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1 " He was holding his right leg, but the blood soaked through his fingers and flowed over his hand onto his sleeve. Intuition had served me again this time: my kick had knocked his automatic out of his grasp a fraction of a second before he could press the trigger. The second kick was to his face. It sent him flying about six feet. I set my sights on his head, but something stopped me, one of our guys let out a yelp behind me. Another bullet whistled by right next to me. Apparently, this Mujahadeen was not the only one here. Again, I aimed at his head, but something again stopped me. I saw how his hands were trembling. I noticed the horror in his eyes. 'He is only a boy!' I thought and pressed the trigger. "
― , Afghanistan: A Russian Soldier's Story
2 " He sank back into his black-and-white world, his immobile world of inanimate drawings that had been granted the secret of motion, his death-world with its hidden gift of life. But that life was a deeply ambiguous life, a conjurer's trick, a crafty illusion based on an accidental property of the retina, which retained an image for a fraction of a second after the image was no longer present. On this frail fact was erected the entire structure of the cinema, that colossal confidence game. The animated cartoon was a far more honest expression of the cinematic illusion than the so-called realistic film, because the cartoon reveled in its own illusory nature, exulted in the impossible--indeed it claimed the impossible as its own, exalted it as its own highest end, found in impossibility, in the negation of the actual, its profoundest reason for being. The animated cartoon was nothing but the poetry of the impossible--therein lay its exhilaration and its secret melancholy. For this willful violation of the actual, while it was an intoxicating release from the constriction of things, was at the same time nothing but a delusion, an attempt to outwit mortality. As such it was doomed to failure. And yet it was desperately important to smash through the constriction of the actual, to unhinge the universe and let the impossible stream in, because otherwise--well, otherwise the world was nothing but an editorial cartoon. "
― Steven Millhauser , Little Kingdoms
3 " Then she opened her eyes, Veronika did not think 'this must be heaven'. Heaven would never use a fluorescent tube to light a room, and the pain - which started a fraction of a second later - was typical of the Earth. Ah, that Earth pain - unique, unmistakable. "
― Paulo Coelho , Veronika Decides to Die
