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10 " Then his tears came once more, and feeling cold he went into his dressing-room to look for something to throw around his shoulders. But he had lost control of his hand so that it moved like a brainless creature and completely failed to carry out the small mathematical operation which consisted, because the inside of the wardrobe was dark, in fumbling a way through the different velvets, silks and satins of his mother's outmoded dresses which, since she had given up wearing them, for many years, she had put away in this piece of furniture, until it could feel the wooden jamb, far back, which separated these garments from his own, and, on reaching the second rough-surfaced coat, to take it from the hanger from which it depended. Instead, it tore down the first piece of fabric it encountered. This happened to be a black velvet coat, trimmed with braid, and lined with cherry-coloured satin and ermine, which, mauled by the violence of his attack, he pulled into the room like a young maiden whom a conqueror has seized and dragged behind him by the hair. In just such a way did Jean now brandish it, but even before his eyes had sent their message to his brain, he was aware of an indefinable fragrance in the velvet, a fragrance that had greeted him when, at ten years old, he had run to kiss his mother—in those days still young, still brilliant and still happy—when she was all dressed up and ready to go out, and flung his arms about her waist, the velvet crushed within his hand, the braid tickling his cheeks, while his lips, pressed to her forehead, breathed in the glittering sense of all the happiness she seemed to hold in keeping for him. "

Marcel Proust , Jean Santeuil

15 " I prodded him in the chest with a finger and said, “Look here, smart mouth, I’m getting pretty sick of you already. If you know what’s best for you, keep your trap shut and do as I tell you. I still haven’t forgotten how you pushed my friend into that corpse. So unless you want to end up like that body in the underpass, do yourself a favour and keep out of my face, okay?”
“Whatever you say, boss. You’re the boss, boss,” Drake said.
“See, there you go again!” I snapped at him.
“I’m not sure I know what you mean, boss,” Drake said.
“You even say boss like a wise arse,” I shot back at him.
“I don’t know what you mean b-” Drake started again.
“Did I say you had to call me boss?”
“It’s just that I thought…”
“Don’t think!” I barked. “Just do as I say and we’ll get along just fine.”
“Whatever you say,” Drake said.
I glanced at Madison and she was smiling. “What’s so funny?” I asked.
“Nothing,” she smiled back.
“Oh, I’m sorry,” I said. “I didn’t realise that I was some sort of freaking comedian. Let’s see if
you think it’s so funny when another one of those dead kids shows up. Jesus, no wonder you amateurs haven’t caught this piece of scum yet – you’re probably all too busy sitting round cracking jokes and
taking the piss to do any real police work.”
“You are funny though,” she half-laughed. “It’s just that when you get angry, your jaw goes all
tense and your nostrils flare out at the sides.”
“Oh yeah, how very amusing,” I remarked. “I think you two clowns are funny – not ha-ha funny
– but fucked-in-the-head funny! Now, if you two have quite finished doing your Laurel and Hardy impersonations, we’ve got a killer to catch! "

Tim O'Rourke , Wolf House - Potter's Story (Kiera Hudson Series One #4.5)