5
" Your moral code begins by damning man as evil, then demands that he practice a good which it defines as impossible for him to practice…It demands that he starts, not with a standard of value, but with a standard of evil, which is himself, by means of which he is then to define the good: the good is that which he is not.
A sin without volition is a slap at morality and an isolent contradiction in terms: that which is outside the possibility of choice is outside the province of morality. If man is evil by birth, he has no will, no power to change it; if he has no will, he can be neither good nor evil; a robot is amoral. To hold a man’s sin, a fact not open to his choice is a mockery of morality…To punish him for a crime he committed before he was born is a mockery of justice. To hold him guilty in a matter where no innocence exists is a mockery of reason.
(The) myth decleares that he ate the fruit of the tree of knowledge-he acquired a mind and became a rational being. It was the knowledge of good and evil-he became a moral being…The evils for which they damn him are reasn, morality, creativeness, joy-all the cardinal values of his existence….the essence of his nature as a man. Whatever he was- that robot in the Garden of Eden, who existed without mind, without values, without labor, without love- he was not a man. "
― Ayn Rand , Atlas Shrugged
9
" For what prevents us from saying that the happy life is to have a mind that is free, lofty, fearless and steadfast - a mind that is placed beyond the reach of fear, beyond the reach of desire, that counts virtue the only good, baseness the only evil, and all else but a worthless mass of things, which come and go without increasing or diminishing the highest good, and neither subtract any part from the happy life nor add any part to it?
A man thus grounded must, whether he wills or not, necessarily be attended by constant cheerfulness and a joy that is deep and issues from deep within, since he finds delight in his own resources, and desires no joys greater than his inner joys. "
― Seneca , The Stoic Philosophy of Seneca: Essays and Letters
11
" She knew it the way people say they know they are about to be hit by lightning, yet remain powerless to run, unable to avoid their fate. She panicked, as anyone might have when disparate parts of her life were about to crash into each other, certain to leave a path of anguish and debris. It was true that devotion could be lost as quickly as it was found, which was why some people insisted that love letters be written in ink. How easy it was for even the sweetest words to evaporate, only to be rewritten as impulse and infatuation might dictate. How unfortunate that love could not be taught or trained, like a seal or a dog. Instead it was a wolf on the prowl, with a mind of its own, and it made its own way, undeterred by the damage done. Love like this could turn honest people into liars and cheats, as it now did… "
― Alice Hoffman , The River King
12
" Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?”
“Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge.
“How do you know?” I asked.
“There has to be. I don’t usually philosophize, but I do know one thing.”
“What’s that?”
“That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.”
“I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?”
“That’s the thing, though. You’ll find a way.”
I lay back again and buried the side of my face into my pillow. “I’m just not sure how.”
“If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.”
I yawned into the phone. “It’s good advice.”
“I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone.
“Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.”
“Can I give you one last bit of advice, Alex?”
“Sure.”
“Throw it all out the window.”
“What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature.
“Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.”
“You’re telling me I’m the .01%?” I asked skeptically.
“No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.”
The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed.
“Thank you, James.”
“Take care, Alex.”
I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143) "
― Robin M. King , Memory of Monet (Remembrandt, #3)
15
" In the body there are two creatures, and they are both in enmity with each other. For one to do anything, the other has to be subjected to it. One has a mind and the other only has an appetite. The more the mind gets, the more it is satisfied, but the more the appetite gets, the more its hunger grows; its appetite is for imaginary things, it dreams that it is eating, but when it wake, which it dreads to do, it is empty and pangs. "
― Michael Brent Jones , Dinner Party
16
" I write to find strength.
I write to become the person that hides inside me.
I write to light the way through the darkness for others.
I write to be seen and heard.
I write to be near those I love.
I write by accident, promptings, purposefully and anywhere there is paper.
I write because my heart speaks a different language that someone needs to hear.
I write past the embarrassment of exposure.
I write because hypocrisy doesn’t need answers, rather it needs questions to heal.
I write myself out of nightmares.
I write because I am nostalgic, romantic and demand happy endings.
I write to remember.
I write knowing conversations don’t always take place.
I write because speaking can’t be reread.
I write to sooth a mind that races.
I write because you can play on the page like a child left alone in the sand.
I write because my emotions belong to the moon; high tide, low tide.
I write knowing I will fall on my words, but no one will say it was for very long.
I write because I want to paint the world the way I see love should be.
I write to provide a legacy.
I write to make sense out of senselessness.
I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding.
I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers.
I write because one day someone will tell me that my emotions were not a waste of time.
I write because God loves stories.
I write because one day I will be gone, but what I believed and felt will live on. "
― Shannon L. Alder