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1 " As some people turned to religion for comfort, so, Highsmith wrote in her notebook in September 1970, she took refuge in her belief that she was making progress as a writer. But she realised that both systems of survival were, however, fundamentally illusory. She wrote, she said, quoting Oscar Wilde because, 'Work never seems to me a reality, but a way of getting rid of reality'. "
― Andrew Wilson , Beautiful Shadow: A Life of Patricia Highsmith
2 " Mother made sure her little kids were subjected to a strict routine. We were given a timetable which covered our every waking moment, copies of which were posted by our bedside, in the sitting room and in the kitchen. Story hour meant that mother would read us novels and short stories by Guy de Maupassant, Oscar Wilde and Edmondo de Amicis. Soon we graduated to Tolstoy, Gogol and Turgenev. She read them to us in Chinese and I never realised until much later that the writers wrote them in different European languages. Comics were absolutely forbidden and so were Enid Blyton adventures and pop music. . .Lee Cyn and I soon went to a primary school nearby. . .After mother’s rigorous timetable, school became fun and easy-going. "
― Ang Swee Chai , From Beirut to Jerusalem
3 " Some believe that as an icon the image of Oscar Wilde is too old and notorious--all right, not an icon, let him be our oriflamme. "
― Lara Biyuts , Forever Jocelyn
4 " Oscar Wilde said that sunsets were not valued because we could not pay for sunsets. But Oscar Wilde was wrong "
5 " Du Bois sighed theatrically. “It’s as if Oscar Wilde never died for our sins. "
― Gavin G. Smith , The Age of Scorpio
6 " Damn it all, MacMurrough, are you telling me you are an unspeakable of the Oscar Wilde sort?’‘If you mean am I Irish, the answer is yes. "
― Jamie O'Neill , At Swim, Two Boys
7 " All the quips in the world couldn’t prevent Oscar Wilde from becoming a lovesick fool. "
― David Levithan , Two Boys Kissing
8 " ... Likewise, Oscar Wilde asked an English journalist to look over 'The Picture of Dorian Gray' before publication: " Will you also look after my 'wills' and 'shalls' in proof. I am Celtic in my use of these words, not English." Wilde's novel upset virtually every code of late Victorian respectability, but he had to get his modal auxiliaries just right. "
9 " De Profundis by Oscar Wilde (this excerpt inspired my book, The Persecution of Mildred Dunlap. Wilde wrote it to his lover while in prison.)When first I was put into prison some people advised me to try and forget who I was. It was ruinous advice. It is only by realizing what I am that I have found comfort of any kind. Now I am advised by others to try on my release to forget that I have ever been in a prison at all. I know that would be equally fatal. It would mean that I would always be haunted by an intolerable sense of disgrace, and that those things that are meant for me as much as for anybody else – the beauty of the sun and moon, the pageant of the seasons, the music of daybreak and the silence of great nights, the rain falling through the leaves, or the dew creeping over the grass and making it silver – would all be tainted for me, and lose their healing power, and their power of communicating joy. To regret one's own experiences is to arrest one's own development. To deny one's own experiences is to put a lie into the lips of one's own life. It is no less than a denial of the soul. "
10 " Creators of literary fairy tales from the 17th-century onward include writers whose works are still widely read today: Charles Perrault (17th-century France), Hans Christian Andersen (19th-century Denmark), George Macdonald and Oscar Wilde (19th-century England). The Brothers Grimm (19th-century Germany) blurred the line between oral and literary tales by presenting their German " household tales" as though they came straight from the mouths of peasants, though in fact they revised these stories to better reflect their own Protestant ethics. It is interesting to note that these canonized writers are all men, since this is a reversal from the oral storytelling tradition, historically dominated by women. Indeed, Straparola, Basile, Perrault, and even the Brothers Grimm made no secret of the fact that their source material came largely or entirely from women storytellers. Yet we are left with the impression that women dropped out of the history of fairy tales once they became a literary form, existing only in the background as an anonymous old peasant called Mother Goose. "
