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1 " I suddenly knew that religion, God - something beyond everyday life - was there to be found, provided one is really willing. And I saw that though what I felt in the church was only imagination, it was a step on the way; because imagination itself can be a kind of willingness - a pretense that things are real, due to one's longing for them. It struck me that this was somehow tied up with what the Vicar said about religion being an extension of art - and then I had a glimpse of how religion can really cure you of sorrow; somehow make use of it, turn it to beauty, just as art can make sad things beautiful. I found myself saying: 'Sacrifice is the secret - you have to sacrifice things for art and it's the same with religion; and then the sacrifice turns out to be a gain.' Then I got confused and I couldn't hold on to what I meant - until Miss Blossom remarked: 'Nonsense, duckie - it's prefectly simple. You lose yourself in something beyond yourself and it's a lovely rest.'I saw that, all right. Then I thought: 'But that's how Miss Marcy cured her sorrow, too - only she lost herself in other people instead of in religion.' Which way of life was best - hers or the Vicar's? I decided that he loves God and merely likes the villagers, whereas she loves the villagers and merely likes God - and then I suddenly wondered if I could combine both ways, love God and my neighbor equally. Was I really willing to? "
― Dodie Smith
2 " It is necessary to realize that the most sacrosanct article of sexual politics in the period, the Victorian doctrine of chivalrous protection and its familiar protestations of respect, rests upon the tacit assumption, a cleverly expeditious bit of humbug, that all women were " ladies" —namely members of that fraction of the upper classes and bourgeoisie which treated women to expressions of elaborate concern, while permitting them no legal or personal freedom. The psycho-political tacit here is a pretense that the indolence and luxury of the upper-class woman’s role in what Veblen called “vicarious consumption” was the happy lot of all women. The efficacy of this maneuver depends on dividing women by class and persuading the privileged that they live in an indulgence they scarcely deserve... To succeed, both the sexual revolution and the Woman's Movement which led it would have to unmask chivalry and expose its courtesies as subtle manipulation. "
3 " Adopting the language of a pretense only serves to ease participation in it. "
4 " What to AcceptThe fact of mountains. The actualityOf any stone — by kicking, if necessary. The need to ignore stupid people, While restraining one's natural impulseTo murder them. The change from your dollar, Be it no more than a penny, For without a pretense of universal penuryThere can be no honor between rich and poor.Love, unconditionally, or until proven false.The inevitability of cancer and/orHeart disease. The dialogue as written, Once you've taken the role. Failure, Gracefully. Any hospitalityYou're willing to return. The airEach city offers you to breathe.The latest hit. Assistance.All accidents. The end. "
5 " Right! Let's get on with it! All right... you... Will... have trained as apprentice to Ranger Halt of Redmont Fief these last five twelvemonths and blah blah blah and so on and so on. You've shown the necessary level of proficiency in the use of the weapons a Ranger uses- the longbow, the saxe knife, the throwing knife." He paused and glanced up Halt. " He has shown the proficiency, hasn't he? Of course he has," he went on, before Halt could answer. " Furthermore, you are a trusted officer in the service of the King and so on and so on and hi diddle diddle dee dee..." He glanced up again. " These forms really do carry on a bit, don't they? But I have to make a pretense of reading them. And so forth and so on and such like." He paused, nodded several times, then continued." So basically..." He flicked a few more pages, found the one he was after and then continued, " You are in all ways ready to assume the position and authority of a fully operational Ranger in the Kingdom of Araluen. Correct?" He glanced up again, his eyebrows raised. Will realized he was waiting for an answer." Correct," he said hastily, then in case that wasn't enough, he added, " Yes. I mean... I do... I am. Yes." " Well, good for you. "
6 " I had come to discover that " safe" was an illusion, a pretense that adults wrapped around their children- and sometimes themselves- to make the world seem comfortable. I had discovered that under that thin cover of let's-pretend, monsters and nightmares lay, and that not all of them came from places like the moonroads or the nightling cities. Some of the monsters were people we knew. People we thought we could trust. "
7 " We wrap up our violent and mysterious world in a pretense of understanding. We paper over the voids of our comprehension with science and religion, and make believe that order has been imposed. And, for the most of it, the fiction works. We skim across the surfaces, heedless of the depths below. Dragonflies flitting over a lake, miles deep, pursuing erratic paths to pointless ends. Until that moment when something from the cold unknown reaches up to take us.The biggest lies we save for ourselves. We play a game in which we are gods, in which we make choices, and the current follows in our wake. We pretend a separation from the wild. Pretend that a man’s control runs deep, that civilization is more than a veneer, that reason will be our companion in dark places. "
― Mark Lawrence , Prince of Thorns (The Broken Empire, #1)