7
" The Japanese fought to win - it was a savage, brutal, inhumane, exhausting and dirty business. Our commanders knew that if we were to win and survive, we must be trained realistically for it whether we liked it or not. In the post-war years, the U.S. Marine Corps came in for a great deal of undeserved criticism in my opinion, from well-meaning persons who did not comprehend the magnitude of stress and horror that combat can be. The technology that developed the rifle barrel, the machine gun and high explosive shells has turned war into prolonged, subhuman slaughter. Men must be trained realistically if they are to survive it without breaking, mentally and physically. "
― Eugene B. Sledge , With the Old Breed: At Peleliu and Okinawa
10
" Having been a Ship’s Captain, a Naval Officer a Mathematics & Science Teacher, most people would believe that my primary interests would be directed towards the sciences. On the other hand, those that know me to be an author interested in history, may believe me to be interested in the arts. University degrees usually fall into the general category of Art or Science. It’s as if we have to pick sides and back one or the other team…. With my degree in Marine Science I am often divided and pigeon holed into this specific discipline or area of interest. One way or the other, this holds true for most of us but is this really true for any of us. As a father I can certainly do other things. Being a navigator doesn’t preclude me from driving a car. Hopefully this article does more than just introduce Cuban Art and in addition gives us all good reason to be accepted as more than a “Johnny One Note.“ My quote that “History is not owned solely by historians. It is a part of everyone’s heritage” hopefully opens doors allowing that we be defined as a sum of all our parts, not just a solitary or prominent one. As it happens, I believe that “Just as science feeds our intellect, art feeds our soul.”
For the years that Cuba was under Spanish rule, the island was a direct reflection of Spanish culture. Cuba was thought of as an extension of Spain's empire in the Americas, with Havana and Santiago de Cuba being as Spanish as any city in Spain. Although the early Renaissance concentrated on the arts of Ancient Greece and Rome, it spread to Spain during the 15th and 16th centuries. The new interest in literature and art that Europe experienced quickly spread to Cuba in the years following the colonization of the island. Following their counterparts in Europe, Cuban Professionals, Government Administrators and Merchants demonstrated an interest in supporting the arts. In the 16th century painters and sculptors from Spain painted and decorated the Catholic churches and public buildings in Cuba and by the mid-18th century locally born artists continued this work.
During the early part of the 20th century Cuban artists such as Salvador Dali, Joan Miró and Pablo Picasso introduced modern classicism and surrealism to Europe. Cuban artist Wilfred Lam can be credited for bringing this artistic style to Cuba. Another Cuban born painter of that era, Federico Beltran Masses, known to be a master of colorization as well as a painter of seductive images of women, sometimes made obvious artistic references to the tropical settings of his childhood. As Cuban art evolved it encompassed the cultural blend of African, European and American features, thereby producing its own unique character. One of the best known works of Cuban art, of this period, is La Gitana Tropical, painted in 1929, by Víctor Manuel.
After the 1959 Cuban Revolution, during the early 1960’s, government agencies such as the Commission of Revolutionary Orientation had posters produced for propaganda purposes. Although many of them showed Soviet design features, some still contained hints of the earlier Cuban style for more colorful designs. Towards the end of the 1960’s, a new Cuban art style came into its own. A generation of artists including Félix Beltran, Raul Martinez, Rene Mederos and Alfredo Rostgaard created vibrantly powerful and intense works which remained distinctively Cuban. Though still commissioned by the State to produce propaganda posters, these artists were accepted on the world stage for their individualistic artistic flair and graphic design.
After bringing the various and distinct symbols of the island into their work, present day Cuban artists presented their work at the Volumen Uno Exhibit in Havana. Some of these artists were Jose Bedia, Juan Francisco Elso, Lucy Lippard, Ana Mendieta and Tomas Sanchezare. Their intention was to make a nationalistic statement as to who they were without being concerned over the possibility of government rep "
― Hank Bracker
13
" Yes,” said Cooley. “That is the question, as the Bard might say.” “The Bard?” “What’s so funny?” said Cooley. “Nothing, sir,” I said. “I just didn’t know people still used that term.” “Well, I’m a people, Burke. Am I not?” “Of course.” “If you prick me, do I not bleed, you scat-gobbling, mother-rimming prick?” Occasionally Dean Cooley reverted to a vocabulary more suited to his marine years, but some maintained it was only when he felt threatened, or stretched for time. “Yes, sir,” I said. "
― Sam Lipsyte , The Ask
15
" In the parlor was a huge camera on wheels like the ones used in public parks, and the backdrop of a marine twilight, painted with homemade paints, and the walls papered with pictures of children at memorable moments: the first Communion, the bunny costume, the happy birthday. Year after year, during contemplative pauses on afternoons of chess, Dr. Urbino had seen the gradual covering over of the walls, and he had often thought with a shudder of sorrow that in the gallery of casual portraits lay the germ of the future of the city, governed and corrupted by those unknown children, where note even the ashes of his glory would remain. "
― Gabriel García Márquez , Love in the Time of Cholera
17
" Er, hello, Chewie," he said politely." Woof," the dog said back." Chewie is a Newfoundland," Beka explained. " They're great water dogs. They swim better than we do, and even have webbed feet. They're often used for water rescue, and the breed started out as working dogs for fishermen." " Uh-huh... Chewie - I guess you named him for Chewbacca in Star Wars. I can see why; they're both gigantic and furry." Beka giggled. " I never thought of that. Actually, Chewie is short for Chudo-Yudo. Also, he chews on stuff a lot, so it seemed fitting." " Chudo what?" Marcus said. The dog made a snuffling sound that might have been canine laughter." Chudo-Yudo," Beka repeated. " He's a character out of Russian fairy tales, the dragon that guards the Water of Life and Death. You never heard of him?" Marcus shook his head. " My father used to tell the occasional Irish folk tale when I was a kid, but I'm not familiar with Russian ones at all. Sorry." " Oh, don't be," she said cheerfully. " Most of them were pretty gory, and they hardly ever had happy endings." " Right." Marcus looked at the dog, who gazed alertly back with big brown eyes, as if trying to figure out if the former Marine was edible or not. " So, you named him after a mythical dragon from a depressing Russian story. Does anyone get eaten in that story, just out of curiosity?" Chewie sank down onto the floor with a put-upon sigh, and Beka shook her head at Marcus. " Don't be ridiculous. Of course people got eaten. But don't worry. Chewie hasn't taken a bite out of anyone in years. He's very mellow for a dragon. "
