1
" From Les Miserables:All at once, in the midst of this profound calm, a fresh sound arose; a sound as celestial, divine, ineffable, ravishing, as the other had been horrible. It was a hymn which issued from the gloom, a dazzling burst of prayer and harmony in the obscure and alarming silence of the night; women's voices, but voices composed at one and the same time of the pure accents of virgins and the innocent accent of children, -- voices which are not of the earth, and which resemble those that the newborn infant still hears, and which the dying man hears already. This song proceeded from the gloomy edifice which towered above the garden. At the moment when the hubbub of demons retreated, one would have said that a choir of angels was approaching through the gloom.Cosette and Jean Valjean fell on their knees.They knew not what it was, they knew not where they were; but both of them, the man and the child, the penitent and the innocent, felt that they must kneel.These voices had this strange characteristic, that they did not prevent the building from seeming to be deserted. It was a supernatural chant in an uninhabited house. While these voices were singing, Jean Valjean thought of nothing. He no longer beheld the night; he beheld a blue sky. It seemed to him that he felt those wings which we all have within us, unfolding.The song died away. It may have lasted a long time. Jean Valjean could not have told. Hours of ecstasy are never more than a moment. "
6
" Cruelty is a mystery, and the waste of pain. But if we describe a world to compass these things, a world that is a long, brute game, then we bump against another mystery: the inrush of power and light…unless all ages and races of men have been deluded by the same mass hypnotist (who?), there seems to be such a thing as beauty, a grace wholly gratuitous…we don’t know what’s going on here. If these tremendous events are random combinations of matter run amok, the yield of millions of monkeys at millions of typewriters, then what is it in us, hammered out of those same typewriters, that they ignite? We must somehow take a wider view, look at the whole landscape, really see it, and describe what’s going on here. Then we can at least wail the right question into the swaddling band of darkness, or, if it comes to that, choir the proper praise. "
― Annie Dillard , Pilgrim at Tinker Creek
7
" …95 percent of political commentary, whether spoken or written, is now polluted by the very politics it’s supposed to be about. Meaning it’s become totally ideological and reductive: The writer/speaker has certain political convictions or affiliations, and proceeds to filter all reality and spin all assertion according to those convictions and loyalties. Everybody’s pissed off and exasperated and impervious to argument from any other side. Opposing viewpoints are not just incorrect but contemptible, corrupt, evil […] Political discourse is now a formulaic matter of preaching to one’s own choir and demonizing the opposition. Everything’s relentlessly black-and-whitened…. Since the truth is way, way more gray and complicated than any one ideology can capture, the whole thing seems to me not just stupid but stupefying… How can any of this possibly help me, the average citizen, deliberate about whom to choose to decide my country’s macroeconomic policy, or how even to conceive for myself what that policy’s outlines should be, or how to minimize the chances of North Korea nuking the DMZ and pulling us into a ghastly foreign war, or how to balance domestic security concerns with civil liberties? Questions like these are all massively complicated, and much of the complication is not sexy, and well over 90 percent of political commentary now simply abets the uncomplicatedly sexy delusion that one side is Right and Just and the other Wrong and Dangerous. Which is of course a pleasant delusion, in a way—as is the belief that every last person you’re in conflict with is an asshole—but it’s childish, and totally unconducive to hard thought, give and take, compromise, or the ability of grown-ups to function as any kind of community. "
― David Foster Wallace , David Foster Wallace: The Interview
10
" I heard the universe as an oratorio sung by a master choir of stars, accompanied by the orchestra of the planets and the percussion of satellites and moons. The aria they performed was a song to break the heart, full of tragic dissonance and deferred hope, and yet somewhere beneath it all was a piercing refrain of glory, glory, glory. And I sensed that not only the grand movements of the cosmos, but everything that had happened in my life, was a part of that song. Even the hurts that seemed most senseless, the mistakes I would have done anything to erase--nothing could make those things good, but good could still come out of them all the same, and in the end the oratorio would be no less beautiful for it. "
― R.J. Anderson , Ultraviolet (Ultraviolet, #1)
12
" Here are all these people, full of heartache or hatred or desire, and we all have our troubles and the school year is filled with vulgarity and triviality and consequence, and there are all these teachers and kids of every shape and size, and there's this life we're struggling through full of shouting and tears and fights and break-ups and dashed hopes and unexpected luck -- it all disappears, just like that, when the choir begins to sing. Everyday life vanishes into song, you are suddenly overcome with a feeling of brotherhood, of deep solidarity, even love, and it diffuses the ugliness of everyday life into a spirit of perfect communion. "
― Muriel Barbery , The Elegance of the Hedgehog
14
" So how did you think about him?” Rachel asks.
