9
" I killed four flies while waiting. Damn, death was everywhere. Man, bird, beast, reptile, rodent, insect, fish didn't have a chance. The fix was in. I didn't know what to do about it. I got depressed. You know, I see a boy at the supermarket, he's packing my groceries, then I see him sticking himself into his own grave along with the toilet paper, the beer and the chicken breasts. "
― Charles Bukowski , Pulp
12
" Hey you, dragging the halo-
how about a holiday in the islands of grief?
Tongue is the word I wish to have with you.
Your eyes are so blue they leak.
Your legs are longer than a prisoner's
last night on death row.
I'm filthier than the coal miner's bathtub
and nastier than the breath of Charles Bukowski.
You're a dirty little windshield.
I'm standing behind you on the subway,
hard as calculus. My breath
be sticking to your neck like graffiti.
I'm sitting opposite you in the bar,
waiting for you to uncross your boundaries.
I want to rip off your logic
and make passionate sense to you.
I want to ride in the swing of your hips.
My fingers will dig in you like quotation marks,
blazing your limbs into parts of speech.
But with me for a lover, you won't need
catastrophes. What attracted me in the first place
will ultimately make me resent you.
I'll start telling you lies,
and my lies will sparkle,
become the bad stars you chart your life by.
I'll stare at other women so blatantly
you'll hear my eyes peeling,
because sex with you is like Great Britain:
cold, groggy, and a little uptight.
Your bed is a big, soft calculator
where my problems multiply.
Your brain is a garage
I park my bullshit in, for free.
You're not really my new girlfriend,
just another flop sequel of the first one,
who was based on the true story of my mother.
You're so ugly I forgot how to spell.
I'll cheat on you like a ninth grade math test,
break your heart just for the sound it makes.
You're the 'this' we need to put an end to.
The more you apologize, the less I forgive you.
So how about it? "
― Jeffrey McDaniel
13
" Robot BoyMr. an Mrs. Smith had a wonderful life.They were a normal, happy husband and wife.One day they got news that made Mr. Smith glad.Mrs. Smith would would be a momwhich would make him the dad!But something was wrong with their bundle of joy.It wasn't human at all,it was a robot boy!He wasn't warm and cuddlyand he didn't have skin.Instead there was a cold, thin layer of tin.There were wires and tubes sticking out of his head.He just lay there and stared,not living or dead.The only time he seemed alive at allwas with a long extension cordplugged into the wall.Mr. Smith yelled at the doctor," What have you done to my boy?He's not flesh and blood,he's aluminum alloy!" The doctor said gently," What I'm going to saywill sound pretty wild.But you're not the father of this strange looking child.You see, there still is some questionabout the child's gender,but we think that its fatheris a microwave blender." The Smith's lives were now filledwith misery and strife.Mrs. Smith hated her husband,and he hated his wife.He never forgave her unholy alliance:a sexual encounterwith a kitchen appliance.And Robot Boygrew to be a young man.Though he was often mistakenfor a garbage can. "
14
" Context is everything in both narrative and real life, and while the accusation is never that these creators deliberately set out to discriminate against gay and female characters, the unavoidable implication is that they should have known better than to add to the sum total of those stories which, en masse, do exactly that. And if the listmakers can identify the trend so thoroughly – if, despite all the individual qualifications, protests and contextualisations of the authors, these problems can still be said to exist – then the onus, however disconnected from the work of any one individual, nonetheless falls to those individuals, in their role as cultural creators, to acknowledge the problem; to do better next time; perhaps even to apologise. This last is a particular sticking point. By and large, human beings tend not to volunteer apologies for things they perceive to be the fault of other people, for the simple reason that apology connotes guilt, and how can we feel guilty – or rather, why should we – if we’re not the ones at fault? But while we might argue over who broke a vase, the vase itself is still broken, and will remain so, its shards ground into the carpet, until
someone decides to clean it up.
Blog Post: Love Team Freezer "
― Foz Meadows
20
" Working on a typewriter by touch, like riding a bicycle or strolling on a path, is best done by not giving it a glancing thought. Once you do, your fingers fumble and hit the wrong keys. To do things involving practiced skills, you need to turn loose the systems of muscles and nerves responsible for each maneuver, place them on their own, and stay out of it. There is no real loss of authority in this, since you get to decide whether to do the thing or not, and you can intervene and embellish the technique any time you like; if you want to ride a bicycle backward, or walk with an eccentric loping gait giving a little skip every fourth step, whistling at the same time, you can do that. But if you concentrate your attention on the details, keeping in touch with each muscle, thrusting yourself into a free fall with each step and catching yourself at the last moment by sticking out the other foot in time to break the fall, you will end up immobilized, vibrating with fatigue.
It is a blessing to have options for choice and change in the learning of such unconsciously coordinated acts. If we were born with all these knacks inbuilt, automated like ants, we would surely miss the variety. It would be a less interesting world if we all walked and skipped alike, and never fell from bicycles. If we were all genetically programmed to play the piano deftly from birth, we might never learn to understand music. "
― Lewis Thomas , The Lives of a Cell: Notes of a Biology Watcher