2
" Had Stella been named anything else, and/or had we lived in any other city besides New Orleans, my desperate call would have been just my desperate call. In that alternate universe the neighbors might have peeked from behind the curtains but they wouldn't have laughed or, worse, joined in. But you simply cannot shout the name Stella while standing under a window in New Orleans and hope for anything like an authentic or even mildly earnest moment. Literature had beaten me to this moment, had staked its flag here first, and there was nothing I could do outside in that soupy, rain-drenched alleyway that could rise above sad parody. Perhaps if she'd been named Beatrice, or Katarzyna-maybe then my life would have turned out differently. Maybe then my voice would have roused her to the window, maybe then I could have told her that I was sorry, that I could be a better man, that I couldn't promise I knew everything it meant but I loved her. Instead I stared up at that black window, shutmouthed and impotent, blinking and reblinking my eyes to flush out the rainwater. " Stella," I whispered. The French have an expression: " Without literature life is hell." Yeah, well. Life with it bears its own set of flames. "
3
" A writer’s tools are desperation, humiliation, loneliness, love, affection, heartache, happiness, glee, defeat, victory, setbacks, and a desire for personal redemption. People with the experience to know of such things relate that in order to write one must suffer an alleyway of anguish, and experience an array of physical and emotional pain. More than anything else, emotional growth, and writing are each reflective of the immeasurable gain accomplished through studious reflection. "
