6
" I can think of only two movies with women killers we’re meant to sympathize with, and both because they’d been sexually assaulted—Thelma and Louise and Monster. And to be honest, I don’t imagine anyone would call the women in these films heroes. The popular comic book mercenary Red Sonja is, perhaps, a proper hero, but is, once again, motivated by a sexual assault. Male heroes are heroic because of what’s been done to women in their lives, often—the dead child, the dead wife. Women heroes are also heroic for what’s been done to women … to them.
We build our heroes, too often, on terrible things done to women, instead of creating, simply, heroes who do things, who persevere in the face of overwhelming odds because it’s the right thing to do. "
― Kameron Hurley , The Geek Feminist Revolution
9
" The physical shape of Mollies paralyses and contortions fit the pattern of late-nineteenth-century hysteria as well — in particular the phases of " grand hysteria" described by Jean-Martin Charcot, a French physician who became world-famous in the 1870s and 1880s for his studies of hysterics..." " The hooplike spasm Mollie experienced sounds uncannily like what Charcot considered the ultimate grand movement, the arc de de cercle (also called arc-en-ciel), in which the patient arched her back, balancing on her heels and the top of her head..." " One of his star patients, known to her audiences only as Louise, was a specialist in the arc de cercle — and had a background and hysterical manifestations quite similar to Mollie's. A small-town girl who made her way to Paris in her teens, Louise had had a disrupted childhood, replete with abandonment and sexual abuse.She entered Salpetriere in 1875, where while under Charcot's care she experienced partial paralysis and complete loss of sensation over the right side of her body, as well as a decrease in hearing, smell, taste, and vision. She had frequent violent, dramatic hysterical fits, alternating with hallucinations and trancelike phases during which she would " see" her mother and other people she knew standing before her (this symptom would manifest itself in Mollie). Although critics, at the time and since, have decried the sometime circus atmosphere of Charcot's lectures, and claimed that he, inadvertently or not, trained his patients how to be hysterical, he remains a key figure in understanding nineteenth-century hysteria. "
10
" These were good people and they had been good to us and we had therefore had a good time. To conclude otherwise was frightening, raising the specter of some unnameable quantity without which we could not abide, but which we could not summon on demand, least of all by proceeding in virtuous accordance with an established formula.
You regarded redemption as an act of will. You disparaged people (people like me) for their cussedly nonspecific dissatisfactions, because to fail to embrace the simple fineness of being alive betrayed a weakness of character. You always hated finicky eaters, hypochondriacs, and snobs who turned their noses up at Terms of Endearment just because it was popular. Nice eats, nice place, nice folks- what more could I possibly want? Besides, the good life doesn’t knock on the door. Joy is a job. So if you believed with sufficient industry that we had had a good time with Brian and Louise in theory, then we would have had a good time in fact. The only hint that in truth you’d found our afternoon laborous was that your enthusiasm was excessive. "
― Lionel Shriver , We Need to Talk About Kevin
14
" So I’m reading some poem by Louise . . . something, I forget her last name, but it’s about Hades and the underworld, and I don’t even notice that Paige has come up to my table until she says, ‘Doesn’t everyone want love?’ And I’m thinking, wow, that’s a pretty deep question, but then again Paige is really smart, and this is my chance to finally show her that I’m not just a dumb jock. So I say, ‘I heard this theory once that love means your subconscious is attracted to someone else’s subconscious.’”
“Very deep,” Cade said.
“Exactly. And I’m feeling proud of myself for that one, until she points to the book and says, ‘Oh, that wasn’t a question. I was just quoting a line from the poem. "
― Julie James , Love Irresistibly (FBI/US Attorney, #4)