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1 " Eventually something you love is going to be taken away. And then you will fall to the floor crying. And then, however much later, it is finally happening to you: you’re falling to the floor crying thinking, “I am falling to the floor crying,” but there’s an element of the ridiculous to it — you knew it would happen and, even worse, while you’re on the floor crying you look at the place where the wall meets the floor and you realize you didn’t paint it very well. "
― Richard Siken
2 " If you cannot find an element of Humour in something, your not taking it seriously enough. "
― Ilyas Kassam
3 " Knowing is not simply a material act, since the object that is known always conceals something beyond the empirical datum. All our knowledge, even the most simple, is always a minor miracle, since it can never be fully explained by the material instruments that we apply to it. In every truth there is something more than we would have expected, in the love that we receive there is always an element that surprises us. "
― Benedict XVI , Charity in Truth: Caritas in Veritate
4 " Those who believe that they believe in God, but without passion in their hearts, without anguish in mind, without uncertainty, without doubt, without an element of despair even in their consolation, believe only in the God idea, not God Himself. "
― Miguel de Unamuno
5 " I've learned that the universe doesn't care what our motives are, only our actions. So we should do things that will bring about good, even if there is an element of selfishness involved. Like the kids at my school might join the Key Club or Future Buisness Leaders of America, because it's a social thing and looks good on their record, not because they really want to volunteer at the nursing home. But the people at the nursing home still benefit from it, so it's better that the kids do it than not do it. And if they never did it, then they wouldn't find out that they actually liked it. "
― Wendy Mass , 13 Gifts (Willow Falls, #3)
6 " When we strike a balance between the challenge of an activity and our skill at performing it, when the rhythm of the work itself feels in sync with our pulse, when we know that what we're doing matters, we can get totally absorbed in our task. That is happiness.The life coach Martha Beck asks new potential clients, " Is there anything you do regularly that makes you forget what time it is?" That forgetting -- that pure absorption -- is what the psychologist Mihaly Csikzentmihalyi calls " flow" or optimal experience. In an interview with Wired magazine, he described flow as " being completely involved in an activity for its own sake. The ego falls away. Time flies. Every action, movement and thought follows inevitably from the previous one, like playing jazz. Your whole being is involved, and you're using your skills to the utmost." In a typical day that teeters between anxiety and boredom, flow experiences are those flashes of intense living -- bright against the dull. These optimal experiences can happen when we're engaged in work paid and unpaid, in sports, in music, in art. The researchers Maria Allison and Margaret Duncan have studied the role of flow in women's lives and looked at factors that contributed to what they call " antiflow." Antiflow was associated with repetitive household tasks, repetitive tasks at work, unchallenging tasks, and work we see as meaningless. But there's an element of chaos when it comes to flow. Even if we're doing meaningful and challenging work, that sense of total absoprtion can elude us. We might get completely and beautifully lost in something today, and, try as we might to re-create the same conditions tomorrow, our task might jsut feel like, well, work. In A Life of One's Own, Marion Milner described her effort to re-create teh conditions of her own recorded moments of happiness, saying, " Often when I felt certain that I had discovered the little mental act which produced the change I walked on air, exulting that I had found the key to my garden of delight and could slip through the door whenever I wished. But most often when I came again the place seemed different, the door overgrown with thorns and my key stuck in the lock. It was as if the first time I had said 'abracadabra' the door had opened, but the next time I must use a different word. (123-124). "
7 " The exhilaration of battle was agreeable to him, but the sight of the dead, with their clay faces, blank eyes, and stiff bodies, which, when not unnaturally shrunken, were unnaturally swollen, had always intolerably affected him. He felt toward them a kind of reasonless antipathy which was something more than the physical and spiritual repugnance common to us all. Doubtless this feeling was due to his unusually acute sensibilities - his keen sense of the beautiful, which these hideous things outraged. Whatever may have been the cause, he could not look upon a dead body without a loathing which had in it an element of reselltment. What others have respected as the dignity of death had to him no existence - was altogether unthinkable. Death was a thing to be hated. It was not picturesque, it had no tender and solemn side - a dismal thing, hideous in all its manifestations and suggestions. Lieutenant Byring was a braver man than anybody knew, for nobody knew his horror of that which he was ever ready to encounter. (" A Tough Tussle" ) "
8 " I believed even then that if I could transform my experience into poetry I would give it the value and dignity it did not begin to possess on its own. I thought too that if I could write about it I could come to understand it; I believed that if I could understand my life—or at least the part my work played in it—I could embrace it with some degree of joy, an element conspicuously missing from my life. "
― Philip Levine
