in the middle of the back and growling, " Wake up and write the book! "
4 " Don't even think of arguing with me. I'm an old woman and if you fight me about it, it could give me a heart attack. "
― Sara Humphreys , Unleashed (The Amoveo Legend, #1)
5 " A weight lands on me, and a strong doubt that I will not be able to fully commit to the ideas of this strange religion out here in the cold north. I look at the girl’s pale skin flushed slightly across her high cheekbones and wonder if she, perhaps, is Katherine Redford and the article we read was wrong. Maybe her ruse is an old woman but she is, in fact, a young girl. There is something more comforting in that idea, to be healed by a child uninterested in fame or money. A girl as young as her would not seek to inveigle or exploit hopeless people such as us, but an adult might. "
― Annie Fisher , The Greater Picture
6 " War is not two great armies meeting in the clash and frenzy of battle. War is a boy being carried on a stretcher, looking up at God’s blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been injured by a shell; war is spirited horses tied in burning buildings and waiting for death; war is the flower of a race, battered, hungry, bleeding, up to its knees in filthy water; war is an old woman burning a candle before the Mater Dolorsa for the son she has given. "
― Mary Roberts Rinehart
7 " People who try to tell you what the blitz was like in London start with fire and explosion and then almost invariably end up with some very tiny detail which crept in and set and became the symbol of the whole thing for them. . . . " It's the glass," says one man, " the sound in the morning of the broken glass being swept up, the vicious, flat tinkle." ... An old woman was selling little miserable sprays of sweet lavender. The city was rocking under the bombs and the light of burning buildings made it like day. . . . And in one little hole in the roar her voice got in—a squeaky voice. " Lavender!" she said. " Buy Lavender for luck." The bombing itself grows vague and dreamlike. The little pictures remain as sharp as they were when they were new. "
8 " In all your Amours you should prefer old Women to young ones. You call this a Paradox, and demand my Reasons. They are these:1. Because as they have more Knowledge of the World and their Minds are better stor’d with Observations, their Conversation is more improving and more lastingly agreable.2. Because when Women cease to be handsome, they study to be good. To maintain their Influence over Men, they supply the Diminution of Beauty by an Augmentation of Utility. They learn to do a 1000 Services small and great, and are the most tender and useful of all Friends when you are sick. Thus they continue amiable. And hence there is hardly such a thing to be found as an old Woman who is not a good Woman.3. Because there is no hazard of Children, which irregularly produc’d may be attended with much Inconvenience.4. Because thro’ more Experience, they are more prudent and discreet in conducting an Intrigue to prevent Suspicion. The Commerce with them is therefore safer with regard to your Reputation. And with regard to theirs, if the Affair should happen to be known, considerate People might be rather inclin’d to excuse an old Woman who would kindly take care of a young Man, form his Manners by her good Counsels, and prevent his ruining his Health and Fortune among mercenary Prostitutes.5. Because in every Animal that walks upright, the Deficiency of the Fluids that fill the Muscles appears first in the highest Part: The Face first grows lank and wrinkled; then the Neck; then the Breast and Arms; the lower Parts continuing to the last as plump as ever: So that covering all above with a Basket, and regarding only what is below the Girdle, it is impossible of two Women to know an old from a young one. And as in the dark all Cats are grey, the Pleasure of corporal Enjoyment with an old Woman is at least equal, and frequently superior, every Knack being by Practice capable of Improvement.6. Because the Sin is less. The debauching a Virgin may be her Ruin, and make her for Life unhappy.7. Because the Compunction is less. The having made a young Girl miserable may give you frequent bitter Reflections; none of which can attend the making an old Woman happy.8thly and Lastly They are so grateful!! "
― Benjamin Franklin
9 " The Old Testament records the sage words of an old woman in addressing two younger ones: 'The Lord grant', said Naomi, 'that ye may find rest, each of you, in the house of her husband!' Who ever heard of a woman finding rest in the house of her husband? And yet, and yet ! The restless hearts are not the hearts of wives and of mothers, as many a lonely woman knows. There is no more crushing load than the load of a loveless life. It is a burden that is often beautifully and graciously borne, but its weight is a very real one. The mother may have a bent form, a furrowed brow, and worn, thin hands ; but her heart found its rest for all that. Naomi was an old woman; she knew the world very well, and her words are worth weighing. Heavy luggage is Christ's strange cure for weary hearts. "
― F.W. Boreham , The Luggage of Life
