1
" No matter how old you are now. You are never too young or too old for success or going after what you want. Here’s a short list of people who accomplished great things at different ages1) Helen Keller, at the age of 19 months, became deaf and blind. But that didn’t stop her. She was the first deaf and blind person to earn a Bachelor of Arts degree.2) Mozart was already competent on keyboard and violin; he composed from the age of 5.3) Shirley Temple was 6 when she became a movie star on “Bright Eyes.”4) Anne Frank was 12 when she wrote the diary of Anne Frank.5) Magnus Carlsen became a chess Grandmaster at the age of 13.6) Nadia Comăneci was a gymnast from Romania that scored seven perfect 10.0 and won three gold medals at the Olympics at age 14.7) Tenzin Gyatso was formally recognized as the 14th Dalai Lama in November 1950, at the age of 15.8) Pele, a soccer superstar, was 17 years old when he won the world cup in 1958 with Brazil.9) Elvis was a superstar by age 19.10) John Lennon was 20 years and Paul Mcartney was 18 when the Beatles had their first concert in 1961.11) Jesse Owens was 22 when he won 4 gold medals in Berlin 1936.12) Beethoven was a piano virtuoso by age 2313) Issac Newton wrote Philosophiæ Naturalis Principia Mathematica at age 2414) Roger Bannister was 25 when he broke the 4 minute mile record15) Albert Einstein was 26 when he wrote the theory of relativity16) Lance E. Armstrong was 27 when he won the tour de France 17) Michelangelo created two of the greatest sculptures “David” and “Pieta” by age 2818) Alexander the Great, by age 29, had created one of the largest empires of the ancient world19) J.K. Rowling was 30 years old when she finished the first manuscript of Harry Potter20) Amelia Earhart was 31 years old when she became the first woman to fly solo across the Atlantic Ocean21) Oprah was 32 when she started her talk show, which has become the highest-rated program of its kind22) Edmund Hillary was 33 when he became the first man to reach Mount Everest23) Martin Luther King Jr. was 34 when he wrote the speech “I Have a Dream." 24) Marie Curie was 35 years old when she got nominated for a Nobel Prize in Physics 25) The Wright brothers, Orville (32) and Wilbur (36) invented and built the world's first successful airplane and making the first controlled, powered and sustained heavier-than-air human flight26) Vincent Van Gogh was 37 when he died virtually unknown, yet his paintings today are worth millions.27) Neil Armstrong was 38 when he became the first man to set foot on the moon.28) Mark Twain was 40 when he wrote " The Adventures of Tom Sawyer" , and 49 years old when he wrote " Adventures of Huckleberry Finn" 29) Christopher Columbus was 41 when he discovered the Americas30) Rosa Parks was 42 when she refused to obey the bus driver’s order to give up her seat to make room for a white passenger31) John F. Kennedy was 43 years old when he became President of the United States32) Henry Ford Was 45 when the Ford T came out.33) Suzanne Collins was 46 when she wrote " The Hunger Games" 34) Charles Darwin was 50 years old when his book On the Origin of Species came out.35) Leonardo Da Vinci was 51 years old when he painted the Mona Lisa.36) Abraham Lincoln was 52 when he became president.37) Ray Kroc Was 53 when he bought the McDonalds Franchise and took it to unprecedented levels.38) Dr. Seuss was 54 when he wrote " The Cat in the Hat" .40) Chesley " Sully" Sullenberger III was 57 years old when he successfully ditched US Airways Flight 1549 in the Hudson River in 2009. All of the 155 passengers aboard the aircraft survived41) Colonel Harland Sanders was 61 when he started the KFC Franchise42) J.R.R Tolkien was 62 when the Lord of the Ring books came out43) Ronald Reagan was 69 when he became President of the US44) Jack Lalane at age 70 handcuffed, shackled, towed 70 rowboats45) Nelson Mandela was 76 when he became President "
2
" Jane, my little darling (so I will call you, for so you are), you don't know what you are talking about; you misjudge me again: it is not because she is mad I hate her. If you were mad, do you think I should hate you?" " I do indeed, sir." " Then you are mistaken, and you know nothing about me, and nothing about the sort of love of which I am capable. Every atom of your flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still: if you raved, my arms should confine you, and not a strait waistcoat--your grasp, even in fury, would have a charm for me: if you flew at me as wildly as that woman did this morning, I should receive you in an embrace, at least as fond as it would be restrictive. I should not shrink from you with disgust as I did from her: in your quiet moments you should have no watcher and no nurse but me; and I could hang over you with untiring tenderness, though you gave me no smile in return; and never weary of gazing into your eyes, though they had no longer a ray of recognition for me. "
5
" Here's a secret: Everyone, if they live long enough, will lose their way at some point. You will lose your way, you will wake up one morning and find yourself lost. This is a hard, simple truth. If it hasn't happened to you yet, consider yourself lucky. When it does, when one day you look around and nothing is recognizable, when you find yourself alone in a dark wood having lost the way, you may find it easier to blame it on someone else -- an errant lover, a missing father, a bad childhood -- or it may be easier to blame the map you were given -- folded too many times, out-of-date, tiny print -- but mostly, if you are honest, you will only be able to blame yourself.
