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1 " Socrates: Have you noticed on our journey how often the citizens of this new land remind each other it is a free country? Plato: I have, and think it odd they do this.Socrates: How so, Plato?Plato: It is like reminding a baker he is a baker, or a sculptor he is asculptor.Socrates: You mean to say if someone is convinced of their trade, they haveno need to be reminded.Plato: That is correct.Socrates: I agree. If these citizens were convinced of their freedom, they would not need reminders. "
― E.A. Bucchianeri , Brushstrokes of a Gadfly, (Gadfly Saga, #1)
2 " I am, apparently, of that rare breed that likes to write. The demands of a chapter pull me from bed in the morning, and regardless of how well I think I know the day's road ahead, there are always surprises. But the pleasures that come from writing about the American past, of discovering what I hope no one has seen before, are of course balanced by rough, often tedious stretches. Writing does not come easily for me; I work slowly, much like a sculptor with a chisel, only words rather than stone or wood are my medium. But when at the end of the day I have a page or two that seem right, I pull away from the desk certain that all is right in the world, regardless of what the evening news might tell me later. "
3 " Trauma and pain are the foundations of art. I believe that. When tragedy strikes, however, a muralist or a watercolorist has the opportunity to be a human being in the moment and an artist afterward. Faced with the death of a loved one, a sculptor or portraitist can first grieve, suffer, and heal--then create. Most artists go through life this way. They can react normally to the trials and tribulations of the human experience. They can pass through the world with compassion and comradeship. They can make their art later. Outside, elsewhere, beyond. But photography is immediate. It does not offer the luxury of time. Faced with blood, death, or transformation, a photographer has no choice but to reach for the camera. An artist first, a human being afterward. Photography is a neutral record of all events, a chronicle of things both sublime and terrible. By necessity, this work is made without emotion, without connection, without love. "
4 " I want to... have fun with writing again. Enjoy my work, enjoy playing with the language and characters like a sculptor plays with clay. But there's this manic focus on numbers--how many books have you written and how many have you sold and it's all push, push, push, and no time for reflection--but at heart, books are about dreaming... which is just the opposite. So I don't know... M.M. Bennetts comment to Nancy Bilyeau as related in Nancy's tribute " M.M. Bennetts: The Closest Friend I Never Met "
5 " The mind is at every stage a theater of simultaneous possibilities. Consciousness consists in the comparison of these with each other, the selection of some, and the suppression of the rest by the reinforcing and inhibiting agency of attention. The highest and most elaborated mental products are filtered from the data chosen by the faculty next beneath, out of the mass offered by the faculty below that, which mass in turn was sifted from a still larger amount of yet simpler material, and so on. The mind, in short, works on the data it receives very much as a sculptor works on his block of stone. In a sense the statue stood there from eternity. But there were a thousand different ones beside it, and the sculptor alone is to thank for having extricated this one from the rest. Just so the world of each of us, how so ever different our several views of it may be, all lay embedded in the primordial chaos of sensations, which gave the mere matter to the thought of all of us indifferently. We may, if we like, by our reasonings unwind things back to that black and jointless continuity of space and moving clouds of swarming atoms which science calls the only real world. But all the while the world we feel and live in will be that which our ancestors and we, by slowly cumulative strokes of choice, have extricated out of this, like sculptors, by simply removing portions of the given stuff. Other sculptors, other statues from the same stone! Other minds, other worlds from the same monotonous and inexpressive chaos! Your world is but one in a million alike embedded, alike real to those who may abstract them. How different must be the worlds in the consciousness of ant, cuttlefish, or crab! "
― William James , The Principles of Psychology
6 " Children are like clay in the hands of teachers. Like a sculptor we can chisel and carve their personalities with our behavior. "
― Balroop Singh
7 " He knelt down beside her and slowly rubbed a soft, muculent mix on her bare skin like a sculptor at work. It carried the pleasurable smell of wet earth. With his fingertips, he gently stroked every part of her body; and with every stroke, she groaned softly. She felt the pain that filled every bone in her body, yet she also felt the immense sensation of pleasure and comfort that was so foreign to her "
― Mirette Baghat
8 " As a sculptor sculpts a statue, an educator educates our future generation. Beauty depends on the creator. "
― Debasish Mridha
9 " If we fail to realize our full potential as human beings, we live more on an animalistic level. This is fine for dogs, cats, and chimpanzees but doesn’t work quite so well for women and men. Without the capacity to freely shape our own lives, much as a sculptor might carve stone, we inevitably slip into negativity and depression. "
― , Japanese Yoga: The Way of Dynamic Meditation
10 " An actor is a sculptor who carves in snow. "
11 " I think I understand something about space. I think the job of a sculptor is spatial as much as it is to do with form. "
12 " So what we have tried to do in our later buildings is to try to be completely consistent, as a painter is consistent or as a sculptor is consistent. Architecture also must be very consistent. "
13 " It is a mistake for a sculptor or a painter to speak or write very often about his job. It releases tension needed for his work. "