Tennessee QUOTES

1 " I placed a jar in Tennessee and round it
was upon a hill. "

2 " Why do so many today want to wander off to South Africa or Kenya or India or Russia or Honduras or Costa Rica or Peru to help with justice issues but not spend the same effort in their own neighborhood or community or state? Why do young suburbanites, say in Chicago, want to go to Kentucky or Tennessee to help people but not want to spend that same time to go to the inner city in their own area to help with justice issues? I asked this question to a mature student in my office one day, and he thought he had a partial explanation: 'Because my generation is searching for experiences, and the more exotic and extreme the better. Going down the street to help at a food shelter is good and it is just and some of us are doing that, but it's not an experience. We want experiences. "

― Scot McKnight

3 " Our can-do culture has made many of us believe that we should always be self-sufficient. Somewhere along the way, we also got the message that asking for help is a sign of weakness. We often forget that we’re interdependent creatures whose very existence depends on the kindness of others, including—with a bow to Tennessee Williams—strangers. "

― Sharon Salzberg , Real Love: The Art of Mindful Connection

4 " I was in Nashville, Tennessee last year. After the show I went to a Waffle House. I'm not proud of it, I was hungry. And I'm alone, I'm eating and I'm reading a book, right? Waitress walks over to me: 'Hey, whatcha readin' for?' Isn't that the weirdest fuckin' question you've ever heard? Not what am I reading, but what am I reading FOR? Well, goddamnit, ya stumped me! Why do I read? Well . . . hmmm...I dunno...I guess I read for a lot of reasons and the main one is so I don't end up being a fuckin' waffle waitress. "

― Bill Hicks

5 " I have always lusted after a sepia-toned library with floor-to-ceiling bookshelves and a sliding ladder. I fantasie about Tennessee Williams' types of evenings involving rum on the porch. I long for balmy slightly sleepless nights with nothing but the whoosh of a wooden ceiling fan to keep me company, and the joy of finding the cool spot on the bed. I would while away my days jotting down my thoughts in a battered leather-bound notebook, which would have been given to me by some former lover. My scribbling would form the basis of a best-selling novel, which they wold discuss in tiny independent bookshops on quaint little streets in forgotten corners of terribly romantic European cities. In other words, I fantasize about being credible, in that artistic, slightly bohemian way that only girls with very long legs can get away with. "

― ,

6 " All of us are seeking a home, and I don't mean where we were born, or where we now live and have things, but where we can do the big things, the right things. Where we belong, where we fit, where we're loved." --Tennessee Williams, " Follies of God: Tennessee Williams and the Women of the Fog "

7 " The little town of Dayton - not far from where Katz and I now sat, as it happened - was the scene of the famous Scopes trial in 1925, when the state prosecuted a schoolteacher named John Thomas Scopes for rashly promulgating Darwinian hogwash. As nearly everyone knows, Clarence Darrow, for the defense, roundly humiliated William Jennings Bryan, for the prosecution, but what most people don't realize is that Darrow lost the case. Scopes was convicted, and the law wasn't overturned in Tennessee until 1967. And now the state was about to bring the law back, proving conclusively that the danger for Tennesseans isn't so much that they may be descended from apes as overtaken by them. "

― Bill Bryson

8 " ...I shall pledge myself to the Abolitionist cause, because I owe my life to a self-freed slave & because I must begin somewhere.
I hear my father-in-law's response: 'Oho, fine, Whiggish sentiments, Adam. But don't tell *me* about justice! Ride to Tennessee on an ass & convince the rednecks that they are merely white-washed negroes & their negroes that they are black-washed Whites! Sail to the Old World, tell 'em their imperial slaves' rights are as inalienable as the Queen of Belgium's! Oh, you'll grow hoarse, poor & gray in caucuses! You'll be spat on, shot at, lynched, pacified with medals, spurned by backwoodsmen! Crucified! Naïve, dreaming Adam. He who would do battle with the many-headed hydra of human nature must pay a world of pain & his family must pay along with him! & only as you gasp your dying breath shall you understand, your life amounted to no more than one drop in a limitless ocean!'
Yet what is any ocean but a multitude of drops? "

― David Mitchell

9 " It is a hot summer day in Tennessee in the midst of the sixth decade of this century. The girl has climbed the fence to get to the swimming hole she has visited so many summers of her life in the time before this part of the land was enclosed. She stands now at the edge of it. Her body is sticky with heat. The surface of the water moves slightly. Sunlight shimmers and dances in a green reflection that seems as she stares at it to pull her in even before her skin is wet with it. Drops of water on the infant’s head. All the body immersed for baptism. Do these images come to her as she sinks into the coolness? The washing of hands before Sunday’s midday meal. All our sins washed away. Water was once the element for purification. But at the bottom of this pool, There is no telling what is there now. This is what the girl’s father will say to her finally: corroded cans of chemical waste, some radioactive substances. That was why they put the fence there. She is not thinking of that now. The words have not yet been said, and so for her no trouble exists here. The water holds up her body. She is weightless in this fulsome element, the waves her body makes embracing her with their own benediction. Beneath her in the shadowy green, she feels the depth of the pond. In this coolness as the heat mercifully abates, her mind is set free, to dream as the water dreams. "

― Susan Griffin , A Chorus of Stones: The Private Life of War

10 " I came to the state twenty years ago from the South, the gothic South. I’ve heard it called that, haven’t you, Mister Morgan? ‘Thought I was gettin’ away from all that. You know, the Tennessee Williams’ decadence, the Huey Long corruption, the brewin’ and simmerin’ violence. I actually found that I kind of missed it. Then, I found out it was all here, too, but without the charm. "

― Jackson Burnett , The Past Never Ends

11 " It’s cruelty that gets to me. Still, it’s important to read about cruelty.

“Why is it important?”

Because when you read about it, it’s easier to recognize. That was always the hardest thing in the refugee camps—to hear the stories of the people who had been raped or mutilated or forced to watch a parent or a sister or a child be raped or killed. It’s very hard to come face-to-face with such cruelty. But people can be cruel in lots of ways, some very subtle. I think that’s why we all need to read about it. I think that’s one of the amazing things about Tennessee Williams’s plays. He was so attuned to cruelty—the way Stanley treats Blanche in A Streetcar Named Desire. It starts with asides and looks and put-downs. There are so many great examples from Shakespeare—when Goneril torments King Lear or the way Iago speaks to Othello. And what I love about Dickens is the way he presents all types of cruelty. You need to learn to recognize these things right from the start. Evil almost always starts with small cruelties. "

― Will Schwalbe , The End of Your Life Book Club

12 " No matter what, I always make it home for Christmas. I love to go to my Tennessee Mountain Home and invite all of my nieces and nephews and their spouses and kids and do what we all like to do - eat, laugh, trade presents and just enjoy each other... and sometimes I even dress up like Santa Claus! "

13 " I came to the plain fields of Ohio with pictures painted by Hollywood movies and the works of Tennessee Williams and Arthur Miller. None of them had much to say, if at all, about Dayton, Ohio. "

14 " I'm very fond of Tennessee Williams' plays, and when my husband and I went to New Orleans in the late 1970s, we saw 'A Street Car Named Desire.' "