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1 " Love is not an obsession or a delusion. Love exists in longing and appreciation. "
― Debasish Mridha
2 " It is no sign of benediction to have been obsessed with the lives of saints, for it is an obsession intertwined with a taste for maladies and hunger for depravities. One only troubles oneself with saints because one has been disappointed by the paradoxes of earthly life; one therefore searches out other paradoxes, more outlandish in guise, redolent of unknown truths, unknown perfumes... "
― Emil M. Cioran
3 " I smack myself in the forehead. “Holy priceless collection of Etruscan snoods, they’re not moving!” I exclaim. There’s a choking noise over my head somewhere. “Etruscan snoods?” I glow quietly inside. Some accomplishments mean more than others. I am officially the Shit. Now and forever. “Dude, watch your question marks. I just pried one out of you.” “I have no idea what you’re talking about.” “Admit it, you lost your eternal fecking composure.” “You have an obsession with a delusion about how I end my sentences. What the fuck are Etruscan snoods?” “Dunno. It’s just another of Robin’s sayings. Like, ‘Holy strawberries, Batman, we’re in a jam!’ ” “Strawberries.” “Or, ‘Holy Kleenex, Batman, it was right under our nose and we blew it!’ "
― Karen Marie Moning , Iced (Fever, #6)
4 " When Passion meets Inspiration, an Obsession is born. "
5 " A society is patriarchal to the degree that it promotes male privilege by being male dominated, male identified, and male centered. It is also organized around an obsession with control and involves as one of its key aspects the oppression of women.... If men occupy superior positions, it's a short leap to the idea that men must be superior...[and that] whatever men do will tend to be seen as having greater value. "
― Allan G. Johnson , The Gender Knot: Unraveling Our Patriarchal Legacy
6 " A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in women’s history; a quietly mad population is a tractable one. "
― Naomi Wolf , The Beauty Myth
7 " A cultural fixation on female thinness is not an obsession about female beauty but an obsession about female obedience. "
― Naomi Wolf
8 " I feel as if I've gone past the lukewarm stage that Jesus talked about in the book of Revelations and am slowly dwindling on cold. Deep down I want to change, but I don't know how. I'm the pastor. I'm supposed to know how. I hide my frustration with an obsession for Ohio State football and hours at the I Sold It on eBay internet cafe around the corner from the church. "
― Anna M. Aquino
9 " There is an obsession in the Church with sin management. People think more about their sins than about their redemption through Jesus "
― John Paul Warren
10 " But since we’re on the topic of identity and narrative voice - here’s an interesting conundrum. You may know that The Correspondence Artist won a Lambda Award. I love the Lambda Literary Foundation, and I was thrilled to win a Lammy. My book won in the category of “Bisexual Fiction.” The Awards (or nearly all of them) are categorized according to the sexual identity of the dominant character in a work of fiction, not the author. I’m not sure if “dominant” is the word they use, but you get the idea. The foregrounded character. In The Correspondence Artist, the narrator is a woman, but you’re never sure about the gender of her lover. You’re also never sure about the lover’s age or ethnicity - these things change too, and pretty dramatically. Also, sometimes when the narrator corresponds with her lover by email, she (the narrator) makes reference to her “hard on.” That is, part of her erotic play with her lover has to do with destabilizing the ways she refers to her own sex (by which I mean both gender and naughty bits). So really, the narrator and her lover are only verifiably “bisexual” in the Freudian sense of the term - that is, it’s unclear if they have sex with people of the same sex, but they each have a complex gender identity that shifts over time. Looking at the various possible categorizations for that book, I think “Bisexual Fiction” was the most appropriate, but better, of course, would have been “Queer Fiction.” Maybe even trans, though surely that would have raised some hackles.So, I just submitted I’m Trying to Reach You for this year’s Lambda Awards and I had to choose a category. Well. As I said, the narrator identifies as a gay man. I guess you’d say the primary erotic relationship is with his boyfriend, Sven. But he has an obsession with a weird middle-aged white lady dancer on YouTube who happens to be me, and ultimately you come to understand that she is involved in an erotic relationship with a lesbian electric guitarist. And this romance isn’t just a titillating spectacle for a voyeuristic narrator: it turns out to be the founding myth of our national poetics! They are Emily Dickinson and Walt Whitman! Sorry for all the spoilers. I never mind spoilers because I never read for plot. Maybe the editor (hello Emily) will want to head plot-sensitive readers off at the pass if you publish this paragraph. Anyway, the question then is: does authorial self-referentiality matter? Does the national mythos matter? Is this a work of Bisexual or Lesbian Fiction? Is Walt trans? I ended up submitting the book as Gay (Male) Fiction. The administrator of the prizes also thought this was appropriate, since Gray is the narrator. And Gray is not me, but also not not me, just as Emily Dickinson is not me but also not not me, and Walt Whitman is not my lover but also not not my lover. Again, it’s a really queer book, but the point is kind of to trip you up about what you thought you knew about gender anyway. "
11 " God likes to make people. Great people out of common people, strong people out of week people, famous people out of the unknown people, good people are bad people. God likes to make people. That's an obsession with God, one from which He will never change. "
