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1 " All of them are the same type; girls with overprocessed hair and too much makeup and way too much access to Daddy’s credit cards. Girls who, if you took away the designer labels, hair dye and cover-up, wouldn’t be more than average-looking, but with all that stuff look too plastic to be pretty. "
― Hannah Harrington , Speechless
2 " Talk to me about the truth of religion and I'll listen gladly. Talk to me about the duty of religion and I'll listen submissively. But don't come talking to me about the consolations of religion or I shall suspect that you don't understand. Unless, of course, you can literally believe all that stuff about family reunions 'on the further shore,' pictured in entirely earthly terms. But that is all unscriptural, all out of bad hymns and lithographs. There's not a word of it in the Bible. And it rings false. We know it couldn't be like that. Reality never repeats. The exact same thing is never taken away and given back. How well the Spiritualists bait their hook! 'Things on this side are not so different after all.' There are cigars in Heaven. For that is what we should all like. The happy past restored. "
― C.S. Lewis , A Grief Observed
3 " People want to share but they usually don’t. People don’t talk to each other about real things because they’re afraid of how they’ll be judged. Or they think other people don’t have the capacity to carry the burden of what they have to say. They see the compulsion to put that burden out in the world as a show of weakness. But all that stuff is what makes us human; more than that, it’s what makes being human interesting and funny. How we got away from that, I don’t know. But fuck that: We’re built to deal with shit. We’re built to deal with death, disease, failure, struggle, heartbreak, problems. It’s what separates us from the animals and why we envy and love animals so much. We’re aware of it all and have to process it. The way we each handle being human is where all the good stories, jokes, art, wisdom, revelations, and bullshit come from. "
― Marc Maron , Attempting Normal
4 " Fortune favours the brave, sir," said Carrot cheerfully." Good. Good. Pleased to hear it, captain. What is her position vis a vis heavily armed, well prepared and excessively manned armies?" " Oh, no–one's ever heard of Fortune favouring them, sir." " According to General Tacticus, it's because they favour themselves," said Vimes. He opened the battered book. Bits of paper and string indicated his many bookmarks. " In fact, men, the general has this to say about ensuring against defeat when outnumbered, out–weaponed and outpositioned. It is..." he turned the page, " 'Don't Have a Battle.'" " Sounds like a clever man," said Jenkins. He pointed to the yellow horizon." See all that stuff in the air?" he said. " What do you think that is?" " Mist?" said Vimes." Hah, yes. Klatchian mist! It's a sandstorm! The sand blows about all the time. Vicious stuff. If you want to sharpen your sword, just hold it up in the air." " Oh." " And it's just as well because otherwise you'd see Mount Gebra. And below it is what they call the Fist of Gebra. It's a town but there's a bloody great fort, walls thirty feet thick. 's like a big city all by itself. 's got room inside for thousands of armed men, war elephants, battle camels, everything. And if you saw that, you'd want me to turn round right now. Whats your famous general got to say about it, eh?" " I think I saw something..." said Vimes. He flicked to another page. " Ah, yes, he says, 'After the first battle of Sto Lat, I formulated a policy which has stood me in good stead in other battles. It is this: if the enemy has an impregnable stronghold, see he stays there.'" " That's a lot of help," said Jenkins.Vimes slipped the book into a pocket." So, Constable Visit, there's a god on our side, is there?" " Certainly, sir." " But probably also a god on their side as well?" " Very likely, sir. There's a god on every side." " Let's hope they balance out, then. "
5 " I hate to say it, but all that stuff they try to tell you about women being empowered and how it's fine for a woman to ask a man out, well, it's crap.' I look down at my watch. 'Seven fifty-three p.m.' 'What does that mean?' 'Official time of death of feminism,' I reply, and mom laughs. "
― Robin Epstein , God Is in the Pancakes
6 " I used to get so worked up about this or that boy, or who was passing notes in math class. All that stuff seems so far away now, ever since Real Life came along and punched me in the face. "
7 " So what did you and Landon do this afternoon?” Minka asked, her soft voice dragging him back to the present.Angelo looked up to see that Minka had already polished off two fajitas. Damn, the girl could eat. “Landon gave me a tour of the DCO complex. I did some target shooting and blew up a few things. He even let me play with the expensive surveillance toys. I swear, it felt more like a recruiting pitch to get me to work there than anything.”Minka’s eyes flashed green, her full lips curving slightly. Damn, why the hell had he said it like that? Now she probably thought he was going to come work for the DCO. Even if he wanted to, he couldn’t, not after just reenlisting for another five years. The army wasn’t the kind of job where you could walk into the boss’s office and say, “I quit.”Thinking it would be a good idea to steer the conversation back to safer ground, he reached for another fajita and asked Minka a question instead. “What do you think you’ll work on next with Ivy and Tanner? You going to practice with the claws for a while or move on to something else?”Angelo felt a little crappy about changing the subject, but if Minka noticed, she didn’t seem to mind. And it wasn’t like he had to fake interest in what she was saying. Anything that involved Minka was important to him. Besides, he didn’t know much about shifters or hybrids, so the whole thing was pretty damn fascinating.