8
" Not long ago-incredible though it may seem-I heard a clerk of Oxford declare that he 'welcomed' the proximity of mass-production robot factories, and the roar of self-obstructive traffic, because it brought his university into 'contact with real life.' He may have meant that the way men were living and working in the twentieth century was increasing in barbarity at an alarming rate, and that the loud demonstration of this in the streets of Oxford might serve as a warning that it is not possible to preserve for long an oasis of sanity in a desert of unreason by mere fences, without actual offensive action (practical and intellectual). I fear he did not. In any case the expression 'real life' in this context seems to fall short of academic standards. The notion that motor-cars are more 'alive' than, say, centaurs or dragons is curious; that they are more 'real' than, say, horses is pathetically absurd. How real, how startlingly alive is a factory chimney compared with an elm tree: poor obsolete thing, insubstantial dream of an escapist! "
― J.R.R. Tolkien , Tree and Leaf: Includes Mythopoeia and The Homecoming of Beorhtnoth
11
" The back of the church was raised up from the ground. Tossed in among its supports were what looked like moldering bones.
My heart ached so much for these poor souls, neglected even after death, I turned away to head back, but managed only a few burdened steps.
I drew up abruptly and froze.
An old, worn marker, standing off by itself, grabbed at my heart.
It was Edgar Alan Poe.
He fit in so perfectly there. Maybe I did, too. His sorrow and pain ate through me as I stood, head lowered. Can’t even death let us step away from our darkness?
It was like he was scratching a warning into the dirt with his finger, and meant it specifically for me. Don’t wait around for sermons to wash you clean, he seemed to say, for death or drugs to close your eyes. God won’t come roaring in with fresh troops to drive away the darkness we’ve walled our own souls up in. He didn’t put us there; we’ll have to dig ourselves out.
I looked at my own life as I stood there, feeling buried alive, like some of his characters.
But unlike his characters I had caught a flash of hope. "
― Edward Fahey , Entertaining Naked People
12
" I wish I could have shown you that engineheart- the system of pieces and parts that moved us forward, that moves us forward still. One day, a few weeks after my son’s death, I took the bolt off the casing and opened it up. Just to see how it worked. Opening that heart was like the opening the first page of a book- there were characters (me, the Memory of My Father), there was rhythm and chronology, I saw, in the images, old roads I’d forgotten- and scenes from stories where the VW was just a newborn. I do know that it held a true translation: miles to words, words to notes, notes to time. It was the HEART that converted the pedestrian song of Northampton to something meaningful, and it did so via some sort of fusion: the turtle that howls a bluegrass tune at the edge of Bow Lake becomes a warning in the VW heart…and that’s just the beginning- the first heart layer. It will take years and years of study, and the energy of every single living thing, to understand the tiny minds and roads in the subsequent layers, the mechanics at work to make every single heartmoment turn together… The point is, this WAS always the way it was supposed to be. Even I could see that the Volkswagen heart was wired for travel-genetically coded. His pages were already written-as are mine and yours. Yes, yours too! I am looking into your eyes right now and I am reading your life, and I am excited/sorry for what the road holds for you. It’s going to be amazing/really difficult. You’ll love/loathe every minute of it! "