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1 " I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes. "
― Justin Bieber
2 " The important thing is not the object of love, but the emotion itself. "
― Gore Vidal
3 " Every instinct that is found in any man is in all men. The strength of the emotion may not be so overpowering, the barriers against possession not so insurmountable, the urge to accomplish the desire less keen. With some, inhibitions and urges may be neutralized by other tendencies. But with every being the primal emotions are there. All men have an emotion to kill; when they strongly dislike some one they involuntarily wish he was dead. I have never killed any one, but I have read some obituary notices with great satisfaction. "
― Clarence Darrow , The Story of My Life
4 " I should attempt to treat human vice and folly geometrically... the passions of hatred, anger, envy, and so on, considered in themselves, follow from the necessity and efficacy of nature... I shall, therefore, treat the nature and strength of the emotion in exactly the same manner, as though I were concerned with lines, planes, and solids. "
― Baruch Spinoza , Ethics
5 " What a woman you are,” he murmured, and she heard the emotion in it, theway the Irish thickened just a bit in his voice. And saw it in those vivid eyes when he drew back. “That you would think of this. That you would do this.”He shook his head, kissed her. Like the breath, long and quiet.“I can’t thank you enough. There isn’t enough thanks. I can’t say what this means to me, even to you. I don’t have the words for it.” He took her hands,. You stagger me.”He framed her face now, touched his lips to her brow. “You’re the beat of my heart, the breath in my body, the light in my soul. "
6 " ...Pouring every bit of the emotion she felt into her kiss, Blair melted into her partner until she could feel own her knees weaken. “I love you so much. It… it frightens me, but I can’t hold back.” “It frightens you?” “Yes. More than I can tell.” “Don’t be frightened,” Kylie murmured. “I’ll never hurt you, sweetheart. I swear!” “I know,” Blair said. “It’s not that… it’s… oh, I don’t know what it is. I’m just scared.” “Don’t let love frighten you. It’s freeing. Trust me.” “I do. I do trust you.” “That’s what love is,” Kylie said fervently. “It’s jumping out of a plane without a parachute, but knowing with every fiber of your being that you’re safe. Your lover will protect you. No matter what. It’s blind faith, Blair. Totally blind faith.” " I’ve never… ever felt this way before,” Blair said, tears filling her eyes. “I’m so frightened, Kylie. Please, please don’t hurt me.” She held on to her lover with all of her might, sobbing so hard she felt sick. “I’ll always be there for you. I’ll catch you. I promise I’ll catch you. "
7 " Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all. "
― C.S. Lewis , Studies in Words
8 " Every word I write is like a drop of my blood. If it's flowed passionately and long, I need time to recover from the emotion spent before I begin a new story. My characters are aspects of my life. I have to respectfully and carefully move between them. "
― Red Haircrow
9 " I was trying to write then and I found the greatest difficulty, aside from knowing what you really felt, rather that what you were supposed to feel, and had been taught to feel, was to put down what really happened in action; what the actual things which produced the emotion that you experienced... "
― Ernest Hemingway , Death in the Afternoon
10 " The most beautiful thing we can experience is the mysterious. It is the source of all true art and science. He to whom the emotion is a stranger, who can no longer pause to wonder and stand wrapped in awe, is as good as dead —his eyes are closed. The insight into the mystery of life, coupled though it be with fear, has also given rise to religion. To know what is impenetrable to us really exists, manifesting itself as the highest wisdom and the most radiant beauty, which our dull faculties can comprehend only in their most primitive forms—this knowledge, this feeling is at the center of true religiousness. "
― Albert Einstein ,
11 " I do not consider myself a religious person, because I don't adhere to a particular religion or faith or prescribed beliefs, as did my father, who was a Baptist minister. And I am not an atheist, one who thinks that belief in anything beyond the here and now and the rational is delusion. I love science, but I allow for mystery, things that can never be proven by a rational mind. I am a person who thinks about the nature of the spirit when I write. I think about what can't be known and only imagined. I often sense a spirit or force or meaning beyond myself. I leave it open as to what the spirit is, but I continue to make guesses -- that it could be the universal binding of the emotion of love, or a joyful quality of humanity, or a collective unconscious that turns out to be a unified conscience. The spirit could be all those worshiped by all the religions, even those that deny the validity of others. It could be that we all exist in all ten dimensions of a string-theory universe and are seeding memories in all of them and occupy them simultaneously as memory. Or we exist only as thought and out perception that it is a physical world is a delusion. The nature of spirit could also be my mother and my grandmother and that they really do serve as my muses as I fondly imagine them doing at times. Or maybe the nature of the spirit is a freer imagination. I've often thought that imagination was the conduit to compassion, and compassion is a true spiritual nature. Whatever the spirit might be, I am not basing what I do in this life on any expected reward or punishment in the hereafter or thereafter. It is enough that I feel blessed -- and by whom or what I don't know -- but I receive it with gratitude that I am a writer and my work is to imagine all the possibilities. "
― Amy Tan
12 " Love is the emotion that a woman feels always for a poodle dog and sometimes for a man. "
