2
" Just as when we step into a mosque and its high open dome leads our minds up , up , to greater things , so a great carpet seeks to do the same under the feet .Such a carpet directs us to the magnificence of the infinite , veiled , yet never near , closer than the pulse of jugular , the sunburst that explodes at the center of a carpet signals this boundless radiance . Flowers and trees evoke the pleasures of paradise, and there is always a spot at the center of the carpet that brings calm to the heart. A single white lotus flower floats in a turquoise pool , and in this tiniest of details, there it is : a call to the best within , summoning us to the joy of union .in carpets , I now saw not just intricacies of nature and color , not just mastery of space , but a sign of the infinite design . In each pattern lay the work of a weaver of the world, complete and whole ; and in each knot of daily existence lay mine . "
3
" Sing, then. Sing, indeed, with shoulders back, and head up so that song might go to the roof and beyond to the sky. Mass on mass of tone, with a hard edge, and rich with quality, every single note a carpet of colour woven from basso profundo, and basso, and baritone, and alto, and tenor, and soprano, and also mezzo, and contralto, singing and singing, until life and all things living are become a song.
O, Voice of Man, organ of most lovely might. "
― Richard Llewellyn , How Green Was My Valley
5
" Only two weeks since he had left, and it was already happening. Time, blunting the edges of those sharp memories. Laila bore down mentally. What had he said? It seemed vital, suddenly, that she know.
Laila closed her eyes. Concentrated.
With the passing of time, she would slowly tire of this exercise. She would find it increasingly exhausting to conjure up, to dust off, to resuscitate once again what was long dead. There would come a day, in fact, years later, when Laila would no longer bewail his loss. Or not as relentlessly; not nearly. There would come a day when the details of his face would begin to slip from memory's grip, when overhearing a mother on the street call after her child by Tariq's name would no longer cut her adrift. She would not miss him as she did now, when the ache of his absence was her unremitting companion—like the phantom pain of an amputee.
Except every once in a long while, when Laila was a grown woman, ironing a shirt or pushing her children on a swing set, something trivial, maybe the warmth of a carpet beneath her feet on a hot day or the curve of a stranger's forehead, would set off a memory of that afternoon together. And it would come rushing back. The spontaneity of it. Their astonishing imprudence...
It would flood her, steal her breath.
But then it would pass. The moment would pass. Leave her feeling deflated, feeling noting but a vague restlessness. "
― Khaled Hosseini , A Thousand Splendid Suns
7
" I was back in disgust. I stood in the centre of the big room, naked, letting the heat strike me from the three points of heat, and I knew, and it was an illumination — one of those things one has always known, but never really understood before — that all sanity depends on this: that it should be a delight to feel the roughness of a carpet under smooth soles, a delight to feel heat strike the skin, a delight to stand upright, knowing the bones are moving easily under flesh. If this goes, then the conviction of life goes too. But I could feel none of this. The texture of the carpet was abhorrent to me, a dead processed thing; my body was a thin, meagre, spiky sort of vegetable, like an unsunned plant; and when I touched the hair on my head it was dead. I felt the floor bulge up under me. The walls were losing their density. I knew I was moving down into a new dimension, further away from sanity than I had ever been. I knew I had to get to the bed fast. I could not walk, so I let myself down on my hands and knees and crawled to the bed and lay on it, covering myself. "
― Doris Lessing , The Golden Notebook
