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1 " The connection being that in my head all language began in song and that the best stories inevitably reutrn to song, to a state of rapture. For years, I had assumed that throwing beautiful words at the page would make my prose feel true. But I had the process exactly backward. It was truth that lifted the language into beauty and toward song. It was a matter of doing what Joe Henry did, of pursuing characters into moments of emotional truth and slowing down. The result was a compression of sensual and psychological detail that released the rhythm and melody in language itself, what Longfellow called " the happy accidents of language. "
2 " The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes. "
― Helen Bevington , When Found, Make a Verse of
3 " They ended up at the Old Corner Bookstore, which Brian had read about in a tour guide to Boston. " Longfellow and Hawthorne and Oliver Wendell Holmes used to read here. Let's go in." Brian nudged the girls until they obeyed.It was a regular bookstore, less history-minded than Brian had expected. In fact, the local history shelves were quite mangeable. I'll buy one book, he thought. This will get me launched in actual reading. Out of the zillions of choices, I'll find one here.Brian picked out Paul Revere and the World He Lived In. It was thick and somehow exciting, with its chapter headings and scholarly notes and bibliography. "
4 " The kind of poetry to avoid in the pretty-pretty kind that pleased our grandmothers, the kind that Longfellow and Tennyson, good poets at their best, wrote at their worst. "
― Clifton Fadiman , Clifton Fadiman's Fireside Reader
