1
" How strange, Royce thought, that, after emerging victorious from more than a hundred real battles, the greatest moment of triumph he had ever known had come to him on a mock battlefield where he'd stood alone, unhorsed, and defeated. This morning, his life had seemed as bleak as death. Tonight, he held joy in his arms. Someone or something—fate or fortune or Jenny's God—had looked down upon him this morning and seen his anguish. And, for some reason, Jenny had been given back to him.
Closing his eyes, Royce brushed a kiss against her smooth forehead. Thank you, he thought.
And in his heart, he could have sworn he heard a voice answer, You're welcome. "
― , A Kingdom of Dreams (Westmoreland, #1)
3
" Now that his children had grown into their lives, their own children too, there was no one who needed more than the idea of him, and he thought maybe that was why he had this nagging feeling, this sense that there were things he had to know for himself, only for himself. He knew, of course he knew, that a life wasn't anything like one of those novels Jenny read, that it stumbled along, bouncing off one thing, then another, until it just stopped, nothing wrapped up neatly. He remembered his children's distress at different times, failing an exam or losing a race, a girlfriend. Knowing that they couldn't believe him but still trying to tell them that it would pass, that they would be amazed, looking back, to think it had mattered at all. He thought of himself, thought of things that had seemed so important, so full of meaning when he was twenty, or forty, and he thought maybe it was like Jenny's books after all. Red herrings and misdirection, all the characters and observations that seemed so central, so significant while the story was unfolding. But then at the end you realized that the crucial thing was really something else. Something buried in a conversation, a description - you realized that all along it had been a different answer, another person glimpsed but passed over, who was the key to everything. Whatever everything was. And if you went back, as Jenny sometimes did, they were there, the clues you'd missed while you were reading, caught up in the need to move forward. All quietly there. "
― Mary Swan
4
" We are thankful to come here for rest, sir," said Jenny. " You see, you don't know what the rest of this place is to us; does he, Lizzie? It's the quiet, and the air." " The quiet!" repeated Fledgeby, with a contemptuous turn of his head towards the City's roar. " And the air!" with a " Poof!" at the smoke." Ah!" said Jenny. " But it's so high. And you see the clouds rushing on above the narrow streets, not minding them, and you see the golden arrows pointing at the mountains in the sky from which the wind comes, and you feel as if you were dead." The little creature looked above her, holding up her slight transparent hand." How do you feel when you are dead?" asked Fledgeby, much perplexed." Oh, so tranquil!" cried the little creature, smiling. " Oh, so peaceful and so thankful! And you hear the people who are alive, crying, and working, and calling to one another down in the close dark streets, and you seem to pity them so! And such a chain has fallen from you, and such a strange good sorrowful happiness comes upon you!" Her eyes fell on the old man, who, with his hands folded, quietly looked on." Why it was only just now," said the little creature, pointing at him, " that I fancied I saw him come out of his grave! He toiled out at that low door so bent and worn, and then he took his breath and stood upright, and looked all round him at the sky, and the wind blew upon him, and his life down in the dark was over!—Till he was called back to life," she added, looking round at Fledgeby with that lower look of sharpness. " Why did you call him back?" " He was long enough coming, anyhow," grumbled Fledgeby." But you are not dead, you know," said Jenny Wren. " Get down to life!" Mr Fledgeby seemed to think it rather a good suggestion, and with a nod turned round. As Riah followed to attend him down the stairs, the little creature called out to the Jew in a silvery tone, " Don't be long gone. Come back, and be dead!" And still as they went down they heard the little sweet voice, more and more faintly, half calling and half singing, " Come back and be dead, Come back and be dead! "
10
" I hadn’t gone to Andover, or Horace Mann or Eton. My high school had been the average kind, and I’d been the best student there. Such was not the case at Eli. Here, I was surrounded by geniuses. I’d figured out early in my college career that there were people like Jenny and Brandon and Lydia and Josh—truly brilliant, truly luminous, whose names would appear in history books that my children and grandchildren would read, and there were people like George and Odile—who through beauty and charm and personality would make the cult of celebrity their own. And then there were people like me. People who, through the arbitrary wisdom of the admissions office, might share space with the big shots for four years, might be their friends, their confidantes, their associates, their lovers—but would live a life well below the global radar. I knew it, and over the years, I’d come to accept it.
And I understood that it didn’t make them any better than me. "
― Diana Peterfreund , Rites of Spring (Break) (Secret Society Girl, #3)
16
" Jenny remembers what it was like, all those years ago. It was never dolls for her, nothing so tangible as that. It was more of a feeling. As if, for the first several years of her life, everything held over her a sort of knowledge and insistence. Fence posts, wallpaper, the lawn at certain hours of the day. These things glowered at her, or smiled. Even something as ordinary as the blue rolling chair in her father's office had some hold on her, some whisper of a new dimension in its puffs of dust sent upward by her fists against its cushions. There was an intensity inherent in everything until, one day, there wasn't. The blue chair rolled on its wheels to the window when she pushed it. The rising dust was rising dust. And when it was gone, there was only a knot of longing somewhere deep inside of her, a vacant ache: adolescence. Boredom.
It's why we fall in love, Jenny will tell June.
We fall in love to get back to that dimension, that wonder.
She goes to the laundry room, where, from a pile of clean clothes, she picks out a few articles of June's, folds them, then goes upstairs to knock on her daughter's door and tell her that this, this lost doll world, is the reason there is love. "
― Emily Ruskovich , Idaho
19
" Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive.‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing ex "
