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1 " When walking in this mode we discover the immense vigour of starry night skies, elemental energies, and our appetites follow: they are enormous, and our bodies are satisfied. When you have slammed the world’s door, there is nothing left to hold you: pavements no longer guide your steps (the path, a hundred thousand times repeated, of the return to the fold). Crossroads shimmer like hesitant stars, you rediscover the tremulous fear of choosing, a vertiginous freedom. "
― Frédéric Gros , A Philosophy of Walking
2 " ...The efficacy of psychedelics with regard to art has to do with their ability to render language weightless, as fluid and ephemeral as those famous " bubble letters" of the sixties. Psychedelics, I think, disconnect both the signifier and the signified from their purported referents in the phenomenal world - simultaneously bestowing upon us a visceral insight into the cultural mechanics of language, and a terrifying inference of the tumultuous nature that swirls beyond it. In my own experience, it always seemed as if language were a tablecloth positioned neatly upon the table until some celestial busboy suddenly shook it out, fluttering and floating it, and letting it fall back upon the world in not quite the same position as before - thereby giving me a vertiginous glimpse into the abyss that divides the world from our knowing of it. And it is into this abyss that the horror vacui of psychedelic art deploys itself like an incandescent bridge. Because it is one thing to believe, on theoretical evidence, that we live in a prison-house of language. It is quite another to know it, to actually peek into the slippery emptiness as the Bastille explodes around you. Yet psychedelic art takes this apparent occasion for despair and celebrates our escape from linguistic control by flowing out, filling that rippling void with meaningful light, laughter, and a gorgeous profusion. "
3 " For the merest moment I couldn't breathe. Something inside me quivered, some oud string plucked by his words, and if I breathed it would stop.He did not know the truth of me, yet he had perceived something true about me that no one else had ever noticed. And in spite of that—or perhaps because of it—he believed me good, believed me worth taking seriously, and his belief, for one vertiginous moment, made me want to be better than I was. "
― Rachel Hartman , Seraphina (Seraphina, #1)
4 " Melancholia is, I believe, a musical problem: a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the melancholic inside, appears absurd and unreal, and constitutes ‘the farce we all must play’. But for an instant – because of a wild music, or a drug, or the sexual act carried to its climax – the very slow rhythm of the melancholic soul does not only rise to that of the outside world: it overtakes it with an ineffably blissful exorbitance, and the soul then thrills animated by delirious new energies "
― Alejandra Pizarnik
5 " I owe my first inkling of the problem of infinity to a large biscuit tin that was a source of vertiginous mystery during my childhood. "
― Jorge Luis Borges
6 " He'd lived so long in anticipation of his own death that to contemplate his future was like standing at the edge of a cliff, staring into a vertiginous rush of open sky. "
― Helene Wecker , The Golem and the Jinni (The Golem and the Jinni, #1)
7 " Insofar we are death-bound, existence is urgent and frightful. Insofar as are groundless, it is vertiginous and dreamlike. Insofar as we are insatiable, it is unquiet and tormented. "
― Roberto Mangabeira Unger , The Religion of the Future
8 " The city blew the windows of my brain wide open. But being in a place so bright, fast and brilliant made you vertiginous with possibility: it didn't necessarily help you grasp those possibilities. I still had no idea what I was going to do. I felt directionless and lost in the crowd. I couldn't yet see how the city worked, but I began to find out. "
― Hanif Kureishi , The Buddha of Suburbia
9 " I had the vertiginous feeling one gets standing at the precipice of an unresolved plan, for I had brought Bon and myself to the brink of disaster without knowing how to save us. But was not this how all plans developed, unknown to their maker until he wove for himself a parachute, or else melted into air? "
― Viet Thanh Nguyen , The Sympathizer
10 " It helped me in the air to keep my small mind contained in earthly human limits not lost in vertiginous space and elements unknown. "