1
" Lovers and madmen have such seething brains,
Such shaping fantasies, that apprehend
More than cool reason ever comprehends.
The lunatic, the lover and the poet
Are of imagination all compact:
One sees more devils than vast hell can hold,
That is, the madman: the lover, all as frantic,
Sees Helen's beauty in a brow of Egypt:
The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name. "
― William Shakespeare , A Midsummer Night's Dream
5
" Poem (the spirit likes to dress up) The spirit likes to dress up like this: ten fingers, ten toes,shoulders, and all the rest at night in the black branches, in the morningin the blue branches of the world. It could float, of course, but would ratherplumb rough matter. Airy and shapeless thing, it needs the metaphor of the body,lime and appetite, the oceanic fluids; it needs the body’s world, instinctand imagination and the dark hug of time, sweetness and tangibility,to be understood, to be more than pure light that burns where no one is –so it enters us – in the morning shines from brute comfort like a stitch of lightning;and at night lights up the deep and wondrous drownings of the body like a star. "
7
" Man doeth this and doeth that from the good or evil of his heart; but he knows not to what end his sense doth prompt him; for when he strikes he is blind to where the blow shall fall, nor can he count the airy threads that weave the web of circumstance. Good and evil, love and hate, night and day, sweet and bitter, man and woman, heaven above and the earth beneath--all those things are needful, one to the other, and who knows the end of each? "
― H. Rider Haggard , She: A History of Adventure (She, #1)
14
" I had allowed my body to take whatever path it wished. The fact that it was guiding me and not I it gave me great pleasure. I had confidence. The body is not blind unwrought material when bathed in Greek light; it is suffused with abundant soul which makes it phosphoresce, and it left free, it is able to arrive at its own decision and find the correct road without the mind's intervention. Conversely, the soul is not an invisible airy phantom; it has taken on some body's sureness and warmth in its own right, and it savors the world with what you might call carnal pleasure, as though it had a mouth and nostrils and hands with which to caress this world. Man often lacks the persistence to maintain all of his humanity. He mutilates himself. Sometimes he wishes to be released from his soul sometimes from his body. To enjoy both together seems a heavy sentence. But here is Greece these two graceful, deathless elements are able to commingle like hot water with cold, the soul to take something from the body, the body from the soul. They become friends, and thus man, here on Greece's divine threshing floor, is able to live and journey unmutilated, intact. (Report to Greco) "
15
" I had allowed my body to take whatever path it wished. The fact that it was guiding me and not I it gave me great pleasure. I had confidence. The body is not blind unwrought material when bathed in Greek light; it is suffused with abundant soul which makes it phosphoresce, and it left free, it is able to arrive at its own decision and find the correct road without the mind's intervention. Conversely, the soul is not an invisible airy phantom; it has taken on some body's sureness and warmth in its own right, and it savors the world with what you might call carnal pleasure, as though it had a mouth and nostrils and hands with which to caress this world. Man often lacks the persistence to maintain all of his humanity. He mutilates himself. Sometimes he wishes to be released from his soul sometimes from his body. To enjoy both together seems a heavy sentence. But here in Greece these two graceful, deathless elements are able to commingle like hot water with cold, the soul to take something from the body, the body from the soul. They become friends, and thus man, here on Greece's divine threshing floor, is able to live and journey unmutilated, intact. (Report to Greco) "
― N. Kazantzakis
16
" I had allowed my body to take whatever path it wished. The fact that it was guiding me and not I it gave me great pleasure. I had confidence. The body is not blind unwrought material when bathed in Greek light; it is suffused with abundant soul which makes it phosphoresce, and is left free, it is able to arrive at its own decision and find the correct road without the mind's intervention. Conversely, the soul is not an invisible airy phantom; it has taken on some body's sureness and warmth in its own right, and it savors the world with what you might call carnal pleasure, as though it had a mouth and nostrils and hands with which to caress this world. Man often lacks the persistence to maintain all of his humanity. He mutilates himself. Sometimes he wishes to be released from his soul sometimes from his body. To enjoy both together seems a heavy sentence. But here in Greece these two graceful, deathless elements are able to commingle like hot water with cold, the soul to take something from the body, the body from the soul. They become friends, and thus man, here on Greece's divine threshing floor, is able to live and journey unmutilated, intact. (Report to Greco) "
― N. Kazantzakis
19
" Or I would be the rain itself, wreathing over the island, mingling in the quiet of moist places, filling its pores with its saturated breaths. And I would be the wind, whispering through the tangled woods, running airy fingers over the island’s face, tingling in the chill of concealed places, sighing secrets in the dawn. And I would be the light, flinging over the island, covering it with flash and shadow, shining on rocks and pools, softening to a touch in the glow of dusk. If I were the rain and wind and light, I would encircle the island like the sky surrounding earth, flood through it like a heart driven pulse, shine from inside it like a star in flames, burn away to blackness in the closed eyes of its night. There are so many ways I could love this island, if I were the rain. "
― , The Island Within
20
" On a journey the face of reality changes with the mountains and rivers, with the architecture of the buildings, the layout of the gardens, with the language, the skin colour. And yesterday’s reality burns on in the pain of parting; the day before yesterday’s is a finished episode, never to return; what happened a month ago is a dream, a past life. And at last you realize that the course of a life contains nothing but a limited number of such ‘episodes’, that a thousand and one accidents determine where we can build our house at last – but the peace of our poor minds is a precious good freedom that you should not chase, not haggle over, nor should you bargain for it with the dictators who can set fire to our houses, trample our fields and spread cholera overnight.
Appalling uncertainty…? Appalling only when we fail to look it in the eyes. But the journey that many may take for an airy dream, an enticing game, liberation from daily routine, freedom as such, is in reality merciless, a school that accustoms us to the inevitable course of events, to encounters and losses, blow upon blow. "
― Annemarie Schwarzenbach , All the Roads Are Open: The Afghan Journey