10 " But Gemma, you could change the world." " That should take far more than my power," I say." True. But change needn't happen all at once. It can be small gestures." " Moments. Do you understand?" He's looking at me differently now, though I cannot say how. I only know I need to look away...We pass by the pools, where the mud larks sift. And for only a few seconds, I let the magic loose again." Oi! By all the saints!" a boy cries from the river." Gone off the dock?" an old woman calls. The mud larks break into cackles." 'S not a rock!" he shouts. He races out of the fog, cradling something in his palm. Curiosity gets the better of the others. They crowd about trying to see. In his palm is a smattering of rubies. " We're rich mates! It's a hot bath and a full belly for every one of us!" Kartik eyes me suspiciously. " That was a strange stroke of good fortune." " Yes it was." " I don't suppose that was your doing." " I'm not sure I don't know what you mean," I say.And that is how change happens. One gesture. One person. One moment at a time. "
11 " You can see where it was, years ago. Like an old woman who was once beautiful, but time has taken her beauty away. "
― Cassandra Clare , City of Bones (The Mortal Instruments, #1)
12 " Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body. "
― Robert A. Heinlein , Stranger in a Strange Land
13 " My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place. "
― Henry Miller , Tropic of Cancer (Tropic, #1)
14 " I have to admit that I'm up to my neck in frivolity, buried in dresses to the point of ruin! Fifteen different garments! My wardrobe jam-packed! My girl, this is not the way for an old woman to behave - particularly since you never wear anything but black and white, or a little grey, so that you always look as though you were in the same dress. Why fritter away your money so absurdly? (22 August 1919) "
15 " A full harvest moon lit the sky. In its glow, there appeared an old woman dressed in black lace. A shimmering veil covered her head. With her back to the old oak tree, she keened wildly. Her cry was carried by the autumn winds and lost on the wings of the nightingales. "
― AnneMarie Dapp , The Wall People
16 " This boy needs a dog.What makes you say that?He needs someone or something to play with besides his phone and an old man and an old woman doddering around. "
― Kent Haruf , Our Souls at Night
17 " I have a date,' he explained. 'This is an emergency.' He paused to catch his breath. 'Do you know' - breath - 'how to iron?' I walked over to the pink shirt. It was wrinkled like an old woman who'd spent her youth sunbathing. If only the Colonel didn't ball up his every belonging and stuff it into random dresser drawers. 'I think you just turn it on and press it against the shirt, right?' I said. 'I don't know. I didn't even know we had an iron.' 'We don't. It's Takumi's. But Takumi doesn't know how to iron, either. And when I asked Alaska, she started yelling, " You're not going to impose the patriarchal paradigm on me." Oh God, I need to smoke. I need to smoke, but I can't reek when I see Sara's parents. Okay, screw it. We're going to smoke in the bathroom with the shower on. The shower has steam. Steam gets rid of wrinkles, right? "
18 " Jo told me once that she was an old woman everywhere but in her studio. “There I’m only myself,” she’d said. Standing in the middle of masterpieces that only Jo had ever seen and touched, I knew what she meant. "
― Laura Anderson Kurk , Perfect Glass
19 " Words are great, but even I can admit they have certain short-comings. No word can ever give justice to a smile from a man who never smiled or to an old woman who gives up her seat on the bus to a soldier who lost his leg. And I’m still convinced there’s no word out there for the feeling you get the first time you ever hit home plate or bury your first dog or muster up enough courage to tell a girl you love her. "
― Laura Miller , By Way of Accident
20 " Good is to be found neither in the sermons of religious teachers and prophets, nor in the teachings of sociologists and popular leaders, nor in the ethical systems of philosophers... And yet ordinary people bear love in their hearts, are naturally full of love and pity for any living thing. At the end of the day's work they prefer the warmth of the hearth to a bonfire in the public square.Yes, as well as this terrible Good with a capital 'G', there is everyday human kindness. The kindness of an old woman carrying a piece of bread to a prisoner, the kindness of a soldier allowing a wounded enemy to drink from his water-flask, the kindness of youth towards age, the kindness of a peasant hiding an old Jew in his loft. The kindness of a prison guard who risks his own liberty to pass on letters written by a prisoner not to his ideological comrades, but to his wife and mother.The private kindness of one individual towards another; a petty, thoughtless kindness; an unwitnessed kindness. Something we could call senseless kindness. A kindness outside any system of social or religious good.But if we think about it, we realize that this private, senseless, incidental kindness is in fact eternal. It is extended to everything living, even to a mouse, even to a bent branch that a man straightens as he walks by.Even at the most terrible times, through all the mad acts carried out in the name of Universal Good and the glory of States, times when people were tossed about like branches in the wind, filling ditches and gullies like stones in an avalanche – even then this senseless, pathetic kindness remained scattered throughout life like atoms of radium. "
― Vasily Grossman , Life and Fate