13 " In the statistical gargon used in psychology, p refers to the probability that the difference you see between two groups (of introverts and extroverts, say, or males and females) could have occurred by chance. As a general rule, psychologists report a difference between two groups as 'significant' if the probability that it could have occurred by chance is 1 in 20, or less. The possibility of getting significant results by chance is a problem in any area of research, but it's particularly acute for sex differences research. Supppose, for example, you're a neuroscientist interested in what parts of the brain are involved in mind reading. You get fifteen participants into a scanner and ask them to guess the emotion of people in photographs. Since you have both males and females in your group, you rin a quick check to ensure that the two groups' brains respond in the same way. They do. What do you do next? Most likely, you publish your results without mentioning gender at all in your report (except to note the number of male and female participants). What you don't do is publish your findings with the title " No Sex Differences in Neural Circuitry Involved in Understanding Others' Minds." This is perfectly reasonable. After all, you weren't looking for gender difference and there were only small numbers of each sex in your study. But remember that even if males and females, overall, respond the same way on a task, five percent of studies investigating this question will throw up a " significant" difference between the sexes by chance. As Hines has explained, sex is " easily assessed, routinely evaluated, and not always reported. Because it is more interesting to find a difference than to find no difference, the 19 failures to observe a difference between men and women go unreported, whereas the 1 in 20 finding of a difference is likely to be published." This contributes to the so-called file-drawer phenomenon, whereby studies that do find sex differences get published, but those that don't languish unpublished and unseen in a researcher's file drawer. "
14 " Was it possible that the emotion of love had somehow made me more susceptible to fear? Does the noble emotion of love make us start valuing our own lives and the lives of our loved ones more so that the feeling of fear creeps into our mindset? "
― Vivek Pereira , Indians in Pakistan
15 " In the outworks of our lives, we were almost strangers, but we shared a certain outlook on human life and human destiny, which, from the very first, made a bond of extreme strength . . . . At our very first meeting, we talked with continually increasing intimacy. We seemed to sink through layer after layer of what was superficial, till gradually both reached the central fire. It was an experience unlike any other that I have known. We looked into each other's eyes, half appalled and half intoxicated to find ourselves together in such a region. The emotion was as intense as passionate love, and at the same time all-embracing. I came away bewildered, and hardly able to find my way among ordinary affairs. "
― Bertrand Russell , Portraits From Memory and Other Essays
16 " Joy is not the satisfied contemplation of an accomplished result, the emotion of victory, the satisfaction of having succeeded. It is the sign of an energy that is deftly deployed, it is a free affirmation: everything comes easy. Joy is an activity: executing with ease something difficult that has taken time to master, asserting the faculties of the mind and the body. Joys of thought when it finds and discovers, joys of the body when it achieves without effort. That is why joy, unlike pleasure, increases with repetition, and is enriched. When you are walking, joy is a basso continuo. Locally, of course, you may run into effort and difficulty. You will also find immediate moments of contentment: a proud gaze backwards to contemplate the long steep plunge of the slope behind you. Those satisfactions, though, too often present an opportunity to reintroduce quantities, scores, figures (which track? how long? what altitude?). And walking becomes a competition. That is why expeditions in high mountain country (conquering peaks, each one a challenge) are always slightly impure: because they give rise to narcissistic gratification. What dominates in walking, away from ostentation and showing off, is the simple joy of feeling your body in the most primitively natural activity. "
― Frédéric Gros , A Philosophy of Walking
17 " Beauty ought to look a little surprised: it is the emotion that best suits her face.... The beauty who does not look surprised, who accepts her position as her due—she reminds us too much of a prima donna. "
― E.M. Forster
18 " You must forget all your theories, all your ideas before the subject. What part of these is really your own will be expressed in your expression of the emotion awakened in you by the subject. "
― Henri Matisse
19 " I, too, feel the need to reread the books I have already read," a third reader says, " but at every rereading I seem to be reading a new book, for the first time. Is it I who keep changing and seeing new things of which I was not previously aware? Or is reading a construction that assumes form, assembling a great number of variables, and therefore something that cannot be repeated twice according to the same pattern? Every time I seek to relive the emotion of a previous reading, I experience different and unexpected impressions, and do not find again those of before. At certain moments it seems to me that between one reading and the next there is a progression: in the sense, for example, of penetrating further into the spirit of the text, or of increasing my critical detachment. At other moments, on the contrary, I seem to retain the memory of the readings of a single book one next to another, enthusiastic or cold or hostile, scattered in time without a perspective, without a thread that ties them together. The conclusion I have reached is that reading is an operation without object; or that its true object is itself. The book is an accessory aid, or even a pretext. "
20 " When the religious Cowper confesses in the opening lines of his address to the famous Yardley oak, that the sense of awe and reverence it inspired in him would have made him bow himself down and worship it but for the happy fact that his mind was illumined with the knowledge of the truth, he is but saying what many feel without in most cases recognizing the emotion for what it is—the sense of the supernatural in nature. "
― William H. Hudson , Far Away and Long Ago
