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1 " Love has many positionings. Cordelia makes good progress. She is sitting on my lap, her arm twines, soft and warm, round my neck; she leans upon my breast, light, without gravity; the soft contours scarcely touch me; like a flower her lovely figure twines about me, freely as a ribbon. Her eyes are hidden beneath her lashes, her bosom is dazzling white like snow, so smooth that my eye cannot rest, it would glance off if her bosom were not moving. What does this movement mean? Is it love? Perhaps. It is a presentiment of it, its dream. It still lacks energy. Her embrace is comprehensive, as the cloud enfolding the transfigured one, detached as a breeze, soft as the fondling of a flower; she kisses me unspecifically, as the sky kisses the sea, gently and quietly, as the dew kisses a flower, solemnly as the sea kisses the image of the moon.I would call her passion at this moment a naive passion. When the change has been made and I begin to draw back in earnest, she will call on everything she has to captivate me. She has no other means for this purpose than the erotic itself, except that this will now appear on a quite different scale. It then becomes a weapon in her hand which she wields against me. I then have the reflected passion. She fights for her own sake because she knows I possess the erotic; she fights for her own sake so as to overcome me. She herself is in need of a higher form of the erotic. What I taught her to suspect by arousing her, my coldness now teaches her to understand but in such a way that she thinks it is she herself who discovers it. So she wants to take me by surprise; she wants to believe that she has outstripped me in audacity, and that makes me her prisoner. Her passion then becomes specific, energetic, conclusive, dialectical; her kiss total, her embrace without hesitation.—In me she seeks her freedom and finds it the better the more firmly I encompass her. The engagement bursts. When that has happened she needs a little rest, so that nothing unseemly will emerge from this wild tumult. Her passion then composes itself once more and she is mine.”—from_Either/Or: A Fragment of Life_, (as written by his pseudonym Johannes the Seducer) "
2 " Cordelia loved his explanations. She loved knowing words that belonged to things she'd never seen, even to things you couldn't see at all. She remembered those words carefully. " Magic," George had said, " is something unnatural, something that doesn't really exist. If I snap my fingers and Othello suddenly turns white, that's magic. If I fetch a bucket of paint and paint him white, it isn't." He laughed, and for a moment it looked as if he felt like snapping his fingers or fetching that bucket. Then he went on, " Everything that looks like magic is really a trick. There's no such thing as magic." Cordelia grazed with relish. " Magic" was her favorite word - for something that didn't exist at all. "
3 " Secrets. Funny how, when you're about to be given something precious, something you've wanted for a long time, you suddenly feel nervous over taking it.Everyone wants more than anything to be allowed into someone else's most secret self. Everyone wants to allow someone into their most secret self. Everyone feels so alone inside that their deepest wish is for someone to know their secret being, because then they are alone no longer. Don't we all long for this? Yet when it's offered it's frightening, because you might not live up to the desires of the one who bestows the gift. And frightening because you know that accepting such a gift means you'll want-perhaps be expected- to offer a similar gift in return. Which means giving your *self* away. And what's more frightening than that?” ― Aidan Chambers, This is All: The Pillow Book of Cordelia Kenn "
― Aidan Chambers
4 " Do you think the Goblin King really did it?" asked Cordelia hesitantly. All the sheep knew she was talking about George's death. Mopple quickly pulled up a tuft of grass." Or Satan?" added Lane." Nonsense," Rameses snorted nervously. " Satan would never do a thing like that." several of the sheep bleated in agreement. None of them thought Satan capable of such an act. Satan was an elderly donkey who sometimes grazed in the meadow next to theirs, and uttered blood-curdling cries. his voice was truly dreadful, but otherwise he'd always struck them as harmless. "
5 " This murdered girl troubles me. After the first shock, nobody at school says much about her. Even Cordelia does not want to talk about her. It’s as if this girl has done something shameful, herself, by being murdered. "
― Margaret Atwood , Cat's Eye
6 " And this was your friend?" Cordelia raised her eyebrows. " Seems to me the only difference between your friends and your enemies is how long the stand around chatting before they shoot you. "
7 " The strangeness of the Barrayaran government system with all its unwritten customs, pressed on Cordelia not so much as first glance but gradually. And yet it seemed to work for them somehow. They made it work, pretending a government into existence. Perhaps all governments were all consensus fictions at their hearts. "
― Lois McMaster Bujold , Barrayar (Vorkosigan Saga, #7)
8 " Dorian, Dorian," she cried, " before I knew you, acting was the one reality of my life. It was only in the theatre that I lived. I thought that it was all true. I was Rosalind one night and Portia the other. The joy of Beatrice was my joy, and the sorrows of Cordelia were mine also. I believed in everything. The common people who acted with me seemed to me to be godlike. The painted scenes were my world. I knew nothing but shadows, and I thought them real. You came—oh, my beautiful love!— and you freed my soul from prison. You taught me what reality really is. To-night, for the first time in my life, I saw through the hollowness, the sham, the silliness of the empty pageant in which I had always played. To-night, for the first time, I became conscious that the Romeo was hideous, and old, and painted, that the moonlight in the orchard was false, that the scenery was vulgar, and that the words I had to speak were unreal, were not my words, were not what I wanted to say. You had brought me something higher, something of which all art is but a reflection. "