9 " Space opera, as every reader doubtless knows, is a pejorative term often applied to a story that has an element of adventure. Over the decades, brilliant and talented new writers appear, receiving great acclaim, and each and every one of them can be expected to write at least one article stating flatly that the day of space opera is over and done, thank goodness, and that henceforth these crude tales of interplanetary nonsense will be replaced by whatever type of story that writer happens to favor — closet dramas, psychological dramas, sex dramas, etc., but by God important dramas, containing nothing but Big Thinks. Ten years late, the writer in question may or may not still be around, but the space opera can be found right where it always was, sturdily driving its dark trade in heroes. "
― Leigh Brackett , The Best of Planet Stories 1
10 " Inside me there was everything I had believed was outside. There was, in particular, the sun, light, and all colors. There were even the shapes of objects and the distance between objects. Everything was there and movement as well… Light is an element that we carry inside us and which can grow there with as much abundance, variety, and intensity as it can outside of us…I could light myself…that is, I could create a light inside of me so alive, so large, and so near that my eyes, my physical eyes, or what remained of them, vibrated, almost to the point of hurting… God is there under a form that has the good luck to be neither religious, not intellectual, nor sentimental, but quite simply alive. "
11 " Chain of envy linked them, showing each what was lacking in life, but offering also the consolation that happiness was present right next door, in the life of a neighbour, an element of the same society. "
― Aravind Adiga , Last Man in Tower
12 " As long as he retains externally the habits of a Christian he can still be made to think of himself as one who has adopted a few new friends and amusements but whose spiritual state is much the same...And while he thinks that, we do not have to contend with the explicit repentance of a definite, fully recognised, sin, but only with his vague, though uneasy, feeling that he hasn’t been doing very well lately. This dim uneasiness needs careful handling. If it gets too strong it may wake him up...if you suppress it entirely...we lose an element in the situation which can be turned to good account. If such a feeling is allowed to live, but not allowed to become irresistible and flower into real repentance, it has one invaluable tendency. It increases the patient’s reluctance to think about the Enemy. All humans at nearly all times have some such reluctance; but when thinking of Him involves facing and intensifying a whole vague cloud of half-conscious guilt, this reluctance is increased tenfold...In this state your patient will not omit, but he will increasingly dislike, his religious duties...He will want his prayers to be unreal, for he will dread nothing so much as effective contact with the Enemy. "
― C.S. Lewis , The Screwtape Letters
13 " Clearly, all fear has an element of resistance and a leaning away from the moment. Its dynamic is not unlike that of strong desire except that fear leans backward into the last safe moment while desire leans forward toward the next possibility of satisfaction. Each lacks presence. (29) "
― Stephen Levine , A Year to Live: How to Live This Year as If It Were Your Last
14 " The consciousness of Divine friendship in devotion, so far from being impaired, is deepened by holy veneration. The purest and most lasting human friendships are permeated with an element of reverence; much more this friendship of a man with God. "
15 " Arab nationalism in its traditional form was the way in which secular Arab Christians like Edward had found and kept a place for themselves, while simultaneously avoiding the charge of being too 'Western.' It was very noticeable among the Palestinians that the most demonstrably 'extreme' nationalists—and Marxists—were often from Christian backgrounds. George Habash and Nayef Hawatmeh used to be celebrated examples of this phenomenon, long before anyone had heard of the cadres of Hamas, or Islamic Jihad. There was an element of overcompensation involved, or so I came to suspect. "
― Christopher Hitchens , Hitch 22: A Memoir
16 " A composition—and every work of art is one—is created in a wondrous interplay between imagination and reason, or between mind and reflection. For there will always be an element of chance in the creative process. "
― Jostein Gaarder , Sophie's World
17 " As historians, our aim is to do our utmost to understand and elucidate past reality. At the same time, in pursuit of this goal, we must use ordering concepts that by definition inevitably introduce an element of distortion. I believe that our task as historians is to choose concepts that combine a maximum of explanatory power with a minimum of distortional effect. "
― , Discovering History in China: American Historical Writing on the Recent Chinese Past
18 " Grief is an element of aliveness and the answer to the denial the market demands of us. It is an index of our humanity. It is proof of the presence of our relatedness to each other. It is a communal practice that recognizes that choosing the wilderness of vulnerability, mystery, and anxiety was a good and life-affirming choice. "
― , An Other Kingdom: Departing the Consumer Culture
19 " It would be nice to think that as I've got older times have changed, relationships have become more sophisticated, females less cruel, skins thicker, reactions sharper, instincts more developed. But there still seems to be an element of that evening in everything that happened to me since; all my other romantic stories seem to be a scrambled version of that first one. Of course, I have never had to take that long walk again, and my ears have not burned with quite the same fury, and I have never had to count the packs of cheap cigarettes in order to avoid mocking eyes and floods of tears... not really, not actually, not as such. It just feels that way, sometimes. "
― Nick Hornby , High Fidelity
20 " Inside the flower, within the very structure of its petals, my soul is an element of nature, at one with the blooming Meadow Pinx in the fields on the coast of Marnan. "
― M. Larose , The Flower Eater