One day I'll tell my daughter a story about a dark time, the dark days before she was born, and how her coming was a ray of light. We got lost for a while, the story will begin, but then we found our way. "
― , The Best American Nonrequired Reading 2009
7
" Love loves and in loving always looks beyond what it has in hand and possesses. The driving impulse [*Triebimpuls*] which arouses may tire out; love itself does not tire. This *sursum corda* which is the essence of love may take on fundamentally different forms at different elevations in the various regions of value. The sensualist is struck by the way the pleasure he gets from the objects of his enjoyment gives him less and less satisfaction while his driving impulse stays the same or itself increases as he flies more and more rapidly from one object to the next. For this water makes one thirstier, the more one drinks. Conversely, the satisfaction of one who loves spiritual objects, whether things or persons, is always holding out new promise of satisfaction, so to speak. This satisfaction by nature increases more rapidly and is more deeply fulfilling, while the driving impulse which originally directed him to these objects or persons holds constant or decreases. The satisfaction always lets the ray of the movement of love peer out a little further beyond what is presently given. In the highest case, that of love for a person, this movement develops the beloved person in the direction of ideality and perfection appropriate to him and does so, in principle, beyond all limits.However, in both the satisfaction of pleasure and the highest personal love, the same *essentially infinite process* appears and prevents both from achieving a definitive character, although for opposite reasons: in the first case, because satisfaction diminishes; in the latter, because it increases. No reproach can give such pain and act so much as a spur on the person to progress in the direction of an aimed-at perfection as the beloved's consciousness of not satisfying, or only partially satisfying, the ideal image of love which the lover brings before her―an image he took from her in the first place. Immediately a powerful jolt is felt in the core of the soul; the soul desires to grow to fit this image. " So let me seem, until I become so." Although in sensual pleasure it is the *increased variety* of the objects that expresses this essential infinity of the process, here it is the *increased depth of absorption* in the growing fullness of one object. In the sensual case, the infinity makes itself felt as a self-propagating unrest, restlessness, haste, and torment: in other words, a mode of striving in which every time something repels us this something becomes the source of a new attraction we are powerless to resist. In personal love, the felicitous advance from value to value in the object is accompanied by a growing sense of repose and fulfillment, and issues in that positive form of striving in which each new attraction of a suspected value results in the continual abandonment of one already given. New hope and presentiment are always accompanying it. Thus, there is a positively valued and a negatively valued *unlimitedness of love*, experienced by us as a potentiality; consequently, the striving which is built upon the act of love is unlimited as well. As for striving, there is a vast difference between Schopenhauer's precipitate " willing" born of torment and the happy, God-directed " eternal striving" in Leibniz, Goethe's Faust, and J. G. Fichte." ―from_Ordo Amoris_ "
13
" She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that’s best of dark and bright
Meet in her aspect and her eyes:
Thus mellow’d to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o’er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and o’er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all
A heart whose love is innocent! "
― Lord Byron , Selected Poems
14
" the bouquetBetween me and the worldyou are a bay, a sailthe faithful ends of a ropeyou are a fountain, a wind, a shrill childhood cry.Between me and the worldyou are a picture frame, a windowa field covered in wildflowersyou are a breath, a bed,a night that keeps the stars company.Between me and the world, you are a calendar, a compassa ray of light that slips through the gloomyou are a biographical sketch, a book marka preface that comes at the end.between me and the worldyou are a gauze curtain, a mista lamp shining in my dreamsyou are a bamboo flute, a song without wordsa closed eyelid carved in stone.Between me and the worldyou are a chasm, a poolan abyss plunging downyou are a balustrade, a walla shield’s eternal pattern. "
