1
" Supermarkets this large and clean and modern are a revelation to me. I spent my life in small steamy delicatessens with slanted display cabinets full of trays that hold soft wet lumpy matter in pale colours. High enough cabinets so you had to stand on tiptoes to give your order. Shouts, accents. In cities no one notices specific dying. Dying is a quality of the air. It's everywhere and nowhere. Men shout as they die to be noticed, remembered for a second or two. To die in an apartment instead of a house can depress the soul, I would imagine, for several lives to come. In a town there are houses, plants in bay windows. People notice dying better. The dead have faces, automobiles. If you don't know a name you know a street name, a dog's name. 'He drove an orange Mazda.' You know a couple of useless things about a person that become major facts of identification and cosmic placement when he dies suddenly, after a short illness, in his own bed, with a comforter and matching pillows, on a rainy Wednesday afternoon, feverish, a little congested in the sinuses and chest, thinking about his dry cleaning. "
― Don DeLillo , White Noise
3
" The motor car with its blinds drawn and an air of inscrutable reserve proceeded towards Piccadilly, still gazed at, still ruffling the faces on both sides of the street with the same dark breath of veneration whether for Queen, Prince, or Prime Minister nobody knew. The face itself had been seen only once by three people for a few seconds. Even the sex was now in dispute. But there could be no doubt that greatness was seated within; greatness was passing, hidden, down Bond Street, removed only by a hand's-breadth from ordinary people who might now, for the first and only time, be within speaking distance of the majesty of England, of the enduring symbol of the state which will be known to curious antiquaries, sifting the ruins of time, when London is a grass-grown path and all those hurrying along the pavement this Wednesday morning are but bones with a few wedding rings mixed up in their dust and the gold stoppings of innumerable decayed teeth. The face in the motor car will then be known. "
― Virginia Woolf , Mrs. Dalloway
4
" Look here, Mrs. Bradley," he said. " I feel a pretty frightful bounder telling you all this about the poor girl, but I think some woman ought to know about it. On Wednesday night, yes, last night, Eleanor came into my bedroom at about half-past twelve and--and wanted to stay there! I thought it was a ghost at first. I had terrible difficulty in getting rid of her. In fact, I had to get out of bed and shove her outside and lock the door. Choice, isn't it?" ..." Of course you will lock your door tonight," she said." You bet I shall," Bertie said fervently, " and nothing short of the house catching fire is going to persuade me to open it. "
5
" When, shortly afterward, I stopped at the top of the hill and saw the town beneath me, my feeling of happiness was so ecstatic that I didn’t know how I would be able to make it home, sit there and write, eat, or sleep. But the world is constructed in such a way that it meets you halfway in moments precisely like these, your inner joy seeks an outer counterpart and finds it, it always does, even in the bleakest regions of the world, for nothing is as relative as beauty. Had the world been different, in my opinion, without mountains and oceans, plains and seas, deserts and forests, and consisted of something else, inconceivable to us, as we don’t know anything other than this, we would also have found it beautiful. A world with gloes and raies, evanbillits and conulames, for example, or ibitera, proluffs, and lopsits, whatever they might be, we would have sung their praises because that is the way we are, we extol the world and love it although it’s not necessary, the world is the world, it’s all we have. So as I walked down the steps toward the town center on this Wednesday at the end of August I had a place in my heart for everything I beheld. A slab of stone worn smooth in a flight of steps: fantastic. A swaybacked roof side by side with an austere perpendicular brick building: so beautiful. A limp hot-dog wrapper on a drain grille, which the wind lifts a couple of meters and then drops again, this time on the pavement flecked with white stepped-on chewing gum: incredible. A lean old man hobbling along in a shabby suit carrying a bag bulging with bottles in one hand: what a sight. The world extended its hand, and I took it. "
11
" My mom used to say, ‘Life isn’t fair,’“ said Shadow.
“Of course she did,” said Wednesday. “It’s one of those things that moms say, right up there with ‘If all your friends jumped off a cliff would you do it too?’”
“You stiffed that girl for ten bucks, I slipped her ten bucks,” said Shadow, doggedly. “It was the right thing to do.”
Someone announced that their plane was boarding. Wednesday stood up. “May your choices always be so clear,” he said. "
― Neil Gaiman , American Gods (American Gods, #1)
19
" You know where I’m going to be, and you’ll know where I’ve been every step of my way to get there. You’ve made a hobby out of taking things away from me… a lot of them I never even knew to miss, but I know now. I know what you just took, and there’s no way you’re taking anything else from me. It’s time for me to start taking from you,” Wednesday said with a confidence in her voice that even she noticed and was proud to hear.
“I thought you said you weren’t running from me anymore,” Klein said with a laugh in his voice.
Her face was red, and she felt like she was on fire. She managed, summoning all her will, to keep herself from screaming and instead, keep an even and icy voice. “I’m not, you piece of shit. Now, I’m running at you. "
― Dennis Sharpe , Wednesday