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1 " We're all a part of this world, and it's up to us to make this one chance at living - living worth while. But the only way to do that is by doing it together. "
― Robert Vanleeuwen
2 " It isn't the happy ending Ingrid and I had dreamed up, but it's all a part of what I'm working through. The way life changes. The way people and things disappear. Then appear, unexpectedly, and hold you close. "
― Nina LaCour , Hold Still
3 " He truly was a man of faith. He believed in his friends, in the truth of things and in something to which he didn’t dare put a name or a face because he said as priests that was our job. Senor Sempere believed we are all a part of something, and that when we leave this world our memories and our desires are not lost, but go on to become the memories and desires of those who take our place. He didn’t know whether we created God in our own image or whether God created us without knowing what he was doing. He believed that God, or whatever brought us here, lives in each of our deeds, in each of our words, and manifests himself in all those things that show us to be more than mere figures of clay. Senor Sempere believed that God lives, to a smaller or greater extent, in books, and that is why he devoted his life to sharing them, to protecting them and to making sure their pages, like our memories and our desires, are never lost. He believed, and he made me believe it too, that as long as there is one person left in the world who is capable of reading them and experiencing them, a small piece of God, or of life, will remain” (p. 348). "
― Carlos Ruiz Zafón , The Angel's Game (The Cemetery of Forgotten Books, #2)
4 " When you combine desire and faith to that it is in which you aspire to, you send an proactive force into the universe that creates a wave of energy, thus activating energy particles which then begin the manifestation process, kind of like a magnet to iron. The bigger the desire equaled with faith, the higher likeliness of materializing what it is you strive for. Stop living a life in which you are not in control of and join forces with the universe in which we are all a part of. Expand your consciousness and be grateful for every instance in the physical plane, it is what you must decide if you want to live the life that you want. "
― Will Barnes , The Expansion of The Soul
5 " No one escapes suffering. Everyone goes through tough times. Suffering is a part of our human condition and cannot be avoided. Setbacks, failures, pain, suffering, and hardships are all a part of life, but whether we are able to find peace within the storm depends on our resilience and perseverance. Whenever one of our children tells us that they don’t want to fail at something, we remind them that there will be times in their life when they will fail, but it’s how they come through it that matters. If we choose to focus on the negative, the failure itself, the darkness will oppress and consume us. Eventually it will destroy a person. We need to embrace the fact that we’re human and our lives will be filled with suffering and hardship, but we have the ultimate hope and victory in Our Lord. "
― Rick Santorum , Bella's Gift: How One Little Girl Transformed Our Family and Inspired a Nation
6 " Francesca was a strong believer in fate. She assumed he picked up the habit from her therapist who was constantly preaching that “everything happened for a reason”, but regardless she now spouted out that philosophy like she was paid to. Everything big in her life, she believed it was all a part of God’s plan – it was all fate. So the way she saw it, it had to be fate that Paul came into her life like this. "
― Courtney Carola , Where We Belong
7 " Life is a cosmic grab-bag. At this moment, somewhere in the world, someone is losing a child, skiing down a mountain, having an orgasm, getting a haircut, lying on a bed of pain, singing on a stage, drowning, getting married, starving in a gutter. In the end, aren't we all that same person? An aeon is a thousand million years, and an aeon ago every atom in our bodies was a part of a star. Pay attention to me, God. We are all a part of your universe, and if we die, part of your universe dies with us. "
― Sidney Sheldon , Windmills of the Gods
8 " You can't protect him from being hurt, babe, no mattter what you do. Being vulnerable, letting people in, getting hurt...it's all a part of being in love. "
― Jenny Han , Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3)
9 " We are all a part of a culture of violence that dominates every aspect of our lives. "
― Bryant McGill , Voice of Reason
10 " Please do not blame the story.The story cannot help itself. We do not realize it at the time, but sometimes the story we are all a part of is not just a story about Vikings and islands and dragons. It is a story about growing up.And one of the things about growing up, one of the inescapable, inevitable laws, is that one day...One day... one day... It is going to happen. I am sorry, but it's true. "
― Cressida Cowell , How to Steal a Dragon's Sword (How to Train Your Dragon, #9)
11 " It isn't the happy ending that Ingrid and I have dreamed up, but it's all a part of what I'm working through. The way life changes. The way people and things disappear. Then appear, unexpectedly, and had you close "