Hallelujah shrugs. “We were friends. Good friends. He knew—knows—a lot about me. I guess I know a lot about him. Stuff he likes and doesn’t like.”
Rachel looks skeptical. “And yet you never knew he liked you.”
“No! I mean—when Jonah and I were friends, I liked Luke. So maybe I missed some signs.”
“So you just . . . hung out? Platonically?”
“Yeah. I guess.” Hallelujah thinks about how to explain it. How to distill a friendship down to its most basic components. “We had choir together last year. We talked. For kind of the first time, even though we’d been in church and school together since fourth grade.”
“And, what, you found out you had so much in common?”
“Actually, no. But we started comparing music we liked, and a month into ninth grade, Jonah made me this mix of songs. Based on what we’d talked about. So then I made him a mix. And it grew from there. We’d go to each other’s houses, watch movies, listen to music, that kind of thing. Hanging out.”
“So tell me about Jonah. Something only you know.”
“Um. He’d probably deny it, but he got really into the Harry Potter books. Like, really into them. I loaned him my box set last spring. He got so mad at me for not warning him how Book Six ends.”
Rachel laughs. “He didn’t see the movies?”
“No. But I told him we couldn’t watch them until he’d finished the books. "
― Kathryn Holmes
19
" Well, I'm sorry you couldn't make it either. I'm sorry I had to sit there in that church--which, by the way, had a broken air conditioner--sweating, watching all those people march down the aisle to look in my mother's casket and whisper to themselves all this mess about how much she looked like herself, even though she didn't. I'm sorry you weren't there to hear the lame choir drag out, song after song. I'm sorry you weren't there to see my dad try his best to be upbeat, cracking bad jokes in his speech, choking on his words. I'm sorry you weren't there to watch me totally lose it and explode into tears. I'm sorry you weren't there for me, but it doesn't matter, because even if you were, you wouldn't be able to feel what I feel. Nobody can. Even the preacher said so. "
― Jason Reynolds , The Boy in the Black Suit
20
" Here sighs and cries and shrieks of lamentation echoed throughout the starless air of Hell;at first these sounds resounding made me weep:tongues confused, a language strained in anguishwith cadences of anger, shrill outcriesand raucous groans that joined with sounds of hands,raising a whirling storm that turns itselfforever through that air of endless black,like grains of sand swirling when a whirlwind blows.And I, in the midst of all this circling horror,began, " Teacher, what are these sounds I hear?What souls are these so overwhelmed by grief?" And he to me: " This wretched state of beingis the fate of those sad souls who lived a lifebut lived it with no blame and with no praise.They are mixed with that repulsive choir of angelsneither faithful nor unfaithful to their God,who undecided stood but for themselves.Heaven, to keep its beauty, cast them out,but even Hell itself would not receive them,for fear the damned might glory over them." And I. " Master, what torments do they sufferthat force them to lament so bitterly?" He answered: " I will tell you in few words:these wretches have no hope of truly dying,and this blind life they lead is so abjectit makes them envy every other fate.The world will not record their having been there;Heaven's mercy and its justice turn from them.Let's not discuss them; look and pass them by... "