3
" Prison MoonFour a.m. work duty and I beginmy solitary trudge from outer compoundto main building. A shivering guard,chilled in his lonely outpost, strip searchesme until content that my inconsequential nudity.poses no threat and then whispersthe secret code that allows me admittance into the open quarter-mile walkway.I chuff my way into another dayas ice glints on the razor wireand the rifles note my numbed passage,silent but for my huffs and scuffleon the cracked, slippery sidewalk A new moon, veiled in wispy fogand beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights.The moon’s creamy pull upsetssome liquid equilibrium within meand like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip meand I howl--once, then again, andsurely somewhere an unbound sleeper stirs, penitence is dying a giddy death.I shake myself saneand as the echoes hangin the frigid air I explainto the wild-eyed guard that convicts, like all animals under the leash,must bay at the beauty beyond them. "
5
" The huge round lunar clock was a gristmill. Shake down all the grains of Time—the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes—and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine…dispensed Time in blowing weathers. "
― Ray Bradbury , Farewell Summer (Green Town, #3)
7
" They flew to avoid the horrors of land and sea, Daedalus and Icarus were for few moments free. Though the sun was Icarus' ultimate bane, we came to always remember his name. For he felt the sun's burn, a lesson Daedalus would never learn. When he found his son's corpse and looked upon his face, he saw a smile there fastened in place. He continued his life wondering what his son had seen, hoping it was worth it since his dead smile was so serene. The sun always seemed to mock him after, shining, brilliant, blinding laughter. Daedalus grew withered and haunted by light, preferring the sea's air in the depths of night. He watched lunar birds soar through the stars and away, forever regretting his decision to take flight during the day. He had lost his son to the sun in a twist of anomaly, he wondered which of them truly escaped that day, in all honesty. "
10
" He insisted on clearing the table, and again devoted himself to his game of patience: piecing together the map of Paris, the bits of which he’d stuffed into the pocket of his raincoat, folded up any old how.
I helped him.
Then he asked me, straight out, ‘What would you say was the true centre of Paris?’
I was taken aback, wrong-footed. I thought this knowledge was part of a whole body of very rarefied and secret lore. Playing for time, I said, ‘The starting point of France’s roads . . . the brass plate on the parvis of Notre-Dame.’
He gave me a withering look.
‘Do you take for me a sap?’
The centre of Paris, a spiral with four centres, each completely self-contained, independent of the other three. But you don’t reveal this to just anybody. I suppose - I hope - it was in complete good faith that Alexandre Arnoux mentioned the lamp behind the apse of St-Germain-l’Auxerrois. I wouldn’t have created that precedent. My turn now to let the children play with the lock.
‘The centre, as you must be thinking of it, is the well of St-Julien-le-Pauvre. The “Well of Truth” as it’s been known since the eleventh century.’
He was delighted. I’d delivered. He said, ‘You know, you and I could do great things together. It’s a pity I’m already “beyond redemption”, even at this very moment.’
His unhibited display of brotherly affection was of childlike spontaneity. But he was still pursuing his line of thought: he dashed out to the nearby stationery shop and came back with a little basic pair of compasses made of tin.
‘Look. The Vieux-Chene, the Well. The Well, the Arbre-a-Liege On either side of the Seine, adhering closely to the line he’d drawn, the age-old tavern signs were at pretty much the same distance from the magic well.
‘Well, now, you see, it’s always been the case that whenever something bad happens at the Vieux-Chene, a month later — a lunar month, that is, just twenty-eight days — the same thing happens at old La Frite’s place, but less serious. A kind of repeat performance. An echo
Then he listed, and pointed out on the map, the most notable of those key sites whose power he or his friends had experienced.
In conclusion he said, ‘I’m the biggest swindler there is, I’m prepared to be swindled myself, that’s fair enough. But not just anywhere. There are places where, if you lie, or think ill, it’s Paris you disrespect. And that upsets me. That’s when I lose my cool: I hit back. It’s as if that’s what I was there for. "
― Jacques Yonnet , Paris Noir: The Secret History of a City
15
" Like an abandoned dog who cannot find
a smell or a track and roams
along the roads, with no road, like
the child who in a night of the fair
gets lost among the crowd,
and the air is dusty, and the candles
fluttering,--astounded, his heart
weighed down by music and by pain;
that’s how I am, drunk, sad by nature,
a mad and lunar guitarist, a poet,
and an ordinary man lost in dreams,
searching constantly for God among the mists. "
― Antonio Machado , Times Alone: Selected Poems
19
" Your gravity, your grace have turned a tideIn me, no lunar power can reverse;But in your narcoleptic eyes I spiedA sightlessness tonight: or something worse,A disregard that made me feel unmanned.Meanwhile, insomniac, I catch my breathTo think I saw my future traced in sandOne afternoon " as still, as carved, as death,”And pray for an oblivion so deepIt ends in transformation. Only dawnCan save me, flood this haunted house of sleepWith light, and drown the thoughts that nightly warn:Another lifetime is the least you’ll need, to traceThe guarded secrets of her gravity, her grace. "