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9 " Right from the start he is dressed in his best - his blacks and his whitesLittle Fauntleroy - quiffed and glossy,A Sunday suit, a wedding natty get-up,Standing in dunged strawUnder cobwebby beams, near the mud wall,Half of him legs, Shining-eyed, requiring nothing moreBut that mother's milk come back often.Everything else is in order, just as it is.Let the summer skies hold off, for the moment.This is just as he wants it.A little at a time, of each new thing, is best.Too much and too sudden is too frightening -When I block the light, a bulk from space,To let him in to his mother for a suck,He bolts a yard or two, then freezes,Staring from every hair in all directions,Ready for the worst, shut up in his hopeful religion,A little syllogismWith a wet blue-reddish muzzle, for God's thumb.You see all his hopes bustlingAs he reaches between the worn rails towardsThe topheavy oven of his mother.He trembles to grow, stretching his curl-tip tongue -What did cattle ever find hereTo make this dear little fellowSo eager to prepare himself?He is already in the race, and quivering to win -His new purpled eyeball swivel-jerksIn the elbowing push of his plans.Hungry people are getting hungrier,Butchers developing expertise and markets,But he just wobbles his tail - and glistensWithin his dapper profileUnaware of how his whole lineage Has been tied up.He shivers for feel of the world licking his side.He is like an ember - one glowOf lighting himself upWith the fuel of himself, breathing and brightening.Soon he'll plunge out, to scatter his seething joy,To be present at the grass,To be free on the surface of such a wideness,To find himself. To stand. T "

10 " Miss Mapp moved towards the screen." What a delicious big screen," she said." Yes, but don't go behind it, Mapp," said Irene, " or you'll see my model undressing." Miss Mapp retreated from it precipitately, as from a wasp's nest, and examined some of the studies on the wall, for it was more than probable from the unfinished picture on the easel that Adam lurked behind the delicious screen. Terrible though it all was, she was conscious of an unbridled curiosity to know who Adam was. It was dreadful to think that there could be any man in Tilling so depraved as to stand to be looked at with so little on...Irene strolled round the walls with her." Studies of Lucy," she said." I see, dear," said Miss Mapp. " How clever! Legs and things! But when you have your bridge-party, won't you perhaps cover some of them up, or turn them to the wall? We should all be looking at your pictures instead of attending to our cards. And if you were thinking of asking the Padre, you know..." They were approaching the corner of the room where the screen stood, when a movement there as if Adam had hit it with his elbow made Miss Mapp turn round. The screen fell flat on the ground and within a yard of her stood Mr. Hopkins, the proprietor of the fish-shop just up the street. Often and often had Miss Mapp had pleasant little conversations with him, with a view to bringing down the price of flounders. He had little bathing-drawers on..." Hullo, Hopkins, are you ready," said Irene. " You know Miss Mapp, don't you?" Miss Mapp had not imagined that Time and Eternity combined could hold so embarrassing a moment. She did not know where to look, but wherever she looked, it should not be at Hopkins. But (wherever she looked) she could not be unaware that Hopkins raised his large bare arm and touched the place where his cap would have been, if he had had one." Good morning, Hopkins," she said. " Well, Irene darling, I must be trotting, and leave you to your--" she hardly knew what to call it--" to your work." She tripped from the room, which seemed to be entirely full of unclothed limbs, and redder than one of Mr. Hopkins's boiled lobsters hurried down the street. She felt that she could never face him again, but would be obliged to go to the establishment in the High Street where Irene dealt, when it was fish she wanted from a fish-shop... Her head was in a whirl at the brazenness of mankind, especially womankind. How had Irene started the overtures that led to this? Had she just said to Hopkins one morning: " Will you come to my studio and take off all your clothes?" If Irene had not been such a wonderful mimic, she would certainly have felt it her duty to go straight to the Padre, and, pulling down her veil, confide to him the whole sad story. But as that was out of the question, she went into Twemlow's and ordered four pounds of dried apricots. "