“What do you visualize when you see the beast in your mind?” he asked.“Before today, I thought of it as a giant, blurry monster. But after learning that the beast is a cat, that’s how I picture it now.” She smiled. “Not a little house cat, of course. They aren’t scary enough. More like a big cat that roams the mountains.” “Makes sense,” he said. Minka set the other half of her fourth fajita on her plate and gave him a curious look. “Would you mind if I ask you a personal question?”His mouth twitched as he prepared another fajita. He wasn’t used to Minka being so reserved. She usually said whatever was on her mind, regardless of whether it was personal or not.“Go ahead,” he said.“The first time we met, I had claws, fangs, glowing red eyes, and I tried to kill you. Since then, I’ve spent most of the time telling you about an imaginary creature that lives inside my head and makes me act like a monster. How are you so calm about that? Most people would have run away already.”Angelo chuckled. Not exactly the personal question he’d expected, but then again Minka rarely did the expected.“Well, my mom was full-blooded Cherokee, and I grew up around all kinds of Indian folktales and legends. My dad was in the army, and whenever he was deployed, Mom would take my sisters and me back to the reservation where she grew up in Oklahoma. I’d stay up half the night listening to the old men tell stories about shape-shifters, animal spirits, skin-walkers, and trickster spirits.” He grinned. “I’m not saying I necessarily believed in all that stuff back then, but after meeting Ivy, Tanner, and the other shifters at the DCO, it just didn’t faze me that much.” Minka looked at him with wide eyes. “You’re a real American Indian? Like in the movies? With horses and everything?”He laughed again. The expression of wonder on her face was adorable. “First, I’m only half-Indian. My dad is Mexican, so there’s that. And second, Native Americans are almost nothing like you see in the movies. We don’t all live in tepees and ride horses. In fact, I don’t even own a horse.” Minka was a little disappointed about the no-horse thing, but she was fascinated with what it was like growing up on an Indian reservation and being surrounded by all those legends. She immediately asked him to tell her some Indian stories. It had been a long time since he’d thought about them, but to make her happy, he dug through his head and tried to remember every tale he’d heard as a kid. "
― Paige Tyler , Her Fierce Warrior (X-Ops, #4)
8 " Mackenzie, the truth shall set you free and the truth has a name; he's over in the woodshop right now covered in sawdust. Everything is about him. And freedom is a process that happens inside a relationship with him. Then all that stuff you feel churnin' around inside will start to work its way out. "
― William Paul Young , The Shack
9 " Jenny Marzen is who again?" Amy knew perfectly well who she was. Jenny Marzen was hot, hotter than Amy had ever been, and Jenny Marzen would be washed up in ten years and didn't know it. " And Jenny is my number one fan?" " No, but she likes you. She read your stories in grad school." " What is she, twelve?" " The point is, she really liked the article, and all that stuff about experience and news. Lex says she says you've got gravitas." " That's a dirty lie. I never even had mono. "
10 " You can let go of all that stuff you thought was real when you know it's just a game. What a relief, what a state of grace that brings. "
― Jay Woodman
11 " They keep telling you, when you’re older, you’ll have experience—and that’s supposed to be so great. What would you say about that, sir? Is it really any use, would you say?" " What kind of experience?”“Well—places you’ve been to, people you’ve met. Situations you’ve been through already, so you know how to handle them when they come up again. All that stuff that’s supposed to make you wise, in your later years.”“Let me tell you something, Kenny. For other people, I can’t speak—but, personally, I haven’t gotten wise on anything. Certainly, I’ve been through this and that; and when it happens again, I say to myself, Here it is again. But that doesn’t seem to help me. In my opinion, I, personally, have gotten steadily sillier and sillier and sillier—and that’s a fact.”“No kidding, sir? You can’t mean that! You mean, sillier than when you were young?”“Much, much sillier.”“I’ll be darned. Then experience is no use at all? You’re saying it might just as well not have happened?”“No. I’m not saying that. I only mean, you can’t use it. But if you don’t try to—if you just realize it’s there and you’ve got it—then it can be kind of marvelous. "
12 " In that day, we didn't have no remote controls and vacuum cleaners. If you wanted all that stuff you had children! "
― Tyler Perry
