Home > Topic > a police force
1 " A concrete example of this mechanism is found in one of the most alarming phenomena of the last thirty years: the enormous increase in the police force of all countries. The increase of population has inevitably rendered it necessary. However accustomed we may be to it, the terrible paradox should not escape our minds that the population of a great modern city, in order to move about peaceably and attend to its business, necessarily requires a police force to regulate the circulation. But it is foolishness for the party of " law and order" to imagine that these " forces of public authority" created to preserve order are always going to be content to preserve the order that that party desires. Inevitably they will end by themselves defining and deciding on the order they are going to impose- which, naturally, will be that which suits them best. "
2 " But when the social entity grows large, becomes a megalopolis, a state, a federation, then the governing machine grows remote, impersonal, even inhuman. It takes money from us for purposes we do not seem to sanction; it treats us as abstract statistics; it controls an army; it supports a police force whose function does not always appear to be protective. "
― Anthony Burgess , A Clockwork Orange
3 " He might have hurt me a little,' Atticus conceded, 'but sn, you'll understand folks a little better when you're older. A mob's always made up of people, no matter what. Mr Cunnignham was part of a mob last night, but he ws still a man.Every mob in every little Souhern town is always made up of people you know - doesn't say much for them, does it?''I'll say ot, ' said Jem.'So it took an eight-year-old child to bring 'em to their senses, didn't it?' said Atticus. 'That proves something - that a gang of wild animals can be stopped, simply because they're still human. Hmp, maybe we need a police force of children. "
― Harper Lee , To Kill a Mockingbird
4 " In Woolrich's crime fiction there is a gradual development from pulp to noir. The earlier a story, the more likely it stresses pulp elements: one-dimensional macho protagonists, preposterous methods of murder, hordes of cardboard gangsters, dialogue full of whiny insults, blistering fast action. But even in some of his earliest crime stories one finds aspects of noir, and over time the stream works itself pure.In mature Woolrich the world is an incomprehensible place where beams happen to fall, and are predestined to fall, and are toppled over by malevolent powers; a world ruled by chance, fate and God the malign thug. But the everyday life he portrays is just as terrifying and treacherous. The dominant economic reality is the Depression, which for Woolrich usually means a frightened little guy in a rundown apartment with a hungry wife and children, no money, no job, and desperation eating him like a cancer. The dominant political reality is a police force made up of a few decent cops and a horde of sociopaths licensed to torture and kill, whose outrages are casually accepted by all concerned, not least by the victims. The prevailing emotional states are loneliness and fear. Events take place in darkness, menace breathes out of every corner of the night, the bleak cityscape comes alive on the page and in our hearts.(" Introduction" ) "
5 " We are often reminded how peaceful our world has become, a world without a police force or prison, where crimes and uprisings have nearly disappeared. But we’ve paid a price. The emotional root of all conflict — fear, anger, love, especially love — is prohibited. The goal of our schooling is to master a life of total self-control. A life without wrinkles, without feeling, without soul. "
― Jonathan Friesen , Aquifer
6 " To insure the adoration of a theorem for any length of time, faith is not enough, a police force is needed as well. "
