11
" I tell you I must go!” I retorted, roused to something like passion. “Do you think I can stay to become nothing to you? Do you think I am an automaton?—a machine without feelings? and can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!—I have as much soul as you,—and full as much heart! And if God had gifted me with some beauty and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh;—it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God’s feet, equal,—as we are! "
― Charlotte Brontë , Jane Eyre
17
" If you can find no way of getting the Notes duplicated, why not try the Ministry of Cultural Affairs, who might be sympathetic (provided they do not actually read them)? I must, however, confess to a rooted dislike—perhaps you share it?—of seeking the help of Official (particularly Government) Bodies. Whenever anyone addresses me in his official capacity, I am at once filled with a desire to attack the Official Body he represents. I have every sympathy with the Irishman who, on being fined five shillings for Contempt of Court, asked the Magistrate to make it ten shillings; 'Five shillings' he explained 'do not adequately express the Contempt I have for this Court'. I am quite unable to identify myself with any organized body or cause (even if it is a body of opposition or a lost cause). I am a born blackleg. I thoroughly approve of E. M. Forster's declaration, 'If I had to choose between betraying my country and betraying my friend, I hope I should have the guts to betray my country'. For me, there is no doubt that the very small word in the centre of the blank canvas at the end of 'The Artist at Work' is solitaire, not solidaire. "
19
" Writing a personal essay or memoir addresses how a person thinks and behaves in the context of society’s prevailing moral and ethical codes, informal rules, laws, and customs. A self-ethnographer emphasis what he or she considers important regarding how people perceive and categorize the world, their meaning for behavior, how they imagine and explain things, and ascertaining what has meaning for them. Expository writing, a discursive examination of a broad field of subjects, is one method of cohering the dimensions of a person’s emic and etic thoughts and a linked series of memorable events into a unified personal ideology how to live a purposeful life. In cultural anthropology, the emic approach focuses on what people of a local culture think and how they interpret events whereas the etic approach takes a more objective view of how an outsider evaluates the behavior and customs of a culture. Usage of both emic and etic analysis provides the richest description of a cultural or a society in which the personal essayist operates within. "
― , Dead Toad Scrolls
20
" Rubashov had always believed that he knew himself rather well. Being without moral prejudices, he had no illusions about the phenomenon called the " first person singular" and had taken for granted, without particular emotion, that this phenomenon was endowed with certain impulses which people are generally reluctant to admit. Now, when he stood with his forehead against the window or suddenly stopped on the third black tile, he made unexpected discoveries. He found that those processes wrongly known as monologues are really dialogues of a special kind - dialogues in which one partner remains silent while the other, against all grammatical rules, addresses him as " I" instead of " you," in order to creep into his confidence and to fathom his intentions, but the silent partner just remains silent, shuns observation, and even refuses to be localized in time and space. "