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Mallarmé QUOTES

Mallarmé QUOTES

1 " Language signifies when instead of copying thought it lets itself be taken apart and put together again by thought. Language bears the sense of thought as a footprint signifies the movement and effort of a body. The empirical use of already established language should be distinguished from its creative use. Empirical language can only be the result of creative language. Speech in the sense of empirical language - that is, the opportune recollection of a preestablished sign – is not speech in respect to an authentic language. It is, as Mallarmé said, the worn coin placed silently in my hand. True speech, on the contrary - speech which signifies, which finally renders " l'absente de tous bouquets" present and frees the sense captive in the thing - is only silence in respect to empirical usage, for it does not go so far as to become a common noun. Language is oblique and autonomous, and if it sometimes signifies a thought or a thing directly, that is only a secondary power derived from its inner life. Like the weaver, the writer works on the wrong side of his material. He has only to do with the language, and it is thus that he suddenly finds himself surrounded by sense. "

2 " The gods weave misfortunes for men, so that the generations to come will have something to sing about.” Mallarmé repeats, less beautifully, what Homer said; “tout aboutit en un livre,” everything ends up in a book. The Greeks speak of generations that will sing; Mallarmé speaks of an object, of a thing among things, a book. But the idea is the same; the idea that we are made for art, we are made for memory, we are made for poetry, or perhaps we are made for oblivion. But something remains, and that something is history or poetry, which are not essentially different. "

― Jorge Luis Borges , Seven Nights

3 " The French poet Mallarmé and, after him, Borges, claimed that “everything in the world exists to end up in a book,” and if that’s true, and that even every man is a book, Federico was undoubtedly created by the pen of Keats or some other tormented Romantic poet; while Matteo was pure passion, like Shakespeare’s Romeo: spontaneous, intense, and impetuously real. "

4 " The poet Mallarmé listened to the painter Degas complaining about his inability to write poems even though “he was full of ideas.” “My dear Degas,” Mallarmé responded, “poems are not made out of ideas. They’re made out of words. "

― Stéphane Mallarmé