6
" If you can keep your head when all about you
Are losing theirs and blaming it on you,
If you can trust yourself when all men doubt you,
But make allowance for their doubting too;
If you can wait and not be tired by waiting,
Or being lied about, don't deal in lies,
Or being hated, don't give way to hating,
And yet don't look too good, nor talk too wise
If you can dream - and not make dreams your master;
If you can think - and not make thoughts your aim;
If you can meet with Triumph and Disaster
And treat those two impostors just the same;
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build 'em up with worn-out tools
If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings
And never breathe a word about your loss;
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the will which says to them: 'Hold on!'
If you can talk with crowds and keep your virtue,
Or walk with Kings - nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much;
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And - which is more - you'll be a Man, my son! "
― Rudyard Kipling , If: A Father's Advice to His Son
14
" I must say a word about fear. It is life's only true opponent. Only fear can defeat life. It is a clever, treacherous adversary, how well I know. It has no decency, respects no law or convention, shows no mercy. It goes for your weakest spot, which it finds with unnerving ease. It begins in your mind, always ... so you must fight hard to express it. You must fight hard to shine the light of words upon it. Because if you don't, if your fear becomes a wordless darkness that you avoid, perhaps even manage to forget, you open yourself to further attacks of fear because you never truly fought the opponent who defeated you. "
― Yann Martel , Life of Pi
15
" What about you, Snipes?" Dunbar asked. " You think there to be mountain lions up here or is it just folks' imaginings?" Snipes pondered the question a few moments before speaking.They's many a man of science would claim there aint because you got no irredeemable evidence like panther scat or fur or tooth or tail. In other words, some part of the animal in questions. Or better yet having the actual critter itself, the whole think kit and caboodle head to tail, which all your men of science argue is the best proof of all a thing exists, whether it be a panther, or a bird, or even a dinosaur." To put it another way, if you was to stub your toe and tell the man of science what happened he'd not believe a word of it less he could see how it'd stoved up or was bleeding. But your philosophers and theologians and such say there’s things in the world that’s every bit as real even though you can’t see them.”Like what?” Dunbar asked.Well,” Snipes said. “They’s love, that’s one. And courage. You can’t see neither of them, but they’re real. And air, of course. That’s one of your most important examples. You wouldn’t be alive a minute if there wasn’t air, but nobody’s ever seen a single speck of it.”… “All I’m saying is there is a lot more to this old world than meets the eye.”… “And darkness. You can’t see it no more than you can see air, but when its all around you sure enough know it.” (Serena, 65-66) "
16
" There are objects made up of two sense elements, one visual, the other auditory—the colour of a sunrise and the distant call of a bird. Other objects are made up of many elements—the sun, the water against the swimmer's chest, the vague quivering pink which one sees when the eyes are closed, the feeling of being swept away by a river or by sleep. These second degree objects can be combined with others; using certain abbreviations, the process is practically an infinite one. There are famous poems made up of one enormous word, a word which in truth forms a poetic object, the creation of the writer. The fact that no one believes that nouns refer to an actual reality means, paradoxically enough, that there is no limit to the numbers of them. "
― Jorge Luis Borges , Ficciones
18
" Why did you come in to-night with your heads in the air? 'Make way, we are coming! Give us every right and don't you dare breathe a word before us. Pay us every sort of respect, such as no one's ever heard of, and we shall treat you worse than the lowest lackey!' They strive for justice, they stand on their rights, and yet they've slandered him like infidels in their article. We demand, we don't ask, and you will get no gratitude from us, because you are acting for the satisfaction of your own conscience! Queer sort of reasoning!... He has not borrowed money from you, he doesn't owe you anything, so what are you reckoning on, if not his gratitude? So how can you repudiate it? Lunatics! They regard society as savage and inhuman, because it cries shame on the seduced girl; but if you think society inhuman, you must think that the girl suffers from the censure of society, and if she does, how is it you expose her to society in the newspapers and expect her not to suffer? Lunatics! Vain creatures! They don't believe in God, they don't believe in Christ! Why, you are so eaten up with pride and vanity that you'll end by eating up one another, that's what I prophesy. Isn't that topsy-turvydom, isn't it infamy? "
― Fyodor Dostoevsky , The Idiot