12 " Woman lost (skin deep) like a damn fine thread in the fireWoman of the world caught up in your black machinationsI was a woman who cried alone at night, who gave it all away when she saw the good heart of the man insideWoman caught standing up; her open parts are broken -Someone's armour broke right through, it was you, youFor some reason I've been thinking about you, your lightToday, you poured out all the tension, the ego undergroundHibernating inside my heart. I was so close to it, to the flicker Of love in a lonely street and I turned my head and walkedAway from the flame in your arms. As I put away the fun inA house of fight I came across you and a mechanism inMy brain shifted chemically, walls caved in like the cadenceIn your words and I was lost in the darkness. Even now inMiddle age I remember when desire was a popular drugAnd everyone was selling it but I don't live to explore to beAble to illuminate the proof of my existence, live to burnVicariously though the diamond mouth of sleeping stars.From so much love, pictures of death arrived in black andWhite photographs and you're perfect, you always were -Illusions have no flaws; they're dangerous beings, smoke.Could I take the moon back and still live with my greatExpectations of nostalgia, laughter, tears and suffering -But they are all a part of me not the people of the stars,Long dead videotape, the past has stained the symphonyOf my soul (like the wind through the trees) throughoutMe finding myself, my two left feet as a female poetThe warning was there of the noise of eternity, signs That said, don't anger the sea, you have an ally in her.When men grow cold listen to their stories and bask inThe glory of their genuine deaths, their winters, putThem away so you can read them like the newspaper.Once in a while you can go back to where you stoodIn youth with your afternoon tea, the sun of God in ourEyes - I am that kind of woman who lives in the past "
― Abigail George , Feeding The Beasts
13 " Weston, having been born in Chicago, was raised with typical, well-grounded, mid-western values. On his 16th birthday, his father gave him a Kodak camera with which he started what would become his lifetime vocation. During the summer of 1908, Weston met Flora May Chandler, a schoolteacher who was seven years older than he was. The following year the couple married and in time they had four sons.Weston and his family moved to Southern California and opened a portrait studio on Brand Boulevard, in the artsy section of Glendale, California, called Tropico. His artistic skills soon became apparent and he became well known for his portraits of famous people, such as Carl Sandburg and Max Eastman. In the autumn of 1913, hearing of his work, Margrethe Mather, a photographer from Los Angeles, came to his studio, where Weston asked her to be his studio assistant. It didn’t take long before the two developed a passionate, intimate relationship. Both Weston and Mather became active in the growing bohemian cultural scene in Los Angeles. She was extremely outgoing and artistic in a most flamboyant way. Her bohemian sexual values were new to Weston’s conventional thinking, but Mather excited him and presented him with a new outlook that he found enticing. Mather was beautiful, and being bisexual and having been a high-class prostitute, was delightfully worldly. Mather's uninhibited lifestyle became irresistible to Weston and her photography took him into a new and exciting art form. As Mather worked and overtly played with him, she presented a lifestyle that was in stark contrast to Weston’s conventional home life, and he soon came to see his wife Flora as a person with whom he had little in common.Weston expanded his horizons but tried to keep his affairs with other women a secret. As he immersed himself further into nude photography, it became more difficult to hide his new lifestyle from his wife. Flora became suspicious about this secret life, but apparently suffered in silence. One of the first of many women who agreed to model nude for Weston was Tina Modotti. Although Mather remained with Weston, Tina soon became his primary model and remained so for the next several years. There was an instant attraction between Tina Modotti, Mather and Edward Weston, and although he remained married, Tina became his student, model and lover. Richey soon became aware of the affair, but it didn’t seem to bother him, as they all continued to remain good friends. The relationship Tina had with Weston could definitely be considered “cheating,” since knowledge of the affair was withheld as much as possible from his wife Flora May.Perhaps his wife knew and condoned this new promiscuous relationship, since she had also endured the intense liaison with Margrethe Mather. Tina, Mather and Weston continued working together until Tina and Weston suddenly left for Mexico in 1923.As a group, they were all a part of the cozy, artsy, bohemian society of Los Angeles, which was where they were introduced to the then-fashionable, communistic philosophy. "
― Hank Bracker
14 " You just can't apologize for being you nor for your emotional self, nor for your intellectual self, nor for spiritual self, nor for your physical self. It's all a part of who you are, signal that you don't value who you are, once that occurs you have a serious work to do, to get back to where you need to be in order to move on in life. "
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15 " While we may be of different faiths, we have a strong sense of faith, family, community. We hold the values of freedom and human rights very high and I think that those are all a part of a very strong quilt that binds us together. "
16 " You play to different parts of yourself when you take on various roles. Like, you are your confident self when you're playing this person, and you're your sad self when playing another person - but it's all a part of you somewhere. "