10
" See, the institutions and specialist, experts, you see. Yes, yes,
experts, indeed. See, they would have us believe that there is an order
to art. An explanation. Humans are odd creatures in that way. Always
searching for a formula. Yes, a formula to create an expected norm for
unexplainable greatness. A cook book you might say. Yes, a recipe
book for life, love, and art. However, my dear, let me tell you. Yes,
there is no such thing. Every individual is unique in their own design,
as intended by God himself. We classify, yes, always must we classify,
for if not, then we would be lost, yes lost now wouldn't we?
Classification, order, expectations, but alas, we forget. For what is art,
if not the out word expression of an artist. It is the soul of the artisan
and if his expectations are met, than who are we to judge whether his
work be art or not? "
― Kent Marrero , The Unsung Love Story (The River, #1)
11
" I'll call any length of fiction a story, whether it be a novel or a shorter piece, and I'll call anything a story in which specific characters and events influence each other to form a meaningful narrative. I find that most people know what a story is until they sit down to write one. Then they find themselves writing a sketch with an essay woven through it, or an essay with a sketch woven through it, or an editorial with a character in it, or a case history with a moral, or some other mongrel thing. When they realize that they aren't writing stories, they decide that the remedy for this is to learn something that they refer to as " the technique of the short story" or " the technique of the novel." Technique in the minds of many is something rigid, something like a formula that you impose on the material; but in the best stories it is something organic, something that grows out of the material, and this being the case, it is different for every story of any account that has ever been written. "
18
" ...if there really is some day discovered a formula for all our desires and caprices - that is, an explanation of what they depend upon, by what laws they arise, how they develop, what they are aiming at in one case and in another and so on, that is a real mathematical formula - then, most likely, man will at once cease to feel desire, indeed, he will be certain to. For who would want to choose by rule? Besides, he will at once be transformed from a human being into an organ-stop or something of that sort; for what is a man without desires, without freewill and without choice, if not a stop in an organ? "
― Fyodor Dostoevsky , Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead
20
" Antidemocracy, executive predominance, and elite rule are basic elements of inverted totalitarianism. Antidemocracy does not take the form of overt attacks upon the idea of government by the people. Instead, politically it means encouraging what I have earlier dubbed “civic demobilization,” conditioning an electorate to being aroused for a brief spell, controlling its attention span, and then encouraging distraction or apathy. The intense pace of work and the extended working day, combined with job insecurity, is a formula for political demobilization, for privatizing the citizenry. It works indirectly. Citizens are encouraged to distrust their government and politicians; to concentrate upon their own interests; to begrudge their taxes; and to exchange active involvement for symbolic gratifications of patriotism, collective self-righteousness, and military prowess. Above all, depoliticization is promoted through society’s being enveloped in an atmosphere of collective fear and of individual powerlessness: fear of terrorists, loss of jobs, the uncertainties of pension plans, soaring health costs, and rising educational expenses. "
― , Democracy Incorporated: Managed Democracy and the Specter of Inverted Totalitarianism
