3
" Normally death came at night, taking a person in their sleep, stopping their heart or tickling them awake, leading them to the bathroom with a splitting headache before pouncing and flooding their brain with blood. It waits in alleys and metro stops. After the sun goes down plugs are pulled by white-clad guardians and death is invited into an antiseptic room.
But in the country death comes, uninvited, during the day. It takes fishermen in their longboats. It grabs children by the ankles as they swim. In winter it calls them down a slope too steep for their budding skills, and crosses their skies at the tips. It waits along the shore where snow met ice not long ago but now, unseen by sparkling eyes, a little water touches the shore, and the skater makes a circle slightly larger than intended. Death stands in the woods with a bow and arrow at dawn and dusk. And it tugs cars off the road in broad daylight, the tires spinning furiously on ice or snow, or bright autumn leaves. "
― Louise Penny , Still Life (Chief Inspector Armand Gamache, #1)
9
" What would you like for your own life, Kate, if you could choose?”“Anything?”“Of course anything.”“That’s really easy, Aunty Ivy.”“Go on then.”“A straw hat...with a bright scarlet ribbon tied around the top and a bow at the back. A tea-dress like girls used to wear, with big red poppies all over the fabric. A pair of flat, white pumps, comfortable but really pretty. A bicycle with a basket on the front. In the basket is a loaf of fresh bread, cheese, fruit oh...and a bottle of sparkly wine, you know, like posh people drink. “I’m cycling down a lane. There are no lorries or cars or bicycles. No people – just me. The sun is shining through the trees, making patterns on the ground. At the end of the lane is a gate, sort of hidden between the bushes and trees. I stop at the gate, get off the bike and wheel it into the garden.“In the garden there are flowers of all kinds, especially roses. They’re my favourite. I walk down the little path to a cottage. It’s not big, just big enough. The front door needs painting and has a little stained glass window at the top. I take the food out of the basket and go through the door. “Inside, everything is clean, pretty and bright. There are vases of flowers on every surface and it smells sweet, like lemon cake. At the end of the room are French windows. They need painting too, but it doesn’t matter. I go through the French windows into a beautiful garden. Even more flowers there...and a veranda. On the veranda is an old rocking chair with patchwork cushions and next to it a little table that has an oriental tablecloth with gold tassels. I put the food on the table and pour the wine into a glass. I’d sit in the rocking chair and close my eyes and think to myself... this is my place.”From A DISH OF STONES "
10
" That was when they noticed that every musician on the stage was wearing mourning black. That was when they shut up. And when the conductor raised his arms, it was not a symphony that filled the cavernous space.
It was the Song of Eyllwe.
Then Song of Fenharrow. And Melisande. And Terrasen. Each nation that had people in those labour camps.
And finally, not for pomp or triumph, but to mourn what they had become, they played the Song of Adarlan.
When the final note finished, the conductor turned to the crowd, the musicians standing with him. As one, they looked to the boxes, to all those jewels bought with the blood of a continent. And without a word, without a bow or another gesture, they walked off the stage.
The next morning, by royal decree, the theatre was shut down.
No one saw those musicians or their conductor again. "
― Sarah J. Maas , Heir of Fire (Throne of Glass, #3)
15
" Dear Hunger Games :
Screw you for helping cowards pretend you have to be great with a bow to fight evil.
You don't need to be drafted into a monkey-infested jungle to fight evil.
You don't need your father's light sabre, or to be bitten by a radioactive spider.
You don't need to be stalked by a creepy ancient vampire who is basically a pedophile if you're younger than a redwood.
Screw you mainstream media for making it look like moral courage requires hair gel, thousands of sit ups and millions of dollars of fake ass CGI.
Moral courage is the gritty, scary and mostly anonymous process of challenging friends, co-workers and family on issues like spanking, taxation, debt, circumcision and war.
Moral courage is standing up to bullies when the audience is not cheering, but jeering. It is helping broken people out of abusive relationships, and promoting the inner peace of self knowledge in a shallow and empty pseudo-culture.
Moral courage does not ask for - or receive - permission or the praise of the masses. If the masses praise you, it is because you are helping distract them from their own moral cowardice and conformity. Those who provoke discomfort create change - no one else.
So forget your politics and vampires and magic wands and photon torpedoes. Forget passively waiting for the world to provoke and corner you into being virtuous. It never will.
Stop watching fictional courage and go live some; it is harder and better than anything you will ever see on a screen.
Let's make the world change the classification of courage from 'fantasy' to 'documentary.'
You know there are people in your life who are doing wrong. Go talk to them, and encourage them to pursue philosophy, self-knowledge and virtue.
Be your own hero; you are the One that your world has been waiting for. "
― Stefan Molyneux
17
" Peter, Adam's Son," said Father Christmas." Here, sir," said Peter." These are your presents," was the answer, " and they are tools, not toys. The time to use them is perhaps near at hand. Bear them well." With these words he handed to Peter a shield and a sword. The shield was the color of silver and across it there ramped a red lion, as bright as a ripe strawberry at the moment when you pick it. The hilt of the sword was of gold and it had a sheath and a sword belt and everything it needed, and it was just the right size and weight for Peter to use. Peter was silent and solemn as he received these gifts, for he felt they were a very serious kind of present." Susan, Eve's Daughter," said Father Christmas. " These are for you," and he handed her a bow and a quiver full of arrows and a little ivory horn. " You must use the bow only in great need," he said, " for I do not mean you to fight in the battle. It does not easily miss. And when you put this horn to your lips and blow it, then, wherever you are, I think help of some kind will come to you." Last of all he said, " Lucy, Eve's Daughter," and Lucy came forward. He gave her a little bottle of what looked like glass (but people said afterwards that it was made of diamond) and a small dagger. " In this bottle," he said, " there is a cordial made of the juice of one of the fire-flowers that grow on the mountains of the sun. If you or any of your friends is hurt, a few drops of this will restore them. And the dagger is to defend yourself at great need. For you also are not to be in the battle." " Why, sir?" said Lucy. " I think- I don't know- but I think I could be brave enough." " That is not the point," he said. " But battles are ugly when women fight. "
18
" All right, so give me some idea of what you can do," says Haymitch.I can’t do anything," says Peeta, " unless you count baking bread." Sorry, I don’t. Katniss. I already know you’re handy with a knife,” says Haymitch.Not really. But I can hunt,” I say. “With a bow and arrow.”And you’re good?” asks Haymitch.I have to think about it. I’ve been putting food on the table for four years. That’s no small task. I’m not as good as my father was, but he’d had more practice. I’ve better aim than Gale, but I’ve had more practice. He’s a genius with traps and snares. “I’m all right,” I say. "