13 " I don't judge a scene or a line of dialog by whether or not it advances the plot, for example. Imagine an edit of Tarantino's Pulp Fiction wherein only dialog that advances the plot was allowed to remain. I don't obsess over the balance of conflict and interaction. I don't generally fret over the possibility that something I do may cause some reader to experience a " disconnect" (what an odious metaphor). I don't think in dramatic arcs. I don't spend a lot of time wondering if the plot is getting lost in description and conversation. To me, this all seems like a wealth of tedious confusion being introduced into an act that ought to be instinctive, natural, intuitive. I want to say, stop thinking about all that stuff and just write the story you have to tell. Let the story show you how it needs you to write it. I don't try to imagine how the reader will react to X or if maybe A, B, and C should have happened by page R. It's not that I don't want the story to be read. I desire readers as much as anyone. But I desire readers who want to read what I'm writing, not readers who approach fiction with so many expectations that they're constantly second-guessing and critiquing the author's every move, book in one hand, some workshop checklist in the other, and a stopwatch on the desk before them. If writing or reading like this seems to work for you, fine. I mean, I've always said that when you find something that works, stick with it. But, for me, it seems as though such an anal approach to creating any art would bleed from it any spark of enjoyment on the part of the artist (not to mention the audience). It also feels like an attempt to side-step the nasty issue of talent, as if we can all write equally well if we only follow the rules, because, you know, good writing is really 99% craft, not inexplicable, inconvenient, unquantifiable talent. "
14 " Writing is the hum. Writing is laying track. Writing is the high. Now imagine that hum, that high, that track to be laid is behind a door. And that door is five miles away. Those five miles are just . . . writing crap and doodling and trying to have an idea and surfing the internet and hoping like hell not to get so distracted that you give up. Worse? Those five miles are lined with brownies and cupcakes and episodes of Game of Thrones and Idris Elba waiting to talk to only you and really good novels to read. Every time I sit down to write, I have to mentally run those five miles past all of that to get to that door. It’s a long, hard five-mile run. Sometimes I am almost dead by the time I reach the door. That’s why I have to keep doing it. The more often I run the five miles, the fitter I become. And the fitter I become, the easier the run begins to feel and the less fresh and exciting all that stuff on the side of the road seems. I mean, how long has it been there? More important, as I get fitter, I can run faster. And the faster I can run, the faster I can get to that door. The faster you can too, writers out there. When you sit down to write every day, it becomes easier and easier to tap into that creative space inside your mind. The faster I can get to that door, the quicker I can get to the good stuff. "
― Shonda Rhimes , Year of Yes
15 " But everyone knows someone who has died, I said. Why is it so hard to think about dying?'Because,' Morrie continued, 'most of us walk around as if we're sleepwalking. We really don't experience the world fully, because we're half asleep, doing things we automatically think we have to do.'And facing death changes all that?'Oh, yes. You strip away all that stuff and you focus on the essentials. When you realize you are going to die, you see everything much differently.'He sighed. 'Learn how to die, and you learn how to live. "
― Mitch Albom , Tuesdays with Morrie
16 " We really don't experience the world fully, because we're half-asleep, doing things we automatically think we have to do.”And facing death changes that?" Oh, yes. You strip away all that stuff and you focus on the essentials. "
17 " One conclusion is becoming more and more evident: The primary focus of any manager should be to energize people, to make sure that they actually want to do all that stuff. And doing all that stuff requires motivation. "
― Jurgen Appelo , Management 3.0: Leading Agile Developers, Developing Agile Leaders
18 " I'm a role model now. ... I want to be a better person because I don't want to disappoint those girls. I stop and think about my actions more. I tip great, I try not to swear too much, and I remember to thank people and be grateful. And all that stuff I do to " appear' better has actually made me a better person. I wish I had always acted like I was a little bit famous. "
19 " We always believe that there's going to be some high, just around the corner that's going to pull us way, way, way up, where we'll stay forever. If our current romance doesn't do that for us, we'll look for a new one. When the giddy high of the first date wears off, we're ready for another fix.There's no problem with loving something, we coupling up, with enjoying someone's company, and all the rest. But if you want to enjoy all that stuff to the fullest, the best possible way to do it is to stop looking for the big highs, peak experiences, and sweeping flights of blissful romance. All that stuff just causes its own counterreactions. Watch your own body and mind, and you'll see this for yourself. "
― Brad Warner , Sex, Sin, and Zen: A Buddhist Exploration of Sex from Celibacy to Polyamory and Everything In Between
20 " When I think about dropping team sports and picking up surfing and also then geeking out radio control planes and gadgetry and all that stuff I love, that's what really now has led me in big part to GoPro. "
