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1 " Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon.I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.”—from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer) "
2 " There is a higher form of hierarchy and that is the hierarchy of the spirit. When I stand in front of a person, I stand in front of a soul and I have met magnificent souls in bodies possessing no money, as well as parched and shallow souls in bodies bathed in riches. In the same light, I have met magnificent souls in bodies bathed in wealth, as well as parched and shallow souls in bodies that are impoverished. I am tired of people busying their minds with hierarchy based upon money, because this form of hierarchy is primitive; meanwhile there is an altogether higher form of hierarchy that is of the soul. As you judge man and woman based upon their riches, I laugh at your primitive form of judgment! When I stand in front of a human, I stand in front of a soul. "
― C. JoyBell C.
3 " Create space in your mind for the harsh memories too. Don’t ever cower from a teacher. Learn and live higher because you know how to use those dark memories as stepping-stones to think your way to a higher form of living. "
― Toni Sorenson
4 " There's a higher form of happiness in commitment. I'm counting on it. "
5 " Musical compositions can be very sad - Chopin - but you have the pleasure of this sadness. The cheap consolation is: you will be happy. The higher consolation is the pleasure and recognition of your unhappiness, the pleasure of having recognised that fate, destiny and life are such as they are and so you reach a higher form of consciousness. "