― , The God of Second Chances: The Remaking of Moses
12 " The growing number of gated communities in our nation is but one example of the obsession with safety. With guards at the gate, individuals still have bars and elaborate internal security systems. Americans spend more than thirty billion dollars a year on security. When I have stayed with friends in these communities and inquired as to whether all the security is in response to an actual danger I am told “not really," that it is the fear of threat rather than a real threat that is the catalyst for an obsession with safety that borders on madness.Culturally we bear witness to this madness every day. We can all tell endless stories of how it makes itself known in everyday life. For example, an adult white male answers the door when a young Asian male rings the bell. We live in a culture where without responding to any gesture of aggression or hostility on the part of the stranger, who is simply lost and trying to find the correct address, the white male shoots him, believing he is protecting his life and his property. This is an everyday example of madness. The person who is really the threat here is the home owner who has been so well socialized by the thinking of white supremacy, of capitalism, of patriarchy that he can no longer respond rationally.White supremacy has taught him that all people of color are threats irrespective of their behavior. Capitalism has taught him that, at all costs, his property can and must be protected. Patriarchy has taught him that his masculinity has to be proved by the willingness to conquer fear through aggression; that it would be unmanly to ask questions before taking action. Mass media then brings us the news of this in a newspeak manner that sounds almost jocular and celebratory, as though no tragedy has happened, as though the sacrifice of a young life was necessary to uphold property values and white patriarchal honor. Viewers are encouraged feel sympathy for the white male home owner who made a mistake. The fact that this mistake led to the violent death of an innocent young man does not register; the narrative is worded in a manner that encourages viewers to identify with the one who made the mistake by doing what we are led to feel we might all do to “protect our property at all costs from any sense of perceived threat. " This is what the worship of death looks like. "
13 " There are, of course, the people who revolve around themselves--but I agree with you, she's not one of that kind. She's totally uninterested in herself. And yet she's got a strong character--there must be something. I thought at first it was her art--but it isn't. I've never met anyone so detached from life. That's dangerous.''Dangerous? What do you mean?''Well, you see--it must mean an obsession of some kind, and obsessions are always dangerous. "
― Agatha Christie , The Mysterious Mr. Quin (Harley Quin)
14 " What you don’t even realize now—what you will only come to understand in time, but lucky for you, I’m here to tell you—is you’re not going to give two shits about this band in a few years. In fact, I guarantee that this group that you admire so much and that you are putting all of your love and dedication and devotion into will be nothing more than an obsession you will be immensely embarrassed of having had. One day you’ll be in college, maybe you’ll be at a party, and someone will say, ‘Hey, do you remember The Ruperts? How shitty was their music?’ and you will have a moment of crisis: Do you admit your former love for them, or do you concede, because you know in your heart that this person is right? And guess what you’ll say? You’ll say, ‘Yeah, their music was utter. Putrid.Garbage. "
― Goldy Moldavsky , Kill the Boy Band
15 " But it is hazardous and, I believe, counterproductive to become frozen in time by an obsession with past wrongs and errors. "
― George S. McGovern , Terry: My Daughter's Life-And-Death Struggle with Alcoholism
16 " Be true to what naturally interests you - and be brave enough to turn an obsession into a profession. "
17 " I began to understand that the most worthwhile obsession is an obsession that is actually independent of the object of fixation. The object is only borrowed as a pretext, a means, an environment, through which or in which the obsessed person can project his own eternal and essential hunger, thus fulfilling the requirements of death--the dissolution of the ego for something, anything, that exists independently outside of one's self. Perhaps that obsession should be controlled. At some point the most mundane catalyst, a skirt or fallen leaf, is enough to provoke a series of captivating chain reactions, while at another time much more important objects will inspire only an absurd indifference. "
18 " Reality isn’t the most pleasant of atmospheres, Lieutenant. But we like to think we’re engineered for it. It’s a pretty fine piece of engineering, the kind an engineer can respect. Drag in an obsession and reality can’t tolerate it. Something has to give; if reality goes, your fine piece of engineering is left with nothing to operate on. Nothing it was designed to operate on. So it operates badly. So kick the obsession out; start functioning the way you were designed to function. "
― Theodore Sturgeon , More Than Human
19 " I wanted to be a writer as a teen... so storytelling was my first love. In my late teens, design became an obsession as I realized that I could express myself through the medium. Much later, when I founded Fuseproject in 1999, our slogan became 'design brings stories to life.' "
20 " There is something about giving everything to your profession. In Italian, an obsession is not necessarily negative. It's the art of putting all your energy into one thing; it's the art of transforming even what you eat for lunch into architecture. "